IMDb RATING
6.2/10
13K
YOUR RATING
A spoof of low budget 1950s science-fiction movies, interspersed with various comedy sketches and fake commercials making fun of late-night television.A spoof of low budget 1950s science-fiction movies, interspersed with various comedy sketches and fake commercials making fun of late-night television.A spoof of low budget 1950s science-fiction movies, interspersed with various comedy sketches and fake commercials making fun of late-night television.
Donald F. Muhich
- Easterbrook (segment "Pethouse Video")
- (as Donald Muhich)
Debbi A. Davison
- Weatherperson (segment "Murray in Videoland")
- (as Debbie Davison)
Featured reviews
I guess it was perfect timing that I watch this late last night, because it goes hand-to-hand with its overall context and what it's trying to come across as. This star-studded production with the likes of John Landis and Joe Dante directing some of these gags and segments, come up with a compilation comedy that lampoons late-night American TV. The main focus is on a Z-grade 1950's Sci-fi film called 'Amazon woman on the moon', but it's the small comedy sketches of info-commercials that flooded proceedings. The majority of the film is filled with these comical ads and pointless interruptions and breaks, with the z-grade feature more so in the background. Which is quite sad as from what get out of this flick is a correct parody on late-night telly and some of it is mildly entertaining. It's just sometimes the one idea gimmick had me smiling while other times it had me rolling my eyes. Some skits worked with their ingenious side gags and self-referential humour, while others totally missed the point by overplaying its hand, or they were rather thin.
Some of my favourite segments would be the Video date, Don 'no soul' Simmons, Murray in videoland, critics corner and bullsh!t or not. Plus the z-grade mocking of 'Amazon woman on the moon' is neatly setup and done with great effect, with its dodgy sets, awful dialog, wooden acting, women in skimpy outfits (with Sybil Danning appearing), choppy editing and the many pointless interruptions that go through the flick. They just nailed it! The whole parody is interesting and it works in small slabs, but the whole execution was rather uneven and downright hectic. Maybe too many directors spoil the brew? As some segments and gags just don't fit in with others, that being the context or that of the humour. The narration is all over the place, but that was intended by mocking these type of productions and the clever script is done with enough panache and wit. You'll notice a lot of familiar faces popping up throughout, like Rosanna Arquette, Griffin Dunne, Michelle Pfeiffer, Steve Guttenberg, Dick Millar, Ralph Bellamy, Arsenio Hall, Phil Hartman and many more. But just don't think it's finish when the credits start rolling, as there's another send-up following involving Carrie Fisher called reckless youth. Pocking fun of the 30's when there was movie/TV propaganda about foolishness of teens and how your youth can destroy you by taking reckless temptations.
The feature did kinda remind me of Monty Python gags and definitely in the way the format was presented. These Python's films are 'And Now For Something Completely Different' and 'The Meaning of Life'. Although a friend of mine told me that this idea for this film is similar to 'The Kentucky Fried Movie' (1977), the same people who went on to create the spoof 'Airplane'. It supposedly was a catalyst for this type of picture.
Basically it's a fairly entertaining watch and true to its sources, but still rather forgettable when it came to shove.
Some of my favourite segments would be the Video date, Don 'no soul' Simmons, Murray in videoland, critics corner and bullsh!t or not. Plus the z-grade mocking of 'Amazon woman on the moon' is neatly setup and done with great effect, with its dodgy sets, awful dialog, wooden acting, women in skimpy outfits (with Sybil Danning appearing), choppy editing and the many pointless interruptions that go through the flick. They just nailed it! The whole parody is interesting and it works in small slabs, but the whole execution was rather uneven and downright hectic. Maybe too many directors spoil the brew? As some segments and gags just don't fit in with others, that being the context or that of the humour. The narration is all over the place, but that was intended by mocking these type of productions and the clever script is done with enough panache and wit. You'll notice a lot of familiar faces popping up throughout, like Rosanna Arquette, Griffin Dunne, Michelle Pfeiffer, Steve Guttenberg, Dick Millar, Ralph Bellamy, Arsenio Hall, Phil Hartman and many more. But just don't think it's finish when the credits start rolling, as there's another send-up following involving Carrie Fisher called reckless youth. Pocking fun of the 30's when there was movie/TV propaganda about foolishness of teens and how your youth can destroy you by taking reckless temptations.
