Fortunes of War

I've just watched Fortunes of War again after a 17 year gap and it is every bit as good as I remember it.

The fact that Branagh and Thompson's marriage fell apart in the 1990s adds poignancy to their acting of marital tensions here.

Much of the drama revolves around Harriet's struggle to get Guy to "see" her as a person in her own right, although Branagh's portrayal of Guy's grief is the emotional high point.

Two supporting roles deserve a special mention - Ronald Pickup as the (ultimately) lovable aristocratic rogue Prince Yakimov, and Alan Bennett as the blinkered, snobbish and self-important Lord Pinkrose. Thank God we were spared more than the first five words of his lecture!

Even the small roles (e.g. Simon's army physiotherapist) are beautifully played.

The camera work is also wonderful - particularly the final shot.

The only drawback of seeing it on video, as opposed to the original TV episodes, is that the haunting theme tune is only heard right at the end of the film.

I've watched this 3 hrs+ movie a dozen of times already, and I am sill thirsty for more. This movie is packed with beautiful acting by nearly all casts. These English actors seem to know how to control their facial expressions, vocal tones, body movement with remarkable precision to convey all degrees of emotions and personalities. Directing, music, costume, editing, cinematography are all equally good as well, and together with the great actings, creates a beautiful harmony. This movie is made of one piece. Like "Lawrence of Arabia", whereever we slice it, the piece has a harmony, like the music by great composers.

If I have to live in a desert island and can bring one video with me, I guess I'll choose this one.

This is a very long, but also very enjoyable movie (originally a tv series) set against the background of WWII. Guy Pringle (Branagh), a university professor, leaves Britain and comes to Romania to teach. He has a love for his wife (Thompson) and all the people surrounding them. We watch his passion to make a difference when other people are escaping from Germans marching toward their city and gain influence from within. Relationships develop between the couple and locals, and we start to care about most of them. We see how horrible everyday life could be with the constant threat of war, but how it isn't. We observe Guy treat everyone around him with good intentions, at the expense of his wife, and we want to shake him to come to his senses. We follow their journey to other countries, and the movie is a joy to watch from beginning to end. There are a few memorable scenes between Guy and his wife that I cannot forget, and Branagh really touches me when he cries. The acting by all the cast is simply wonderful, and the movie is definitely worth spending 3 hours.

I enjoyed the book so much that I bought the movie and sat through hours of it. Best part for me was Egypt. Ronald Pickup was superb as Yakimov. I look forward to reading all of it again.

It is always difficult to judge a movie based upon a book without passing judgment on what it manages to retain and what it (un)intentionally leaves behind. Olivia Manning's books used to be banned in Romania during the communist régime, and that is probably the reason why this TV series has been shot in some locations in Yugoslavia at the time of its production (1986 - 1987). I find the acting excellent, and the atmosphere filled with nostalgia. Nevertheless, given the fact that the producers have included various black-and-white excerpts from WWII documentaries, I find it inexcusable that they haven't also included vintage images of Bucharest in the 1940's, and especially of the Athénée Palace Hotel. Using some lugubrious Ljubliana building as a stand-in is very hard to swallow, especially for someone very well acquainted with the splendours of interbellum Bucharest. The same could have been done about the Royal Palace. And this would have hardly increased the costs. Apart from that, I find this worth watching and re-watching. As one grows older, one sees things differently.