Broadcast News
- 1987
- Tous publics
- 2h 13m
IMDb RATING
7.3/10
36K
YOUR RATING
A high-strung news producer finds herself in a love triangle between a talented but self-doubting reporter and a charming new anchor, who embodies the growing trivialization of news that she... Read allA high-strung news producer finds herself in a love triangle between a talented but self-doubting reporter and a charming new anchor, who embodies the growing trivialization of news that she is determined to fight against.A high-strung news producer finds herself in a love triangle between a talented but self-doubting reporter and a charming new anchor, who embodies the growing trivialization of news that she is determined to fight against.
- Nominated for 7 Oscars
- 15 wins & 23 nominations total
Joan Cusack
- Blair Litton
- (as Joan Cusak)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Essential viewing for anyone who watches TV news as it may help to become a little more sceptical, or even cynical. On a personal note I recall taking a course some years ago about being interviewed for TV - what to do, what not to do. The course instructors impressed on us that TV news was a "branch of show-biz". That depressing view, which is probably even more valid today than when it was made, is reinforced by this film. Never mind journalistic integrity, what counts is the ability to look good and smile nicely. And make sure you don't sweat on camera.
The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.
The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.
"Broadcast News" deals with news journalists who are all trying to keep their sanity in an insane business. William Hurt (Oscar-nominated) is the man who will do anything to become the head news anchor with his television network. He knows that the top anchor (Jack Nicholson) will be retiring soon and he must have that seat in front of the camera. Holly Hunter (also Oscar-nominated) is the smart producer who realizes that not everything in the news business is just black and white. Albert Brooks (Oscar-nominated as well) is the reporter who does not take anything too seriously. He is a great newsman, but does not have the drive or charisma to make a splash like Hurt does. This is definitely a black-comedy because the comedy comes to a screeching halt throughout the film to make way for heartrending drama that is both realistic and sometimes difficult to take. Brooks' screenplay is smart for the most part, but the film is flawed in several areas. Sometimes the direction is not clear. I think that Brooks was going for something like "Network". He comes close, but this film is in a lower class than that movie. The performances are top-notch. However, Jack Nicholson's token appearance is somewhat wasted here. He shows up for one or two minutes at a time and his character is never explored. More Jack Nicholson would have provided more insight into Hurt's character and his motives. Though flawed, "Broadcast News" is still a very good film that is a winner for the most part. 4 stars out of 5.
9chua
For me this wonderful rollercoaster of a film bears repeated pleasurable viewings. Its about the tangled lives of three very different people. Holly Hunter is the obsessive workaholic producer. Albert Brookes plays the unprepossessing but brilliant journalist. William Hurt is the affable but dumb new kid on the block, news anchor.
The classical love triangle emerges with the stunningly witty and self deprecating Brookes in love with Hunter but she of course is attracted to Hurt.
This film works on many levels. At the very least it is a brilliant comedy with the one liners flying so thick and fast that each viewing bears a new harvest of ones that you may have missed last time. Its also a film about attraction and unfulfilled romance.
But perhaps most importantly the film examines the modern obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. This is personified by the meteoric career success of the Hurt character in contrast to Brookes relative decline.
Despite being fifteen years old the film has some startingly relevant messages about modern news values and the continuing decline in journalistic standards.
This film is a classic in every sense and it is difficult to understand why it has been so neglected
The classical love triangle emerges with the stunningly witty and self deprecating Brookes in love with Hunter but she of course is attracted to Hurt.
This film works on many levels. At the very least it is a brilliant comedy with the one liners flying so thick and fast that each viewing bears a new harvest of ones that you may have missed last time. Its also a film about attraction and unfulfilled romance.
But perhaps most importantly the film examines the modern obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. This is personified by the meteoric career success of the Hurt character in contrast to Brookes relative decline.
Despite being fifteen years old the film has some startingly relevant messages about modern news values and the continuing decline in journalistic standards.
This film is a classic in every sense and it is difficult to understand why it has been so neglected
I'm sitting around going through movie listings and not really seeing anything I want to see. My appetite keeps saying, "Something like BROADCAST NEWS." That's what I want. Something smart and funny, with adult ideas and great acting and writing, and a directorial style that doesn't call attention to itself. This may well be Hurt's best performance (is this or THE BIG CHILL, to my mind): however eccentric, Hurt is smart, and to play an unintelligent person without making sure -- wink wink -- the audience knows -- wink wink -- hey, I'M not stupid... well, that's fine acting right there. Hunter is note-perfect, and Albert Brooks is a revelation. (And he can read and sing at the same time!) Great, great work.
BROADCAST NEWS marks the first time I saw Holly Hunter and I was mesmerized at her focus, quickness, passion, and finally her eccentric prettiness and sex appeal. The movie is hers from start to finish, and makes the 'love triangle' subplot almost unnecessary. She's so smart in the film (a rarity for a lead female) that you almost think if her only romantic choices are William Hurt's style-but-no-substance anchor or Albert Brooks's neurotic but intellectually arrogant reporter, she'd be better off with Robert Prosky. Though I can best relate to Albert Brooks (the guy who loves the smart, alluring girl who only sees him as a 'brother'), he still ticked me off a bit. My favorite scene in the film is him pouring his heart out to Hunter on a front porch confessing his love, then taking her by surprise and kissing her romantically (the only time he gets the chance). When he goes petulant later in the story, it's a bit hard to take. Fortunately, the James Brooks script and direction are a joy throughout, culminating in two perfect scenes: one with Joan Cusack unraveling seconds before a tape feed, and a marvelous 360 (?) pan thru the studio showing a live news feed from producer to anchor in one shot.
Did you know
- TriviaAlbert Brooks revealed that when he first read the script, the scene where Aaron does a weekend broadcast simply noted "Something bad happens to Aaron on the air." Albert was watching CNN when a reporter he'd never seen before (and hasn't seen since) began sweating badly. Albert phoned writer and director James L. Brooks at three in the morning, and stated that Aaron HAD to start sweating profusely.
- GoofsAs Jane approaches the restaurant to meet the gang for drinks, William Hurt (Tom) peeks around the corner early and realizes he jumped his cue. He quickly pulls back, then he and Jennifer walk around the corner as if they had just left.
- Quotes
Aaron Altman: Ok, I'll meet you at the place near the thing where we went that time.
- Crazy creditsAlbert Brooks' singing of "L'Edition Speciale" from the film also briefly appears in the end credits.
- ConnectionsEdited into Armageddon in Effect (2008)
- SoundtracksÉdition Spéciale
Music by Francis Cabrel
Lyrics by Francis Cabrel
Performed by Francis Cabrel
Courtesy of Editions 31 (Paris)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Detrás de las noticias
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $51,249,404
- Opening weekend US & Canada
- $197,542
- Dec 20, 1987
- Gross worldwide
- $67,331,309
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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