Max Headroom

Before "Revolution" ... Before "Dark Angel" ... Before "Falling Skies" and "The Walking Dead" ... There was Max.

"Max Headroom" was the first cyberpunk, post-apocalyptic TV show EVER (way back in 1987).

Max was decades ahead of its time. The show predicted such things as identity theft, the Internet, the webcam, and the fusion of media and government. (One episode even mourned the closure of movie theaters. Today, thanks to Netflix and video-on-demand, that has now come to pass.)

In a word, Max was prophetic. The hip, trendy post-apocalyptic shows that you're seeing today owe a great debt to Max Headroom.

I rarely gush about TV shows, especially when they haven't been on in over a decade, but I gush about MH. This show was beyond cool, it was beyond hip, and it was far too intelligent to have been on the air in the late 80s. I was lucky enough to be able to catch MH in sindication on cable a few years ago and to validate my high opinions of the show. It was still brilliant. A few episode summaries might help to clarify:

Blank Reg (a blank is a person who has been removed from the corporate system, they have few rights, but the 'powers that be' can't easily find them) is put on trial for hacking (a major crime). The court is a gameshow with gameshow host for a judge and an opinion poll for a jury. I am glad to see how far off this is from reality - sarcasm :(

Another episode involved a sport called rake-boarding, where skateboarders would attempt to disembowel each other while performing nifty stunts. Thank god mass media has not opted for gladiatorial shows...

My question was never why this show got cancelled, but who the hell got the idea to put it on the air in the first place. I mean, this was a show whose primary entertainment value was in skewering the very medium which presented it. I can't believe that the mucky-mucks even allowed this to be seen, nevertheless broadcast.

Each show was intelligent, witty and eerily prescient. I suppose the final irony was that the show itself was cancelled, but the problems that it warned us about have come true. If you get the chance to see the extant shows, see them. They are among the only truly visionary and artistic and entertaining things to have been on stupid-box since its inception.

as a child my brother and i used to sneak down to our cellar and watch unattendedly TV. in a "kunststuecke" (a tv series where they show movies normally not shown) we just by accident saw the original max headroom uk1995. man. it took us not even a thought to quickly make a philosophy out of it and to take this as our new expectation standard for this genre.

but boy, we never saw it again (not a single video-store holds this) and we were quite nervous when the remake (tv series) was announced ... what a disappointment! with their cold blooded commerciality they made a perfectly clean familiy movie out of the bleak retro ambiance of the original 57 min trip. worst, these are the versions the video-stores are filing.

Here's a piece of trivia. Max Headroom was filmed at 30 frames a second instead of the standard 24 frames a second. One of the reasons was so the series could more easily incorporate video with film, but a welcomed side-effect was that it gave the show a Hi-Def, futuristic look on 1980s television. It really did look different from any other show on TV.

What's interesting is that some current shows on video shoot at 24 or 25 frames a second to look more like film. It would be interesting to see what some filmed shows would look like in HDTV if they were shot at at 30 frames a second. You would get true HD.

Max Headroom was a film made especially for the UK's Channel 4 in 1984. The story is basically about an investigative journalist called Edison Carter (Matt Frewer) and his TV station Bosses. When Carter comes across a conspiracy inside his own TV station, he sets about to find the truth. In the meantime, bosses decide to remove him from the air, and replace him with a computer copy(Max). The problem is, he won't lie down and die.

It's a real 80's punk culture film. It's very dark, depressing, and for some reason a lot of it seems to take place at night or in the dark. Max lightens the mood with funny quips and puns.

Watch out for George Rossi, DC Lennox from The Bill, who plays Mahler.