Le syndicat du crime

A Better Tomorrow (1986) was the gangster film that made John Woo one of the top directors in the Hong Kong film industry during the mid to late 80's. This one also made Yun-Fat Chow into a superstar and it revived the career of former Shaw Brothers star Lung Ti and boosted the career of pop singer/actor Leslie Cheung. A tragic tale about true friendship and loyalty. Yun-Fat and Lung co-star as two gangsters who are also the best of friends. They have been through a lot together. But a simple twist of fate changes their lives for ever. Leslie Cheung stars as the younger brother of Lung Ti, a straight edge cop who learns about his brother's secret life. Waise Lee and John Woo also appear in this one as well.

A ground breaking film. Not only did it make Producer Tsui Hark and Cinema City Ltd. a lot of money, it also spawned two official sequels and countless of knock-offs. A number of triad inspired movies were produced after the success of this film. It also started a fashion trend in Hong Kong. Great stuff.

Highly recommended.

A

Followed by A Better Tomorrow II and A Better Tomorrow III: Love and death in Saigon..

One of your better trilogies.

This movie kick-started many things. The very fruitful partnership between John Woo and Chow Yun Fat, the successful career for of them, the heroic bloodshed movie (don't try this at home or let kids watch them) and a lot of imitators! So one should be really thankful to Tsui Hark, because it's a really good thing he couldn't direct. Otherwise we most likely wouldn't have any of the above!

But being as it is, you can watch this movie and see how it is done correctly. Replacement Killers eat your heart out! This movie still is superior to imitators such as the named one or a few others. Yes I know that some have argued that it is dated and other movies (such as Matrix) have not only copied some of it's styles, but improved them. Not for me, they haven't! Because it's not only about copying a slow motion effect here, it's about the story too. And the characters and their believes. And of course the acting!

In the 1980s, Chinese and Taiwanese films stormed into European and American art-house theatres, while for less fastidious audiences, Hong Kong provided cult action films, first Kung Fu pictures then gangster flicks. John Woo became the Crown Colony's hottest director through his kinetic crime flicks that filtered the lyrical violence of Sergio Leone, Sam Peckinpah, and Walter Hill through an Asian sensibility and re-exported it to the States where Quentin Tarantino became a major admirer. Woo's trademarks are the stand-off, where two or more gunmen hold each other at bay, and the ferocious gunfight in which dozens of people are killed and restaurants blown apart as the hero pirouettes and somersaults while blasting away with two automatic pistols to throbbing, synthesized Western music. "A Better Tomorrow" is a characteristic fable of male friendship, stoicism, courage, and men living by a personal code, in which women are marginalized. It made an overnight star of Chow Yun Fat, who appeared in most of Woo's pictures. The handsome, reserved, athletic Chow is the epitome of Hong Kong movie cool, a moral man in an amoral world, his character is much the same whatever side of the law he is on. The movie also introduced Leslie Cheung, who was to become an iconic figure in mainland Chinese cinema.

When this film was made in the 1980's Hong Kong cinema was dominated by wushu films and bizarre swordplay movies involving people flying around and other acid flashback inducing scenarios. John Woo was a young director who had done a string of martial arts films, comedies, and musicals. In 1981 he split from Golden harvest and joined Cinema city, after a couple of comedies, He directed the modern day action film "Sunset Warrior" and it was held on the shelf and not released. After the failure of "Sunset Warrior" he was sent to Taiwan and directed another two comedies. Returning to Hong Kong, Woo had always wanted to make a modern day gangster film. Teaming up with friend and producer Tsui Hark, they made a film that would inspire countless films for years to come. Casting Chow Yun Fat who was mainly a television actor as one lead, an old school Kung Fu actor in another and a singer in the third lead role, it was a risky venture which paid off. The script is great featuring lines such as "Do you believe in God?" "sure i'm one, you are, a god is someone who controls their own destiny". There is strong characterisation of the characters, aided on by perfect performances from the actors, The action choreography was excellent and inspired virtually every film made involving guns ever since. It makes you realise that the only thing "the matrix" didn't take from this film and it's sequels is the plot. This is one of my favourite films of all time, and if everyone in the world saw this, I guarantee that the sales of matchsticks and toothpicks would soar.

John Woo was responsible for creating a whole new genre with A Better Tomorrow in 1986: the heroic-bloodshed genre. ABT is a groundbreaking movie, and Hollowood blockbusters like "The Matrix" would never have existed, if it hadn`t been for A Better Tomorrow. Chow Yun-Fat was launched into superstardom, after his flawless role in this movie. CYF plays Mark Gor, a Hong-Kong gangster known for his coolness. The actionscenes introduced John Woo`s famous twingun-action, and the quality of the actionscenes is very high. The film is VERY violent, and is not recommended for young people. Though ABT is getting a bit old, it can still show American action-directors how to get things right. 7,5/10