Prisonnières des Japonais

This movie acts as though it is a true story. However, the only truth about it is that there were some US Army nurses captured and imprisoned by the Japanese in the Philapines; and that these women were not given the recognition or the medals that they deserved.

The true story is a fascinating, adventure filled, tale of heroism and triumph over adversity. It has elements of discrimination in the awards given (or not) because the protagonists are women. The true story is one of bravery, valour, patriotism, adversity and sacrifice. While these elements can be found in the film, they are ascribed to utterly fictitious events and people.

It is therefore a huge shame that the writers could not be bothered to research the truth and instead make up characters and events which are presumably based on their own prejudicial ideas of what women would face in a Japanese POW camp. If you want to learn something of the actual truth, a search on "The Angels of Bataan" or "The Battling Belles of Bataan" will give you a good start.

Once you get past the the fact that this film is doing history a grave dis-service, the film is enjoyable enough. The women remain beautiful and made-up despite the deprivation, The acting is excellent and keeps the viewer interested. The story is well timed. As a pure piece of entertainment, it does the job.

If you like the classics Three Came Home and A Town Called Alice, you might want to watch the more modern version Women of Valor. Starring Susan Sarandon, it follows a group of Army nurses who refuse to evacuate from their station in the Philippines and get imprisoned by Japanese soldiers. There's a variety of characters, from the meek to the bold, but nothing about this version really stands out from the original 1950 drama. It's very, very similar to Three Came Home. There's an attempted rape, scrambling for food, a sympathetic Japanese colonel, and one of the women sneaks out to meet her husband at the separate men's camp. Sarandon fans can check it out, but there's no comparison to Claudette Colbert's award-winning performance.

Incidentally, Sarandon was the only woman in the cast brave enough not to shave her armpits (you can catch her bold choice again in White Palace) - which I loved. POWs were not given razors! It's about time women were shown to be grungy, braless, sweaty, filthy, and without makeup or hair products (I guess Kristy McNichol had a natural shaggy 'do). It almost makes up for Alberta Watson's reason for almost missing the evacuation bus: she had to put on a lacy black negligee. I'm not kidding. She couldn't just grab it and stuff it in her suitcase (or God forbid, leave it behind when her life is at stake). She had to give a dramatic reveal to her fellow nurses as to why they all almost were killed. Had I been one of the supporting characters, I probably would have pushed her off the bus.

Over 100 US Army and Navy nurses stationed in the Philippines from 1942-1945 are incarcerated by the Japanese. Fictionalized account of history is ambitious, occasionally gripping, yet awfully familiar. It could have been the inspiration for TV's "China Beach", though the teleplay by Jonas McCord (with modern dialogue) doesn't have that show's canny wit. Performances by Susan Sarandon, Kristy McNichol, Valerie Mahaffey and Terry O'Quinn are all solid under the obviously strenuous circumstances. Television veteran Buzz Kulik directs efficiently with textbook concentration and sincerity, but no flair. ** from ****

The tale of American army and navy nurses who are prisoners during the Japanese occupation of the Phillipines in the second world war. Kristy McNichol appears in the Bataan Death March, as one of gender disorientation, since her killing of a Japanese soldier makes the others assume she is a boy. In a memorable scene McNichol and Susan Sarandon slug it out as a form of self-punishment for the gratification of the guards. McNichol's role is supportive to Sarandon who is the star, but she brings her usual tomboyish spunkiness to proceedings. The teleplay by Jonas McCord rationalises the Japanese's brand of cruelty with the idea that they do not believe in surrender. They would rather suicide than be shamed in the way they believe the women have allowed themselves to be, and therefore the Japanese think the prisoners deserve no kindness. However not every guard enacts this philosophy, with one noticeably friendly to one woman who falls pregnant, and the commander being an American-Japanese, having being raised in San Francisco, makes him more amenable to Sarandon's requests for mercy. The treatment is narrated by Sarandon, at a post-war hearing, so we know she will survive the camp, but it does not answer the question of why the Americans left the Phillipines so quickly once they declared war on Japan. The idea that they are not aware that any Americans have remained in the area is raised at the camp's liberation, but clearly sentiment is against Douglas MacArthur when he announces his withdrawal. Director Buzz Kulik uses black and white newsreel footage and matching decoloured recreations for the progression of the war.

An intense and haunting television movie set in Philippines about of the horrors of war during WWII . The film is dedicated to the one hundred and four Army and Navy nurses who were incarcerated by the Japanese during WWII . Although it is a work of fiction , this movie is representative of the collective courage and the experiences of the American Forces who served in the Philippines. It starts in 1941 at Luzon island , some nurses stationed in Philippines are captured by the Japanese and struggle to survive in brutal POW camp in the Far East. This is a true story, exterior scenes were photographed wherever possible in Philippines in the exact locales associated with the event as related by the nurses . The happenings throw the whole group into Bataan towards Corregidor, but later are imprisoned hard concentration camp . Their confinement is recounted in unsparing and harrowing detail , as the British nurses find themselves interned for the long duration . As orders from Nipponese Army Administration are strict as men and women will be imprisoned separately , to avoid punishments and beatings , the ladies should presume themselves to endeavor , with passive behavior not negative . Meanwhile, the starring starred by Susan Sarandon suffering a surreal and brutal experience ; however , she attempts to lift the spirits of the brutalized women. Some of them are cruelly attacked , mistreated and raped. Finally , General McArthur disembarks at Leyte and carries out his known promise.

Interesting and strong drama based on autobiographical deeds starred by the brave nurses . No weakest in the cast and few in the movie , which presents the women's Japanese captors as human and inhuman at the same time with clashing cultures included and also laudable for a fairly event-handed portrayal of the enemy captors . Clearly there's much longer plot in this, but director Buzz Kulik concentrates on the passionate acting of Sarandon and other nurses . It's a taut psychological drama about physical and emotional survival focusing on the tensions between Susan Sarandon , soldiers and the camp commander as cultured officer. Crammed with emotive moments , the picture has a string of committed performances from Sarandon , Kristy McNichol , Valerie McChaffey, Suzanne Lederer , Terry O'Quinn , among others . Familiar ground is trod in this prisoner-of-war saga , but the thought-provoking story and magnificent acting help sustain interest. Musical score by the maestro French George Delerue is genuinely moving and stirring .This superior though overlooked drama , is also laudable for a fairly portrayal of the enemy captors and being professionally directed by Buzz Kulik. Rating : 6,5 ,better than average , worthwhile watching .

Other films about women on concentration camps mistreated by Japanese military during WWII are the following : the classic titled ¨Three came home¨(1950) by Jean Negulesco with Claudette Cobert and Patric Knowles and ¨Paradise road¨(1997) by Bruce Beresford with Glenn Close , Julianna Margulies and Frances McDormand , set in Singapur