La puissance du feu

I really enjoyed a large amount of the imagery in this film. The lighting is great, the colors are gorgeous, the locations are beautiful and the framing is great. That's really all there was for me. I guess if you can connect more with the mythology a large amount of this film references this may be an enjoyable experience. For anyone else there's really only visuals because honestly just about everything else is kinda dull.

The first half of the story was good almost perfect , the atmosphere the mystery I must admit it was scary and so interesting , but unfortunately it missed and flawed after the second half . I think the director lost and he didn't know what to do .

3/10

First the good ... The landscapes and architecture in the film are absolutely beautiful which makes it all the sadder that nothing was made of them This folly ( of the uninteresting kind ) plays out like a flat episode of 1980s Doctor Who ... Peter Firth does his best with what he has to work with, but with a director that obviously hasn't got a clue he isn't able to salvage anything. The story and script may well have come from a really interesting source but the writing and assembly is completely incompetent Somebody mentioned that it could be played and appreciated silent ... I think they are right ... It would be more worthwhile silent as it would seem like there was a possibility of something good going one here Oh and the lead actress ... Well ... It seems like she may have just stepped out of "Acting for television - 1 " ... Abysmal The little man however was fabulous

Unusual and violent activity is observed on the surface of the sun during an eclipse. A dormant volcano erupts in Turkey. A musician (Peter Firth) is haunted by a strange melody. These are the starting points of what turns out to be a surrealist journey into arabic mythology.

After meeting an astronomer (Suzan Crowley) who observed the strange activity on the sun, Firth visits his mother on her deathbed. She tells him of the Master Musician, a mysterious being living in Turkey, where his father, also a musician, died a long time ago.

Firth takes off for Turkey, to face the demons of his father's past and find this mythical Master Musician. His trip takes us deep into the heart of arabic mythology, into a world inhabited by Djinns and Shaytans, respectively born of Air and Fire. He will learn many things about his father's life that will bring him to the brink of insanity.

Directed by Jamil Dehlavi and filmed on location in Turkey, the cinematography of this film is so gorgeous you could watch it with the sound off. The plot isn't so important as the powerful symbology of the imagery (for example, the eclipse is represented by a skull covering the sun). It must be said that the director does very little to explain the many references to the mythology. But this isn't a weakness as it sent me on my own quest to find out more about it.

Not for the impatient viewer looking for a cheap thrill, but definitely recommended for the serious viewer seeking a heightened adventure into the surreal.

Unusual and violent activity is observed on the surface of the sun during an eclipse. A dormant volcano erupts in Turkey. A musician (Peter Firth) is haunted by a strange melody. These are the starting points of what turns out to be a surrealist journey into Arabic mythology.

After meeting an astronomer (Suzan Crowley) who observed the strange activity on the sun, Firth visits his mother on her deathbed. She tells him of the Master Musician, a mysterious being living in Turkey, where his father, also a musician, died a long time ago.

Firth takes off for Turkey, to face the demons of his father's past and find this mythical Master Musician. His trip takes us deep into the heart of arabic mythology, into a world inhabited by Djinns and Shaytans, respectively born of Air and Fire. He will learn many things about his father's life that will bring him to the brink of insanity.

Directed by Jamil Dehlavi and filmed on location in Turkey, the cinematography of this film is so gorgeous you could watch it with the sound off. The plot isn't so important as the powerful symbology of the imagery (for example, the eclipse is represented by a skull covering the sun). It must be said that the director does very little to explain the many references to the mythology. But this isn't a weakness as it sent me on my own quest to find out more about it.

Not for the impatient viewer looking for a cheap thrill, but definitely recommended for the serious viewer seeking a heightened adventure into the surreal.