The feature did kinda remind me of Monty Python gags and definitely in the way the format was presented. These Python's films are 'And Now For Something Completely Different' and 'The Meaning of Life'. Although a friend of mine told me that this idea for this film is similar to 'The Kentucky Fried Movie' (1977), the same people who went on to create the spoof 'Airplane'. It supposedly was a catalyst for this type of picture.
Basically it's a fairly entertaining watch and true to its sources, but still rather forgettable when it came to shove.
Greetings, one and all! "Amazon Women on the Moon" is one of my all-time favorite movies, not because it is perfect, but because it effectively yet respectfully lampoons so many genres, including 50s movies, late-night television of all sorts, and even different styles of literature available throughout a good portion of the 20th century. Find a trend in literature of the 40s and 50s, movies of the 50s and 60s, or television of the 50s through the 70s, and it is somehow made fun of in this movie.
Another reason that I like this film is the fact that everyone involved, and there are many, many recognizable names involved with this project, seems to be having so much fun doing it. Several of the best moments for me are those when actors are playing, tongue-in-cheek, the same types of roles for which they were famous in other "serious" movies.
The movie is incredibly funny if you are in the right mood, and with the right crowd. Even if not, however, there are enough funny moments to make this worth watching. The pacing and style are sometimes uneven, which I found worked toward a purpose, but that may make it hard for some to watch the movie straight through. If that is the case, watch it in two sittings; it's worth the extra effort.
One game you can play, if you know the times or are old enough to remember first-hand, is to find how many books, TV shows/icons, and movies are good-naturedly ridiculed throughout the movie.
Another reason that I like this film is the fact that everyone involved, and there are many, many recognizable names involved with this project, seems to be having so much fun doing it. Several of the best moments for me are those when actors are playing, tongue-in-cheek, the same types of roles for which they were famous in other "serious" movies.
The movie is incredibly funny if you are in the right mood, and with the right crowd. Even if not, however, there are enough funny moments to make this worth watching. The pacing and style are sometimes uneven, which I found worked toward a purpose, but that may make it hard for some to watch the movie straight through. If that is the case, watch it in two sittings; it's worth the extra effort.
One game you can play, if you know the times or are old enough to remember first-hand, is to find how many books, TV shows/icons, and movies are good-naturedly ridiculed throughout the movie.
There's no subtlety with "Amazon Women on the Moon"; a lot of the gags are on-the-nose and sometimes I actually wanted to shake my head for laughing. But I think the key here is the execution.
For starters, just look at the cast on this thing. It's one name actor after another, and I don't think there's a weakness among them. Also, the subject matter (late-night TV) seems ripe for parody; it lends itself to the movie's shameless mix of ribald and farcical. But more important than all of this is the ability to surprise. My favorite segment (aside from Arsenio Hall's being systematically attacked by his own apartment) is Don "No Soul" Simmons:
"Did you know that every seven minutes, a black person is born in this country without soul?"
It wouldn't be a stretch to say that David Alan Grier walks away with this movie.
There's just something about this that works; it's consistently funny, the bits are largely memorable, and it's got John Landis' fingerprints all over it. Sold!
8/10
For starters, just look at the cast on this thing. It's one name actor after another, and I don't think there's a weakness among them. Also, the subject matter (late-night TV) seems ripe for parody; it lends itself to the movie's shameless mix of ribald and farcical. But more important than all of this is the ability to surprise. My favorite segment (aside from Arsenio Hall's being systematically attacked by his own apartment) is Don "No Soul" Simmons:
"Did you know that every seven minutes, a black person is born in this country without soul?"
