Les Larmes d'un héros

I can suspend a lot of disbelief, but not unlimited disbelief. Some of the things done by good and bad guys alike here just went a step too far.

That being said, if you're looking for plenty of John Woo shoot-em-up action presented within a fairly short runtime, I think Heroes Shed No Tears delivers. It's very direct, and quite scrappily made in parts, but a good deal of the big set pieces prove to be visceral and engaging.

It's ultimately a little disposable, and I feel like his 1990 film Bullet in the Head scratches a similar itch, but much more effectively. Yet this still delivers for fans of Woo, and honestly rode the line between a 3/5 and a 3.5/5 for me throughout (but I still think I'm going to round down here, at the end of the day).

After the groundbreaking A Better Tomorrow that put John Woo name into action movie Hall of Fame for single handedly create a new action sub genre: "Heroic Blooshed" and "Gun-fu" action style in which both has become a staple factor in modern action films and before he return with a bigger and louder sequel A Better Tomorrow 2 John Woo directed an action movie called Heroes Shed No Tears that super hard to watch for me not because of the amount of blood and gore but how disgustingly racist this movie is when it represent the Vietnamese in the 80s. Granted, talk about realism in a movie is kinda wack and most of B-grade war action movie are like this back in the day but when it comes to my country representation and one of my favorite director of course I will put my country first. That being said Heroes Shed No Tears still a fun and over the top action movie that every Woo fan and action fan need to check out

This is a strange movie. It starts in what seems like the climax of a movie we didn't see and picks up from there to give us a kind of men in mission movie, where the mission already happened... So this group of Rotten Magnificent Basterds has to escape, and through the journey they pick up a kid and his mother to give us some emotional connection. All of director Woo's trademarks are present with one noticeable exception, no doves! But if you want extreme violence in slow motion, lots of explosions, lots of very forced emotional manipulation with the kid and the girls, and an enormous body count, this is the movie for you. I was kind of surprised with the violence here and there's also a psychedelic sex scene that feels very out of place as John Woo usually stays clear of such scenes, not to mention a very bizarre gambling scene that comes out of nowhere. In conclusion a very raw early movie by John Woo, that has its charm but is very unpolished and remembered more for its oditties than its merits.

Saw this for the first time recently after reading some glowing reviews, esp that of Ba_Harrison. The name John Woo was another factor too but this film is nowhere close to the director's other films. This film doesn't deserve the glowing reviews.

A group of mercenaries capture a drug Lord n r retreating but r met with fierce reciprocation by the drug lord's men, along the way they save a girl n injure a sadistic Vietnamese colonel, thereby creating more enemies on the trail.

The film has tons of action, lots of explosions, bullets, machine guns, grenades, etc but the film is filled with atrocious acting n horrendous editing.

There is a scene where the crime lord keeps throwing pieces of a pendant while being driven in a jeep a la Hansel n Greetel style, where his men somehow catches with him on foot. In one scene a person is seen holding a woman's body then suddenly in another he is busy shooting. Before a grenade hits the ground/target, people jump as if they r blown away. The film has two lousy sex scenes that too directly out of the blue. The child's idea of burrowing himself when engulfed by fire all around is lol. I felt sad for the American soldier who was living peacefully in the middle of nowhere, that too with three beautiful chicks.

Walking into Quentin Tarantino's New Beverly Cinema in Los Angeles with a bunch of other 18-35 year old males, I had never even heard of the movie that I was about to watch; John Woo's Heroes Shed No Tears. In fact, the only reason I went to the movie at all was because it was selected by Mr Tarantino. Tarantino encompasses the fantasies of the male mind in every movie he makes, and surely, would recommend a movie that has a similar impact on my testosterone levels. With this in mind, I expected a fun Hong Kong action film. What I drew from the movie was more than this mindless action I expected.

The film's plot, as with most films directed by John Woo, is just an excuse to film long action scenes. It follows the campaign of a group of Chinese Soldiers who are tasked with capturing a drug lord and bringing him from China to Thailand. Such an open plot allows Woo to get away with over-the-top action scenes and marvelously ridiculous plot twists.

Yes, I know what you are thinking, "so it is just another movie that is one massive shootout. Might as well go back to watching my 'important' American drama TV series". Sure, this movie does have these scenes, but they are all quite special. First of all, as this is John Woo's first film, he says he was less cautious with the amount of violence and gore. His lack of caution is apparent in the scenes where Chan Chung (Eddy Ko) guns down endless waves of drug dealers. All of these scenes are doused in over-the-top practical effects and unnecessary gore. This gives them a special feel. This is Eddy Ko's unrestricted, pure, and gritty film making style. This style was also an inspiration to some of Tarantino's action scenes, notably, those in the Kill Bill franchise.

Secondly, Woo's action scenes are all entertaining as hell. Whether it is the the acting that is sometimes so bad it's funny or the direction of John Woo that enthralls the audience right into the action, there is rarely a dull moment in the action scene's of Heroes Shed No Tears.

I vividly recall the whole audience bursting out in laughter and joy every time another body exploded or compound was lit on fire by the Chinese Mercenaries. A movie that has this effect on an audience deserves reverence.

While the scenes between action sequences have much to be desired in terms of capturing audience emotion, I am always one to judge a film for what it is. Few people expect the sadness and deep psychological depth of a movie like The Elephant Man in a Hong Kong action flick from the 80's. If you do, well, I am sorry that Heroes shed no tears disappointed you.

The dialogue scenes did a few things nicely, however. Firstly, they provided a nice explanation to the plot that makes the action scenes feel at least somewhat deserved. They also allowed the audience to laugh at some of the blatantly terrible acting that would rarely be permitted in today's cinema. John Woo includes some humor of his own in these scenes as well. I recall a sex scene that Woo takes a comedic approach to. This really hit the audience with a boom. Finally, the dialogue of the characters taught me aspects of Chinese culture and cinema. I can honestly admit that some of John Woo's other films are on my future watch list after being inspired by this film.

So, is it worth taking time out of your busy schedule to watch Heroes Shed No Tears? Firstly, be quiet, your schedule is not that busy. Second, if you are in the mood for a radical, over-the-top Hong Kong action film that brings the charm of John Woo's direction to the floor, watch it. If you are in the mood for a funny film that delivers both witty and deadpan humor (while sometimes not doing so purposely), watch it. If you are interested in what Hong Kong action films are like, this movie is a good reference. I reiterate, however, this is a movie filmed on a limited budget in the 1980's so it will not deliver the special effects or great acting expected in today's films. It is a fun film to be watched by a non-critical eye. Basically, watch the film if you can have any fun and do not mind subtitles!

Grade: B+ (7.7/10)