Black Cobra

The ever watchable Fred 'The Hammer' Williamson headlines in this action outing that owes more than just a little to the Sylvester Stallone hit Cobra.

The plot for instance is directly stolen - erm, I mean borrowed from the aforementioned Hollywood flick and involves a group of disillusioned social misfits led by Karl Landgren (Apocalypse Mercenaries/Demons 2) who are terrorising the city with their decidedly antisocial behaviour. During one attack however, a sexy female photographer (the lovely Eva Grimaldi) manages to snap a few shots of our naughty boy in the act as it were. She manages to escape with her life but subsequently finds herself on the receiving end of the gangs unwanted attention as they desperately hunt her down in order to reclaim the evidence she has of them (oh and to kill her of course!)

Where is our main man the Hammer during all this? Well, as it turns out he is given the assignment to protect our damsel in distress. Needless to say - any film with Fred Williamson in it always features a fair quota of ass kicking and this is no exception, although it has to be said that the action isn't handled with nearly as much enthusiasm by the director as it could and indeed should have which is a real shame.

Nonetheless, the film remains at least enjoyable throughout and doesn't outstay it's welcome with it's relatively short running time.

Followed by three sequels (although the final one barely features Williamson in it!)

Recently the uncut version (Australian VHS, the British is cut by 1 min 20 odd) of this very odd Italian Fred "The Hammer" Williamson film

Fred stars as the repellent Malone, a tough talking cop.

He say's to a girl he is protecting when she begins to speak "shut up, if you need to move your mouth put some food in it" (I would have thought of a coarser line)

He is on the hunt for some camp looking "bad guys" who replete with Bouffant hair and studded jackets look like prime "batchelor's for life" but seem to like killing, shooting and de-fouling who ever they can find.

Quite a good laugh with some grim scenes but at the end of the day in this one Fred has a butt bigger than a bus, his gut is held in by his belt, and when he runs he wobbles. He still kicks them all into the next century though

Stelvio Massi, the Roger Corman of Italy, cranked out an average of 4 films per year from 1954 to his death in 1994. Considering the haste, budgetary constraints and saturation problems this kind of schedule creates, Massi's films are much much better than they have any right to be.

Black Cobra stars a slightly bloated Fred "The Hammer" Williamson as an African American version of Dirty Harry - Detective Malone. Malone disobeys orders, doesn't compromise with people who he judges to be "scumbags" and is more than happy to contribute a little lead to anybody who asks for it. A female photographer has run afoul of a group of sociopathic, but nicely groomed, bikers and Malone is to be her protector.

Though not original, the story is decently told, and the script, although poorly dubbed, is OK. The acting is about what you would expect from a film of this nature, but some of the Italians are actually good. Nevertheless, the film did manage to cure my insomnia three nights in a row before I finally finished it last night and staggered off to bed in a daze.

For Completists Only.

Okay, this is a VERY low budget thriller. It makes Williamson's 1970s B-films look like "Ben Hur," but if you're a fan of the Hammer, you might find some enjoyment in this Italian import. I picked up the entire Black Cobra series at Big Lots for three bucks, and this first installment is bad, but tolerable. Williamson is a tough cop who rubs nearly everyone the wrong way...except for his cat, Pervis. A gang of not-so-tough looking bikers terrorize the city, and a key witness to one of their murders has the good luck of being in Williamson's custody. Of course, anyone can figure out the rest. The movie looks like it was filmed on the cheapest film stock that was ever produced, and the synth soundtrack is right out of the John Carpenter book of film scores. Still, Hammer is the Hammer. Williamson is not the best actor but he manages to breathe life into this pile of cheese.

12-01-2005 I just finished watching "Black Cobra" for the second time. The first time I watched it was four years ago when a friend had taped it off the air on a blank video cassette. I only saw the last half of the movie then...but I really liked it.

While it is clearly not in the genre of Eastwood's "Magnum Force" or "Dirty Harry" and probably is not as good as either Willis' "Die Hard" or Gibson's "Lethal Weapon", the film is still pretty good. The writing is not great but the "street action" carries the film well. Marian Cobretti and Martin Riggs could have learned some useful things. Mr. Williamson is good. Like Cobretti and Riggs, our Fred has "style".

I happen to like Fred Williamson, the actor. I liked him in "Joshua" and paid fulI price for the video cassette. In my mind, you don't get a lot better than " The Snake scene" in "Joshua" or the final "You're yella" scene with Karl Malden, in "Nevada Smith". Both are great movies. Williamson is good. I'd like to see more of his work...in conjunction with good screen play writing.