It wouldn't be a stretch to say that David Alan Grier walks away with this movie.
There's just something about this that works; it's consistently funny, the bits are largely memorable, and it's got John Landis' fingerprints all over it. Sold!
8/10
Boy, do i love this movie! Im not saying it didnt have any flaws. Id say about 80% of it was very funny. My absolute favorite sketches are the Harvey Pitnik critics corner/funeral sketches. The critics really tore Harvey a new one (LOL)! All the roasters (comedians) were great, but my favorite was Rip Taylor, especially when he says "you know the old saying in show business, get off quick, like Harvey on his wedding night!" When i heard that, I laughed so hard, that i probably have an uncured hernia to this day from it. Of course i cant leave out the blacks without soul/ Don no soul Simmons albums (my second favorite), Arnesio Hall, bs or not, pirates, titans, and every Vangoe must go, and the Amazon Women movie itself. These were all very funny. I cant wait to get this on dvd one day. 8 STARS OUT OF 10.
I'm sure this is the last time we will see this kind of Cuisinart comedy collection directed by, at the time (1987), some of the cinema's top comedy directors. And that's a shame. Because "Amazon Women On The Moon", although not perfect by any cinematic measuring stick, represents a small victory for loopy, silly comedy anarchy. Look at this line up of comedy vets: John Landis ("The Blues Brothers", "Trading Places", "Animal House" among so many others), Joe Dante ("Gremlins", "Innerspace", "Matinee"), Robert Weiss (TV's "Police Squad!"), Carl Gottlieb (co-writer of "Jaws" AND "The Jerk") as well as newby Peter Horton (of "thirtysomething" fame).
This anthology features some real groaners to be sure, but surprisingly hits more times, and with more genuine laughs, than would be expected. Cobbled together as a de facto follow up to Landis's 1977's "Kentucky Fried Movie" (the picture that boasted the first unspooling of the Zucker-Abraham-Zucker genius that would soon launch "Airplane!" three years later) on a low-low indie budget way outside his usual 80's big-budget Universal stomping ground, "Amazon Women..." manages to both successfully surpass AND fail to reach the dizzy, laff-a-minute, rat-a-tat-tat of the 70's midnight circuit fave.
This picture has several clinkers of flat comedy (Landis's opener nearly stops the film dead with the always-unfunny Arsenio Hall), but hits with so many other vignettes that it's easy to get into the groove of this short-but-sweet skewer of 80's late-late-night TV. The standout segments in this comedic buffet are abundant, but the best of them belong to Dante, Weiss & Gottlieb: the Universal-International "Invisible Man" short with Ed Begley Jr.; his hilarious run at the Leonard Nimoy "In Search Of" chestnut as "Bullshit Or Not?" with pitch-perfect host Henry Silva; the stay-for-the-end-credits 1930's "Reefer Madness" health scare jewel starring the late, great Paul Bartel and Carrie Fisher; or the crossed-circuit tributes to BOTH the "Siskel & Ebert" show AND the old Dean Martin Celebrity Roasts, featuring a dream cast of vaudeville and 50's Vegas comics that has to be seen to be believed.
Landis's standouts include a "no soul" infomercial featuring David Alan Grier and BB King, a funny hospital sketch featuring Landis players Griffin ("American Werewolf") Dunne and Michelle ("Into The Night") Pfeiffer (!) and a respectful nod to the earlier "Kentucky Fried Movie" wrap-up featuring an interactive video that stars Marc McClure, "UltraVixens" cult director Russ Meyer and Andrew Dice Clay. Highest marks, though, go to the running-gag "Amazon Women On The Moon", which lovingly - hilariously - mocks everything from "This Island Earth" to "Robot Monster" complete with film splices and gorgeous, over-saturated Eastmancolor.
If you have ever loved crappy TV, the Universal Studios backlot or any of the directors who have contributed to this dog's breakfast of SNL-inspired skits (written by two ex Carson-era "Tonight Show" writers), take a look at this one. Plus, it's only 85 minutes of your life that you'll never get back. Bullshit, or not.
