IMDb RATING
3.9/10
1.4K
YOUR RATING
Three American friends travelling through Spain get stuck in a remote town where something very dangerous is changing the town's people.Three American friends travelling through Spain get stuck in a remote town where something very dangerous is changing the town's people.Three American friends travelling through Spain get stuck in a remote town where something very dangerous is changing the town's people.
- Director
- Writers
- Stars
Cristina San Juan
- Duarte Cafe Waitress
- (as Christina San Juan)
Richard C. Sarafian
- Capt. J.J. Wells
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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I was able to sit through the entire film, something I couldn't do for other B films. There were so many bad aspects of this film, like the overacting and the plot. The pros were some location shots of Spain, mid 1980's fashion and a great gas explosion so good they used it twice. As this was my first and last viewing of "Alien Predator" or "The Falling", I can say, I was hoping for a twisted ending. Like, the alien only hunts and kills bad actors paving the way for a new generation of super actors in B films- No Spoilers. Dennis Christopher as Damon was hyper irritating. Lynn-Holly Johnson's Samantha is beautiful, but reminded me of an anime come to life and Martin Hewitt's character, Michael, could have read his part from a script throughout this film, without affecting the viewing at all. Seriously, Hewitt could have had a script in each scene, reading his lines and if anything, it would have improved the movie. This film should be shown at all acting, directing and editing schools so that maybe, we'll get better B movies in the future.
My review was written in February 1987 after watching the film at Cine 42 on Manhattan's 42nd St.
"Alien Predator" (that what it says on screen, despite confusing ads which spell it "Alien Predators") is a truly stupid horror film shot in Spain in 1984 as "The Falling". Initially aimed at release along with two other Helen Sarlui productions by Film Ventures International, pic went on the shelf when that company experienced financial problems and surfaces instead via home video firm turned theatrical distributor TWE. A lawsuit or at least stern warning should be in the offing from 20th Century Fox, since new title not only intones the likes of Fox' "Alien" and "aliens" hits, but also Fox' upcoming Arnold Schwarzenegger-starrer "Predator". TWE also cut corners by virtually duplicating the poster art here from its 1984 flop "Creature".
It would be difficult to come up with a more obnoxious triumvirate than leading players Dennis Christopher, Martin Hewitt and Lynn-Holly Johnson, smirking, flirting and pouting as three squeaky-clean kids on a vacation in Spain in their massive recreational vehicle and dune buggy. Too bad for them that Skylab crashed nearby in 1979 and five years later, Spaniards are being exposed to the result of an experiment conducted on Skylab involving living microbes found on the moon from the Apollo 14 mission. These microbes result in an alien critter (shown only briefly as an imitation of the small, early forms of the monster in "Alien") that inhabits a human host, drives the human crazy and in 48 hours pops out in time-honored chest-burster fashion to begin the process again.
Tedious presentation actually apes Michael Crichton's "The Andromeda Strain" (filmed by Robert Wise in 1970) with a NASA scientist Professor Tracer (Luis Prendes sporting an incongruous Spanish accent) comin gu unbelievably with an instant antidote using himself as guinea pig. As in "Strain", there is a multi-leveled, underground complex.
Deran Sarafian's direction is sluggish, relying on pointless car chases to try and drum up excitement. His script is worse, filled with mushy speeches by the three young leads and a series of idotic references to Rod Serling's "The Twilight Zone". Special effects are weak and audiences will be very angry at the nonappearance of the expected, full-grown title monster.
"Alien Predator" (that what it says on screen, despite confusing ads which spell it "Alien Predators") is a truly stupid horror film shot in Spain in 1984 as "The Falling". Initially aimed at release along with two other Helen Sarlui productions by Film Ventures International, pic went on the shelf when that company experienced financial problems and surfaces instead via home video firm turned theatrical distributor TWE. A lawsuit or at least stern warning should be in the offing from 20th Century Fox, since new title not only intones the likes of Fox' "Alien" and "aliens" hits, but also Fox' upcoming Arnold Schwarzenegger-starrer "Predator". TWE also cut corners by virtually duplicating the poster art here from its 1984 flop "Creature".
