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Two elderly gangsters are released from prison only to find they have trouble fitting in as old men who still take no guff from anyone.Two elderly gangsters are released from prison only to find they have trouble fitting in as old men who still take no guff from anyone.Two elderly gangsters are released from prison only to find they have trouble fitting in as old men who still take no guff from anyone.
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The 1980s was a period of transition as many great film legends died. Cary Grant, Bette Davis, Lawrence Olivier, Fred Astaire, Jimmy Cagney were just a few of those who left the scene. But there were attempts (before the end) to bring some of the great figures together. Bette Davis and Jimmy Steward made there only film together. Henry Fonda and Katherine Hepburn did ON GOLDEN POND. Cagney appeared with pal Pat O'Brien, as well as Donald O'Connor, in RAGTIME. Davis appeared with Lillian Gish, Anne Southern, and Vincent Price in THE WHALES OF AUGUST. And Burt Lancaster and Kirk Douglas appeared in this film.
In the Oscar ceremonies of 1985, Lancaster and Douglas had come in together to deliver an award, and everyone noted how healthy both men still were. It was over two decades since they appeared in a film as co-stars (SEVEN DAYS IN MAY), and some of the news items in the wake of their appearance suggested it was too bad there was no property that they could develop together. Shortly afterward this comedy was produced.
It had a great build-up, and I was fortunate to see it in a movie house. But it did not have a massive audience box-office, and was gone within six weeks. It was too bad, because it was a funny film, and would turn out to be the best comedy buddy film of the films that they did together.
Harry and Archie (Lancaster and Douglas) pulled off one of the smoothest and most impressive railway train robberies in American history back in 1947. They almost got away with it, except for the persistence of a police officer (played by Charles Durning) who broke the case and managed to bring them to jail. They have served nearly forty years in jail, and when released they are in for time shocks. After all, they were used to the world of 1946/47. While both are physically fit, both can't get out of their mental views from their youth.
On top of that, they have to deal with Durning, whose police career - after it's brilliant start - petered out leaving him embittered, and desperate to prove himself to the young pups who count the days until his enforced retirement. They have to deal with parole officer Dana Carvey, who has all the typical problems of a nice, naive parole officer. They have to deal with hostility around them from all peoples - mostly the young, but the middle aged are not much better. They resemble Reggie Kray, one time kingpin of London's largest criminal empire, who in his later years when interviewed pointed out to reporters that (while he did not dismiss his own use of violence against opponents in other gangs) he did dislike the lack of respect he observed towards older citizens. He and his brother Ronnie never stood for that kind of thing. Neither do Harry and Archie here. When threatened as easy, elderly targets by a gang of punks, they beat up the punks quite effectively.
To add to their woes is the most ridiculous, but scrupulous, hit-man in modern cinema: Leon B. Little (Eli Wallach - who almost walks off with the picture). Hired on a contract against the boys back in their heyday, their being in prison prevented the ever ready Little from completing their executions. Even the death of the idiot who hired him means nothing - he was paid already, and he has a code of honor with his clients.
That in the end, the battle of youth and old age unites Lancaster, Douglas, Wallach, and even Durning should not surprise anyone. All four manage to demonstrate that it is street smarts and brains, not youthful idealism (paging Carvey) that will win out in the end. The film has some nice moments, such as Douglas almost going in for dirty dancing with a young chippy, and Lancaster protesting the slop he has to eat in an old age home, and memorably showing his teeth to advantage for a purpose (for a change). It was a good conclusion to the long road of movies these two cinema giants made together - and a funny one too.
In the Oscar ceremonies of 1985, Lancaster and Douglas had come in together to deliver an award, and everyone noted how healthy both men still were. It was over two decades since they appeared in a film as co-stars (SEVEN DAYS IN MAY), and some of the news items in the wake of their appearance suggested it was too bad there was no property that they could develop together. Shortly afterward this comedy was produced.
It had a great build-up, and I was fortunate to see it in a movie house. But it did not have a massive audience box-office, and was gone within six weeks. It was too bad, because it was a funny film, and would turn out to be the best comedy buddy film of the films that they did together.
Harry and Archie (Lancaster and Douglas) pulled off one of the smoothest and most impressive railway train robberies in American history back in 1947. They almost got away with it, except for the persistence of a police officer (played by Charles Durning) who broke the case and managed to bring them to jail. They have served nearly forty years in jail, and when released they are in for time shocks. After all, they were used to the world of 1946/47. While both are physically fit, both can't get out of their mental views from their youth.
