Les Larmes d'un héros

Ludicrously violent war movie, notable only for being director John Woo's first foray into gung-ho gunplay that's since become his forte.

Every plot twist is improbable or just plain ridiculous, every character a hackneyed stereotype or just there for cannon fodder, and every line of poorly subbed dialogue unintentionally funny. In other words, I thought it was great.

Definitely worth taking a look at if you're in the mood for some truly mindless violence, or if you're a Woo completist.

Saw this for the first time recently after reading some glowing reviews, esp that of Ba_Harrison. The name John Woo was another factor too but this film is nowhere close to the director's other films. This film doesn't deserve the glowing reviews.

A group of mercenaries capture a drug Lord n r retreating but r met with fierce reciprocation by the drug lord's men, along the way they save a girl n injure a sadistic Vietnamese colonel, thereby creating more enemies on the trail.

The film has tons of action, lots of explosions, bullets, machine guns, grenades, etc but the film is filled with atrocious acting n horrendous editing.

There is a scene where the crime lord keeps throwing pieces of a pendant while being driven in a jeep a la Hansel n Greetel style, where his men somehow catches with him on foot. In one scene a person is seen holding a woman's body then suddenly in another he is busy shooting. Before a grenade hits the ground/target, people jump as if they r blown away. The film has two lousy sex scenes that too directly out of the blue. The child's idea of burrowing himself when engulfed by fire all around is lol. I felt sad for the American soldier who was living peacefully in the middle of nowhere, that too with three beautiful chicks.

The 1980s were the decade when the Americans produced lots of patriotic action films like "Rambo 1-3" or "The Delta Force"-series, for example. Now, John Woo´s version of a mercenary-movie is quite different: of course, there are lots of heavy gunfights and giant explosions, however without being too one-dimensional as the US-movies are! The fast-paced plot is improved by well-developed characters, typical Asian humor and allusions to father and son, friendship and honour without being too pathetic in any way! Maybe not John Woo´s best, but still an action movie far above average!!

Ying Xiong Wei Lei/Heroes Shed No Tears(1986) was a pivotal feature in the early 80s for the director, John Woo. This was the first John Woo movie that included heavy use of gunplay. Although filmed in 1984/85, Heroes Shed No Tears(1986) did not get released until after the box office success of A Better Tomorrow(1986). Before this, Woo was mainly known for his comedies and Kung Fu flicks. Heroes Shed No Tears(1986) combines explosive action with some good martial arts.

Even if the film isn't as great or polish as John Woo's best, its still better then most of the ones that he has done in Hollywood. There are a few terrific set pieces within the movie. One, the opening gun battle with some drug runners. Two, the fight between the mercenaries and the Thai natives. Three, the martial arts fight between Eddy Ko and Ching Ying Lam.

It was one of the few war films besides Eastern Condors(1987) and Bullet in the Head(1990) to come out of Hong Kong. Ying Xiong Wei Lei(1986) is a precursor to John Woo's Bullet in the Head(1990). The plot of the film is very similar to Eastern Condors(1987) in that both films deal with mercenaries who are sent to Southeast Asia on a secret mission. Heroes Shed No Tears is the most grim and nihilistic of all John Woo movies(that includes Bullet in the Head). Its in the tradition of films like Aguirre:The Wrath of God(1974), The Deer Hunter(1978), and Apocalypse Now(1979).

Heroes Shed No Tears(1986) is a modern day retelling of the Lone Wolf & Cub comics. The relationship between Eddy Ko's soldier and his son has the same fatalistic bond that was present with Ogami Itto and his son, Daigoro. Its the closest thing that John Woo has ever come to doing a Lone Wolf & Cub feature. There is a scene that's right out of Lone Wolf & Cub(involves a child who covers himself in a mudhole in order to avoid being burned alive in a fire). The big influence for the one sequence is a similar sequence from Lone Wolf & Cub:Baby Cart in Peril(1973).

Ching Ying Lam is very convincing as the cruel and sadistic Vietnamese officer. The torture scene involving Eddy Ko is the most brutal one ever done by Woo. Heroes Shed No Tears(1986) has many traits that would become part of the Heroic Bloodshed genre in Hong Kong. Has its share of fogish atmosphere and stylish cinematography. The fight near the end of the movie would be done again in the terrible Mission:Impossible 2(2000)(there was also a exact scene in Strike of Death{1975}).

This is a strange movie. It starts in what seems like the climax of a movie we didn't see and picks up from there to give us a kind of men in mission movie, where the mission already happened... So this group of Rotten Magnificent Basterds has to escape, and through the journey they pick up a kid and his mother to give us some emotional connection. All of director Woo's trademarks are present with one noticeable exception, no doves! But if you want extreme violence in slow motion, lots of explosions, lots of very forced emotional manipulation with the kid and the girls, and an enormous body count, this is the movie for you. I was kind of surprised with the violence here and there's also a psychedelic sex scene that feels very out of place as John Woo usually stays clear of such scenes, not to mention a very bizarre gambling scene that comes out of nowhere. In conclusion a very raw early movie by John Woo, that has its charm but is very unpolished and remembered more for its oditties than its merits.