It would be difficult to come up with a more obnoxious triumvirate than leading players Dennis Christopher, Martin Hewitt and Lynn-Holly Johnson, smirking, flirting and pouting as three squeaky-clean kids on a vacation in Spain in their massive recreational vehicle and dune buggy. Too bad for them that Skylab crashed nearby in 1979 and five years later, Spaniards are being exposed to the result of an experiment conducted on Skylab involving living microbes found on the moon from the Apollo 14 mission. These microbes result in an alien critter (shown only briefly as an imitation of the small, early forms of the monster in "Alien") that inhabits a human host, drives the human crazy and in 48 hours pops out in time-honored chest-burster fashion to begin the process again.
Tedious presentation actually apes Michael Crichton's "The Andromeda Strain" (filmed by Robert Wise in 1970) with a NASA scientist Professor Tracer (Luis Prendes sporting an incongruous Spanish accent) comin gu unbelievably with an instant antidote using himself as guinea pig. As in "Strain", there is a multi-leveled, underground complex.
Deran Sarafian's direction is sluggish, relying on pointless car chases to try and drum up excitement. His script is worse, filled with mushy speeches by the three young leads and a series of idotic references to Rod Serling's "The Twilight Zone". Special effects are weak and audiences will be very angry at the nonappearance of the expected, full-grown title monster.
The plot is a bit far-fetched, especially finding the three main characters were never infected despite having been in close contact with some many others that were, and badly dated. The characters are interesting but the actors were unseasoned and the performances were not worthy of Oscar contention. Some of the effects, both on-screen and on the soundtrack, were sometimes interesting and some of the scenes were very original, especially the opening scene involving the dogs. There was a lot of lag time in my opinion. In places, the movie could have moved on a little faster, but in others it was worthy of attention. I watched this movie as my attention was focused on a bit of paperwork, but at times, I was compelled to fix my eyes on the screen. It is not one I would suggest buying on DVD or even renting from Netflix, but it was showing on the MGMHD channel. If you run across it on your TV schedule and find there is nothing else to watch, you might find a bit of enjoyment in watching this film, but if CashCab is playing on the Discovery Channel, you should watch it instead. I'd put this one on the level with most of the movies you find premiering on the SciFi Channel.
Two guys and a girl are on vacation in Spain. On their way to Madrid, they run across the small town of Duarte, where a Skylab fell four years prior. Unfortunately, microbes from the station didn't burn up upon re-entry as originally assumed. The townspeople are being infected by the alien microbes, turning into deranged, beer throwing hosts for alien predators.
Fun film is a bit slower going than you'd expect, spending time on the characters' love triangle. Highlights? We briefly meet a family including a guy who sounds like a Three Stooges reject. There's a groovy scene with a masked wacko and a big truck that tends to teleport. There's also a smartass bearded guy who's awesome and isn't in the film nearly as long as he should be. You don't see much of the creatures themselves, but when they appear, the effects are good. Think the chestburster from Alien with spider legs.
Fun film is a bit slower going than you'd expect, spending time on the characters' love triangle. Highlights? We briefly meet a family including a guy who sounds like a Three Stooges reject. There's a groovy scene with a masked wacko and a big truck that tends to teleport. There's also a smartass bearded guy who's awesome and isn't in the film nearly as long as he should be. You don't see much of the creatures themselves, but when they appear, the effects are good. Think the chestburster from Alien with spider legs.
BREAKING AWAY and DON'T CRY IT'S ONLY THUNDER showed what a great actor Christopher is. So why has he only been given junk like this in the past few years? It's a worthless film in every regard, and wastes Christopher's talents. The only good think about it is that this movie finally broke FVI Films - makers of similarly crappy films.
Did you know
- TriviaProduction caused producer Carlos Aured to completely retire from filmmaking. In a 1999 interview with Fangoria, Aured mentioned that he tried several times to get the filmmakers to take a more professional approach to the film, but the Spanish crew was too laid back. As a result, the film went over schedule and over budget, from which they shifted all the debts onto Aured, once filming was complete.
- GoofsWhen Mr. Bodi's corpse falls down, he is shown to have been decapitated, but in the next shot of his corpse lying down, his head is completely attached.
- Alternate versionsAlthough uncut by the BBFC the UK video version featured a heavily edited print which removed all the shots of Michael discovering dead mutilated bodies and shortened the shot of the alien erupting through a man's face. Additionally, this version is also presented as "Mutant II."
- ConnectionsFeatured in 31 Horror Movies in 31 Days: Quick Takes (The Rejects) (2018)
- SoundtracksEine kleine Nachtmusik
Performed by Wolfgang Amadeus Mozart
Details
Box office
- Gross US & Canada
- $2,554
- Opening weekend US & Canada
- $2,554
- Feb 8, 1987
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