On top of that, they have to deal with Durning, whose police career - after it's brilliant start - petered out leaving him embittered, and desperate to prove himself to the young pups who count the days until his enforced retirement. They have to deal with parole officer Dana Carvey, who has all the typical problems of a nice, naive parole officer. They have to deal with hostility around them from all peoples - mostly the young, but the middle aged are not much better. They resemble Reggie Kray, one time kingpin of London's largest criminal empire, who in his later years when interviewed pointed out to reporters that (while he did not dismiss his own use of violence against opponents in other gangs) he did dislike the lack of respect he observed towards older citizens. He and his brother Ronnie never stood for that kind of thing. Neither do Harry and Archie here. When threatened as easy, elderly targets by a gang of punks, they beat up the punks quite effectively.
To add to their woes is the most ridiculous, but scrupulous, hit-man in modern cinema: Leon B. Little (Eli Wallach - who almost walks off with the picture). Hired on a contract against the boys back in their heyday, their being in prison prevented the ever ready Little from completing their executions. Even the death of the idiot who hired him means nothing - he was paid already, and he has a code of honor with his clients.
That in the end, the battle of youth and old age unites Lancaster, Douglas, Wallach, and even Durning should not surprise anyone. All four manage to demonstrate that it is street smarts and brains, not youthful idealism (paging Carvey) that will win out in the end. The film has some nice moments, such as Douglas almost going in for dirty dancing with a young chippy, and Lancaster protesting the slop he has to eat in an old age home, and memorably showing his teeth to advantage for a purpose (for a change). It was a good conclusion to the long road of movies these two cinema giants made together - and a funny one too.
Of course Kirk Douglas did quite a few more films after this but he didn't do em with this kind of fun in mind.
Two former train robbers get parole after 30 years. Now they have to decide what to do when they get out. They're 65 and 72 years old and don't have a lot of skills. On top of that they don't fit in the 80's way of life. Their parole officer tells them they cant see each other for 3 years as per condition of their parole. They both have a heckuva time adjusting to this new existence and finally decide to go back to their old way of life.
This is one of those 80's gems that I never forgot. Two great actors in their last good film doing what they do best... Acting tough and being guys....Tough Guys. Burt Lancaster is the straight man and Kirk Douglas has all the good lines. Keep a watch out for Eli Wallach...he steals almost the entire film with the small role he has. Yes you will see a very young Dana Carvey pre SNL.
Grab this 80's flick and have a laugh cause I'll bet it won't be too hard to do.
Two former train robbers get parole after 30 years. Now they have to decide what to do when they get out. They're 65 and 72 years old and don't have a lot of skills. On top of that they don't fit in the 80's way of life. Their parole officer tells them they cant see each other for 3 years as per condition of their parole. They both have a heckuva time adjusting to this new existence and finally decide to go back to their old way of life.
This is one of those 80's gems that I never forgot. Two great actors in their last good film doing what they do best... Acting tough and being guys....Tough Guys. Burt Lancaster is the straight man and Kirk Douglas has all the good lines. Keep a watch out for Eli Wallach...he steals almost the entire film with the small role he has. Yes you will see a very young Dana Carvey pre SNL.
Grab this 80's flick and have a laugh cause I'll bet it won't be too hard to do.
Kirk Douglas. Burt Lancaster. 'Nuff said! As two train robbers, released from prison after a 30 year stretch, this dynamic duo try to adjust to life in the '80's and all the changes that have taken place. Douglas looks great for a man in his 60's and eventually attracts the eye of a young aerobics instructor. Their scenes together are both funny and sincere, as the differences between them eventually dictate the direction of their relationship. Kirk is also forced to work in menial jobs that involve him dealing with rude customers and a boss who doesn't like ex-cons. These scenes provide the film's best humor. Lancaster's role however is far less interested, as he is relegated to an old-folks home, wherein he becomes somewhat of a revolutionary. Realizing that they just don't fit in with society anymore, the two return to train robbing and the film moves downhill from this point. Eli Wallach contributes some funny scenes as a near-sighted hit-man who has waited 30 years to fulfill a contract to kill the duo. Despite the thin script, this is a very enjoyable film that may best be viewed with a senior citizen family member who can both identify with the characters and who remembers Lancaster and Douglas when they were A-List actors. I recommend it.
Tough Guys (1986)
*** (out of 4)
Lifelong friends Harry Doyle (Burt Lancaster) and Archie Long (Kirk Douglas) are being released from prison after thirty-years. They were in there for the last train robbery in American history but once on the outside they find that times have changed. They find it hard fitting in with the current world so that's when Archie gets the idea of robbing the train one last time.
