Pie voleuse

The totally unbelievable plot of this 1987 Warner Brothers release has to do with cat burglar Whoopi Goldberg changing into a law abiding citizen when she works to solve a murder case. This rather weak comedy was oddly originally intended to star Bruce Willis.

Bernice Rhodenbarr is a cat burglar and used book shop owner. When an ex-cop comes to her with a threat to hand in evidence that he withheld years ago that would incriminate her, she is forced to do a job for him. She agrees to steal a woman's jewellery back from her ex-husband after a messy split. She carries out the crime but is interrupted and has to hide. When she comes out of hiding she finds the man dead and her bag of jewels gone. In order to clear herself she must find out who would want the man dead before the cops can get to her.

There was a time in Whoopi Goldberg's career where they constantly tired to use her smart mouth and streetwise appearance to make her into a female Eddie Murphy. This film appears to be another attempt to use her streetwise wit to good effect. The plot is some form of murder mystery with Bernie being framed and hunted by the police while she tries to catch the real killer. It's nothing we haven't seen before but it's just not very well done here. I struggled to care about the people that Bernie was chasing because I didn't know who they were – partly because the film didn't really explain as most of them are red herrings in preparation for the `twist' at the end.

In terms of tension the film is lacking and as a result I never really got into it. On top of this it's main selling point, the smart comedy, is seriously missing. There was one maybe two good lines in it and none of those was delivered by Whoopi. In fact you could be mistaken for thinking this film wasn't a comedy as there are so very few laughs in it. The whole thing feels very dated – I imagine that even when it was released in the cinema people must have looked at it and gone `whoa, that's soooo eighties'!

Whoopi is poorly used and is sold short by a very ordinary script, but she does have a good support cast to help her out. Sadly they are all sold short as well. Goldthwait is the only one who is allowed to do anything amusing, Goodman, Warren, Bailey, and Handy are all pretty much window dressing so badly are they used.

Overall this film is one from a series of films aiming for the same effect (see Fatal Beauty, Jumpin Jack Flash etc) but here the film totally fails to make good on any of it's assets. The plot is boring and overly convoluted given that we all know it'll turn out to be the least likely main character in the film, and the comedy (usually OK in even average Whoopi films like this) is AWOL. A pretty horrid way to waste 90 minutes – unrelentingly dull.

One of Whoopi Goldberg's many post-"Color Purple" blunders, a half-comic/half-serious rendering of Lawrence Block's series of stories about a cat burglar who witnesses a murder while robbing a house. Swinging wildly from farce to suspense, director Hugh Wilson's schizophrenic rhythm never finds an appropriate tone, and as such we never warm to Whoopi's character. Lowest point is her scene in the dentist chair, getting her teeth drilled in what may be an unofficial--yet totally unfunny--nod to "Marathon Man". It's always nice to see John Goodman helping out, but a little of Bob Goldthwait goes a very long way. *1/2 from ****

I really enjoyed this movie, actually I've enjoyed it a number of viewings. I purchased the DVD. Why did Whoopie stop making movies that were so much fun. I enjoyed the books for which the movie is based, and prefer a woman to a man as a cat burglar. The cast is wonderful, especially Leslie Ann Warren, she is a total hoot. I won't spoil the ending but it was really cool. The atmosphere while they are bar-hopping is so realistic, having been a bar-hopper in my youth in San Francisco. Why isn't Hollywood making these little sleeper hits anymore. Now its all big budget busts, or small artsy fartsy movies. How about a well played mystery without the "Big" named pretty boys and girls as stars. More movies like this and perhaps the box office slump will not stop slumping...

The IMDb votes for BURGLAR are all over the place. Substantial segments of users graded it 6/10, 5/10, 4/10 and 3/10. A notable percentage also voted 7/10 and 1/10. Such divisions only reinforce what is obvious to anyone who's seen this Whoopi Goldberg vehicle -- it's an extremely uneven effort.

One of BURGLAR's biggest strengths is that it hits the ground running. Whoopi is great in the opening scenes, disguised as a fat-bottomed ol' lady ripping off a small piece of a rich man's riches. This sets the stage nicely for what promises to be a fast-paced blend of comedy, action, and snappy dialog. The film continues at a surprisingly entertaining level as our thieving hero, owing 25 G's to keep the lid on past misdeeds, agrees to snatch back some jewelry for a bitter ex-wife. Only things go terribly wrong when her target is murdered before she can make a clean getaway. Now she's the chief suspect and, just as O.J. once famously pledged, must find the real killer.

Unfortunately, it's at this point, when our expectations are highest, that BURGLAR begins to fall apart. The film grows progressively (and unnecessarily) lewd and at times downright dreary (particularly the out-of-place climax). Though there are a couple of laughs, much of the humor is so painfully unfunny you almost cringe. Performance wise, Whoopi is at the top of her game. But hard ass/cutie pie act -- punching men in the groin one minute and making wisecracks the next --never really works. Spastic comic Bobcat Goldthwait is as zany as ever as her best pal, but no one seemed to realize that his is an act meant to be taken in much smaller doses than this.

BURGLAR would have worked much better as a straight action thriller. Its insistence on trying to be humorous is what hurts it the most. Of course under no circumstances would this be a classic. But at the end of it all, you get the sense BURGLAR could have been more than it was.