This anthology features some real groaners to be sure, but surprisingly hits more times, and with more genuine laughs, than would be expected. Cobbled together as a de facto follow up to Landis's 1977's "Kentucky Fried Movie" (the picture that boasted the first unspooling of the Zucker-Abraham-Zucker genius that would soon launch "Airplane!" three years later) on a low-low indie budget way outside his usual 80's big-budget Universal stomping ground, "Amazon Women..." manages to both successfully surpass AND fail to reach the dizzy, laff-a-minute, rat-a-tat-tat of the 70's midnight circuit fave.
This picture has several clinkers of flat comedy (Landis's opener nearly stops the film dead with the always-unfunny Arsenio Hall), but hits with so many other vignettes that it's easy to get into the groove of this short-but-sweet skewer of 80's late-late-night TV. The standout segments in this comedic buffet are abundant, but the best of them belong to Dante, Weiss & Gottlieb: the Universal-International "Invisible Man" short with Ed Begley Jr.; his hilarious run at the Leonard Nimoy "In Search Of" chestnut as "Bullshit Or Not?" with pitch-perfect host Henry Silva; the stay-for-the-end-credits 1930's "Reefer Madness" health scare jewel starring the late, great Paul Bartel and Carrie Fisher; or the crossed-circuit tributes to BOTH the "Siskel & Ebert" show AND the old Dean Martin Celebrity Roasts, featuring a dream cast of vaudeville and 50's Vegas comics that has to be seen to be believed.
Landis's standouts include a "no soul" infomercial featuring David Alan Grier and BB King, a funny hospital sketch featuring Landis players Griffin ("American Werewolf") Dunne and Michelle ("Into The Night") Pfeiffer (!) and a respectful nod to the earlier "Kentucky Fried Movie" wrap-up featuring an interactive video that stars Marc McClure, "UltraVixens" cult director Russ Meyer and Andrew Dice Clay. Highest marks, though, go to the running-gag "Amazon Women On The Moon", which lovingly - hilariously - mocks everything from "This Island Earth" to "Robot Monster" complete with film splices and gorgeous, over-saturated Eastmancolor.
If you have ever loved crappy TV, the Universal Studios backlot or any of the directors who have contributed to this dog's breakfast of SNL-inspired skits (written by two ex Carson-era "Tonight Show" writers), take a look at this one. Plus, it's only 85 minutes of your life that you'll never get back. Bullshit, or not.
Did you know
- TriviaThe "Pethouse Video" segment was filmed twice. Monique Gabrielle was totally naked for the theatrical, videocassette and DVD versions, but wore lingerie in the television version.
- GoofsIn the "Mondo Condo" segment, while Arsenio Hall is struggling to get his necktie out of the garbage disposal unit, he knocks over the beer can. But in the next shot, the beer can is still on the counter.
- Quotes
Rip Taylor: But I do feel for his widow, Bernice. That was a romantic marriage. She learned everything about sex from a manual. Immanuel was their gardener.
- Crazy creditsThe very last credit before the copyright statement is Hi Sean!
- Alternate versionsTelevision versions contain an additional sketch with Dick Miller as a ventriloquist whose dummy is switched with a French-speaking one. There is also an additional sketch featuring Jenny Agutter. Neither of these is found on the video version. The 'Pethouse Video' was completely re shot for television and features Monique Gabrielle walking around in lingerie rather than being naked. The "Bullshit Or Not?" program is retitled "Baloney Or Not?".
- SoundtracksIf This Is It
Performed by Huey Lewis & The News (as Huey Lewis and The News)
Courtesy Chrysalis Records, Inc. ® & © 1983
Written by Johnny Colla (as J. Colla) / Huey Lewis (as H. Lewis)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Amazon Women on the Moon
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $548,696
- Opening weekend US & Canada
- $171,723
- Sep 20, 1987
- Gross worldwide
- $548,696
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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