If you're looking for a hard-hitting drama or some sort of nasty comedy then TOUGH GUYS certainly won't be for you. I'm really not sure why this film has gotten so many negative reviews. Look, I'll admit that this isn't a masterpiece or a classic but at the same time it's great getting to see Lancaster and Douglas working together. It's not like they were given countless great roles later in their careers so getting to see them having some fun together makes this movie worth watching.
As far as the comedy goes, I thought a lot of it was rather funny. Yes, the story is pretty simple and the basic gag is having these two old men walking around and having to deal with "young" people. A lot of these situations are quite funny thanks to the two actors being good sports about it. There's the scene where Douglas enters a gay bar not knowing it. There are a couple other scenes where Douglas has to battle people at his pathetic jobs. With Lancaster, he plays it more straight and this includes a relationship with an old fling (Alexis Smith) of his.
The reason to watch this movie is for the actors. Lancaster and Douglas have a wonderful chemistry together and they have no problem fitting these roles. The two of them play well off of each other and they certainly add a lot of charm to the film. Charles Durning is the cop who originally brought him down and he too has some nice scenes with the boys. Dana Carvey is fun in his supporting role as is Smith. Eli Wallach plays a nutbag trying to kill the boys and he too adds a lot of fun.
TOUGH GUYS isn't a masterpiece and there's no question that it overstays its welcome with the extended running time. With that said, if you're a fan of the veteran cast then you'll certainly get a kick out of the film.
*** (out of 4)
Lifelong friends Harry Doyle (Burt Lancaster) and Archie Long (Kirk Douglas) are being released from prison after thirty-years. They were in there for the last train robbery in American history but once on the outside they find that times have changed. They find it hard fitting in with the current world so that's when Archie gets the idea of robbing the train one last time.
If you're looking for a hard-hitting drama or some sort of nasty comedy then TOUGH GUYS certainly won't be for you. I'm really not sure why this film has gotten so many negative reviews. Look, I'll admit that this isn't a masterpiece or a classic but at the same time it's great getting to see Lancaster and Douglas working together. It's not like they were given countless great roles later in their careers so getting to see them having some fun together makes this movie worth watching.
As far as the comedy goes, I thought a lot of it was rather funny. Yes, the story is pretty simple and the basic gag is having these two old men walking around and having to deal with "young" people. A lot of these situations are quite funny thanks to the two actors being good sports about it. There's the scene where Douglas enters a gay bar not knowing it. There are a couple other scenes where Douglas has to battle people at his pathetic jobs. With Lancaster, he plays it more straight and this includes a relationship with an old fling (Alexis Smith) of his.
The reason to watch this movie is for the actors. Lancaster and Douglas have a wonderful chemistry together and they have no problem fitting these roles. The two of them play well off of each other and they certainly add a lot of charm to the film. Charles Durning is the cop who originally brought him down and he too has some nice scenes with the boys. Dana Carvey is fun in his supporting role as is Smith. Eli Wallach plays a nutbag trying to kill the boys and he too adds a lot of fun.
TOUGH GUYS isn't a masterpiece and there's no question that it overstays its welcome with the extended running time. With that said, if you're a fan of the veteran cast then you'll certainly get a kick out of the film.
Legends Douglas and Lancaster play two aging ex-train robbers who set out to prove they're not over the hill for one more heist. A fun film. It's nice to see two legends go head to head and have a few laughs...
Did you know
- TriviaFilming was very difficult for the 71-year-old Burt Lancaster, as he had undergone a quadruple heart bypass operation two years earlier. There was some question as to whether he would even get insurance for this film.
- GoofsThe exterior shots of Mickey's show the doors opening outward while the interior shots show them opening inward. The hinges are standard 'saloon bar' hinges seen in every cowboy movie that features a saloon, and work both ways.
- Quotes
Belle: I warn you, I know karate!
Leon B. Little: [points his shotgun at her] I warn "you", I know Winchester!
- SoundtracksThey Don't Make Them Like They Used To
Music by Burt Bacharach
Lyrics by Carole Bayer Sager
Performed by Kenny Rogers
Courtesy of RCA Records
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Details
- Release date
- Country of origin
- Language
- Also known as
- Dos tipos duros
- Filming locations
- Belmont Tunnel - 1304 West 2nd Street, Los Angeles, California, USA(Leon B. Little exits tunnel then speaks to gang members.)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $21,458,229
- Opening weekend US & Canada
- $4,565,342
- Oct 5, 1986
- Gross worldwide
- $21,458,229
- Runtime
- 1h 44m(104 min)
- Color
- Aspect ratio
- 2.35 : 1
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