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Con man Kevin Lennihan, framed in a jewel smuggling, tries for an insanity plea, and is sent to a hospital for review, where he is confused for a doctor and takes over the hospital when a ma... Read allCon man Kevin Lennihan, framed in a jewel smuggling, tries for an insanity plea, and is sent to a hospital for review, where he is confused for a doctor and takes over the hospital when a major storm hits.Con man Kevin Lennihan, framed in a jewel smuggling, tries for an insanity plea, and is sent to a hospital for review, where he is confused for a doctor and takes over the hospital when a major storm hits.
Çigdem Selisik Onat
- Dr. Hoffman
- (as Cigdem Onat)
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Tick off another Richard Pryor comedy vehicle, which actually wasn't too bad even though it had him playing the same sort of comic role and the humour could be put off by its heavy-handed running themes. Pryor stars as an ex-con who poses as a psycho to get out of a jail sentence, so the judge sends him to a hospital where he would find himself posing as an emergency room doctor one night in his attempt to escape during a cyclone because the doctors don't believe him to be insane. This hospital comedy is zany, crude and very often unhinged, as Pryor plays it neurotic with a certain deadpan quality and across him was the lovely Rachel Ticotin. The support cast surrounding him are quite good in their deliveries. Ruben Blades, Sylvia Miles, Joe Mantegna, Bob Dishy, Garrett Morris, Randel "Tex" Cobb, Bob Saget and John Polito. The hodge podge story throws around many ideas and gags in a downright chaotic manner, from mistaken identity to offbeat medical techniques and displaying confidence in those around you to act upon your own judgement leading the way. "Critical Condition" is far from a lethal injection, as in the end it all comes together in an amusing haphazard way led by the likable comedian Pryor.
"He doesn't need a second opinion".
"He doesn't need a second opinion".
Confidence man Richard Pryor is caught with dangerous racketeers and is found guilty of the same crimes. To delay, he pretends to be crazy. He is sent to the psychiatric ward of a hospital for appraisal. While he is trying to escape, a storm strikes, the hospital is cut off from the mainland, and the power goes. Because he is wearing a lab coat, people think he is a doctor and look to him to take charge.
It's not the best comedy Pryor ever starred in, nor anywhere near the best movie Michael Apted directed.. He didn't write the script and has only one scene of wild improvization. Nonetheless, the role is a good fit for him and despite the foreordained ending, there are good moments. Bob Dishy is excellent as a surgeon who starts out thinking of nothing but legal liability. Bob Saget is very good as a resident lacking all self confidence, and Wesley Snipes can be spotted in an early, tiny role.
It's not the best comedy Pryor ever starred in, nor anywhere near the best movie Michael Apted directed.. He didn't write the script and has only one scene of wild improvization. Nonetheless, the role is a good fit for him and despite the foreordained ending, there are good moments. Bob Dishy is excellent as a surgeon who starts out thinking of nothing but legal liability. Bob Saget is very good as a resident lacking all self confidence, and Wesley Snipes can be spotted in an early, tiny role.
Richard Pryor pulls off a good performance as Kevin and a doctor.Bob saget and the rest of the cast perform well.it's enjoyable and I'd recommend it to all adult audiences.
During an interview with Johnny Carson to promote this movie, Pryor mentioned that he had a 20 lb. weight loss and couldn't gain it back. A battery of medical tests found no problem. The next day, he lost the vision in his right eye. We now know that this was the beginning of his MS.
Con man Kevin Lennihan (Richard Pryor), framed in a jewel smuggling, tries for an insanity plea and is sent to a hospital for review where he is confused with a doctor and takes over the hospital when a major storm hits.
I had never heard of this film until now (2016), which is a bit of a shame. Pryor is great, and it's awesome to see Bob Saget in a supporting role (though he isn't really given any funny lines). Joe Mantegna is here, too. This seems like it should be some sort of cult classic, but in stead it is forgotten.
And there may be a reason for that. Despite the funny premise, and some great moments, it never feels as funny as it should be. I don't know why. Is the script not polished enough? Is the director to blame? Or is it just very understated?
I had never heard of this film until now (2016), which is a bit of a shame. Pryor is great, and it's awesome to see Bob Saget in a supporting role (though he isn't really given any funny lines). Joe Mantegna is here, too. This seems like it should be some sort of cult classic, but in stead it is forgotten.
And there may be a reason for that. Despite the funny premise, and some great moments, it never feels as funny as it should be. I don't know why. Is the script not polished enough? Is the director to blame? Or is it just very understated?
Did you know
- TriviaRichard Pryor improvised all of his lines in the courtroom scene.
- GoofsBox opens the garage door, yells about his dog being kicked. However, Stuckey kicks the patient who thinks he's a dog several seconds before Box actually opens the garage door. There is no way that Box could have seen Stucky kick the dog.
- Alternate versionsA slightly different intro was filmed for the TV version. In the original theatrical release, Richard Pryor is seen meeting the loan shark in a sex shop. But the TV version has the meeting in an old warehouse. In addition, the TV version tones down some of Richard Pryor's language, and has a slightly different end credits sequence showing the main characters as their names are displayed in the credits list. The theatrical version just had standard titles over a black background.
- SoundtracksTHE RIDE OF THE VALKYRIES
from "DIE WALKURE"
Written by Richard Wagner
Performed by the Wiener Philharmoniker (as the Vienna Philharmonic)
Conducted by Sir Georg Solti
Courtesy of London Records
A Division of PolyGram Classics, Inc.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Critical Condition
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $20,240,502
- Opening weekend US & Canada
- $5,715,701
- Jan 18, 1987
- Gross worldwide
- $20,240,502
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