A maniac tries to kill off a group of teenagers on an encounter session in the desert.A maniac tries to kill off a group of teenagers on an encounter session in the desert.A maniac tries to kill off a group of teenagers on an encounter session in the desert.
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A Los Angeles psychologist takes six troubled patients (three men and three women) out to an isolated mine in the arid wasteland, but the situation turns ugly when someone's neck is slashed.
"Blood Frenzy" (1987) has an engaging set-up and a unique location for a slasher. While the tone is too exaggerated and mixed with droll humor to take very seriously, the characters are fleshed out enough to make them interesting.
Masculine Tony Montero is effective as a Vietnam Vet with PTSD while petite Lisa Savage is a highlight on the female front. Meanwhile Lisa Loring (Wednesday from The Addams Family) is striking as an adult and very good at playing a biyatch. Actually, she might do it too well, not to mention she hams it up a little too much in the last act.
An eye-rolling sapphic episode in a dirty cave (off camera, for the most part) dooms any possibility of taking the flick seriously. Why Sure! Still, there are some positives if you like 80's slashers and don't mind low-budget ones released direct-to-video. Think "Sands of the Kalahari" if it were a low-rent slasher.
The film runs 1 hour, 27 minutes, and was shot entirely on location at Calico Mines, Barstow, SoCal, which is a 2-hour drive northeast of Los Angeles in the Mojave Desert.
GRADE: C.
"Blood Frenzy" (1987) has an engaging set-up and a unique location for a slasher. While the tone is too exaggerated and mixed with droll humor to take very seriously, the characters are fleshed out enough to make them interesting.
Masculine Tony Montero is effective as a Vietnam Vet with PTSD while petite Lisa Savage is a highlight on the female front. Meanwhile Lisa Loring (Wednesday from The Addams Family) is striking as an adult and very good at playing a biyatch. Actually, she might do it too well, not to mention she hams it up a little too much in the last act.
An eye-rolling sapphic episode in a dirty cave (off camera, for the most part) dooms any possibility of taking the flick seriously. Why Sure! Still, there are some positives if you like 80's slashers and don't mind low-budget ones released direct-to-video. Think "Sands of the Kalahari" if it were a low-rent slasher.
The film runs 1 hour, 27 minutes, and was shot entirely on location at Calico Mines, Barstow, SoCal, which is a 2-hour drive northeast of Los Angeles in the Mojave Desert.
GRADE: C.
Nowadays it's hard to come by this movie. The copy I found is very bad, audio and footage were damaged (and I even think it was a fandub?) and it's all in all a trouble to find this movie and then additional trouble to watch it and more than 90% of people won't endure such trouble to watch this movie. But those who do (and I'm assuming those brave few will be hardcore fans of the horror genre) will find a nice little slasher that obviously had effort put into it. Characters are interesting enough to make the watching of a movie entertaining and the whole thing has a certain kind of atmosphere and charm. It's not scary or creepy, so don't go in expecting a hidden gem, but it's still entertaining if you can appreciate the effort. It's also worth noting that the director of the movie is Hal Freeman, and he was a porn director, so it's no wonder female characters are dressed in a bit revealing fashion, which serves as nice bit of eye candy. All in all, just for the chemistry between the characters and the obvious effort put into the movie, I give it 6/10, but I recommend it only to hardcore genre fans, because everybody else won't finding anything here that's worth their time and can safely regard the rating as it currently is, a 4/10...
There's two ways of looking at "Blood Frenzy": A very standard, run-of-the-mill slasher flick that tries to cash in on the success of the first two "The Hills Have Eyes" films, simply by using the same desert setting and a similar stack & slash routine. Or: A modest, unrighteously overlooked 80's slasher gem that sticks to the point and uses the at the time not-done-to-death-yet setting of a desolate desert to its advantage. Since it also specializes in nasty throat & stomach slicings, uses very distinguishable characters and even contains a very basic, but to-the-point twist at the end... I'm in the second camp. All-in-all, not a bad slasher movie from the 80's, although it's an obscure one and you first must have seen a lot of those to be able to acknowledge this.
A female psychotherapist and her small group of emotionally troubled patients trek into the middle of the desert(where it's free to film a movie) for some solitude, and a bit of therapeutic soul-purging and brain-picking. Once settled at their destination, members of the group begin to disappear, leaving the others to nervously unravel the mystery while eyeing each-other suspiciously.
A fairly pissant little production, BLOOD FRENZY isn't exactly a marvel of filmmaking genius, but there are scores of truly wretched titles from the slasher canon which make it at least seem somewhat more substantial than it actually is. Formulaic, featureless, and for the most part watchable, this is a nondescript film which serves up the barest meat-and-potatoes provisions and makes zero attempt to distinguish itself with fresh ideas or impressive showmanship.
BLOOD FRENZY should manage to appease most undemanding slash-cinema enthusiasts, but mostly in a tap-water flavored sort of way. 4/10
A fairly pissant little production, BLOOD FRENZY isn't exactly a marvel of filmmaking genius, but there are scores of truly wretched titles from the slasher canon which make it at least seem somewhat more substantial than it actually is. Formulaic, featureless, and for the most part watchable, this is a nondescript film which serves up the barest meat-and-potatoes provisions and makes zero attempt to distinguish itself with fresh ideas or impressive showmanship.
BLOOD FRENZY should manage to appease most undemanding slash-cinema enthusiasts, but mostly in a tap-water flavored sort of way. 4/10
Supremely annoying characters are driving through the desert, when their van breaks down, only to be set upon by an unseen killer.
As in the vastly superior 1977 film, The Hills Have Eyes, the desert location gives a creepy atmosphere to the proceedings, but the characters are all so very annoying, and the gore effects are all so underwhelming they aren't worth waiting for.
Directed by hardcore pornographic filmmaker Hal Freeman, and allegedly based on a script by Ray Dennis Steckler , pointlessly titled " Warning - No Trespassing " , which was rewritten by Freeman's frequent collaborator, Ted Newsom, this will, at least, answer anyone's questions about why Wednesday Addams didn't continue acting.
As in the vastly superior 1977 film, The Hills Have Eyes, the desert location gives a creepy atmosphere to the proceedings, but the characters are all so very annoying, and the gore effects are all so underwhelming they aren't worth waiting for.
Directed by hardcore pornographic filmmaker Hal Freeman, and allegedly based on a script by Ray Dennis Steckler , pointlessly titled " Warning - No Trespassing " , which was rewritten by Freeman's frequent collaborator, Ted Newsom, this will, at least, answer anyone's questions about why Wednesday Addams didn't continue acting.
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- GoofsBoom mic is clearly visible when Cassie collapses while walking alone with Rick.
- SoundtracksPop Goes the Weasel
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