TerrorVision

Terrorvision was one of those 80's cult classics that I never got round to watching until now, I went in expecting very little but came away quite amused.

Telling the story of an extraterrestrial being beamed down to earth into a families satellite dish and running rampant with an unearthly hunger its a scifi comedy horror that actually entertains.

With a host of familiar faces and a retro soundtrack this creature feature actually looks quite good considering its age. It reminded me of Critters (1986) and alike that the creators didn't take it all too seriously.

Over the top, silly yet at the same time quite horrific this is a true 80's gem and a lot of fun.

The Good:

Great creature effects

Likable cast

All looks the part

The Bad:

Feels very dated in places

Things I Learnt From This Movie:

If you prank call the police they'll block your number

Being "Greek" in the swinging world means you're gay

TERRORVISION is a very peculiar horror-comedy that has the word "camp" labeled all over it. This fairy tale tells about a sloppy alien puppet monster who, presumably by accident, enters Planet Earth via a TV satellite dish. This enormous monster appears on the TV screen at first, then, talk about visual effects, it eventually materializes, appearing live, in the flesh! Talk about audience participation!!

Gerrit Graham (PHANTOM OF THE PARADISE, THE ANNIHILATORS) and Mary Wodornov (EATING RAOUL) portray the Puttermans, a happily married suburban couple. They do not realize the "realism" of the monster they see on TV, HA! This so-called "couple" leads a VERY dysfunctional family with a military obsessed son and his survivalist grandfather. There is also a crazed daughter who loves heavy metal rock music, and her mentally inept boyfriend, who looks like Kid Rock minus the attitude and pizzazz. There is also a horror movie hostess, Medusa (Jennifer Richards) who fits into this scheme for absolutely no plausible reason. Meanwhile, the monster devours each of the family members one by one...later reproducing their heads when necessary in order to cover up its actions.

Planet Earth is in grave danger, once again and its only chance into stopping this hungry creature is an intergalactic police alien. He explains to everyone that this creature was originally suppose to be disposed of...but instead, it lands on Planet Earth. This interstellar alien cop is the only one who can blast the gross alien creature into oblivion but...well, I'm sure that you are interested in finding out the rest, so go see this movie!

TERRORVISION is a funny, hilarious horror cult film that has plenty of humor to liven this movie up. There are silly one-liners, hokey special effects, and a variety of "eccentric" characters to give this film strength. It is a stupid film at times, and the cast definitely overacts, but if you are looking for a nice, relaxing horror film that offers a very different style from the rest of the horror movies in this genre, then TERRORVISION is recommended for you!

This film was again produced by the one and only Empire Pictures, and you know what that means: cheesy special effects and acting galore! The monster especially is the most ludicrous...hairball-type creature that I have ever seen on screen. The rest of the special FX in this movie are standard fare though, with a elegant touch of cheekiness...

If you are in the mood for a humorously bad movie, then this picture is the perfect candidate for you! In addition to being a delightfully stomach churning horror experience, TERRORVISION is a satire on the media-obsessed suburban middle class family. Hey, these guys make "The Simpsons" look and act like those mature, civilized, and pleasantly lovable neighbors living next door. If you thought that your own family may be "dysfunctional," hey (trust me), the family portrayed in this movie will add new meaning to that word!

For a fine sense of humor that will appeal to cult film fans, TERRORVISION is destined to become that next "special" classic. Beware, if you are not prepared to laugh and be disgusted at the same time, then perhaps you should skip this film...

RATING: ** out of ****.

Charles Band and Albert Band's Empire pictures have made some fun productions and "Terrorvision" happens to be one of those inclusions. Wacky sci-fi horror comedy with a terrifically animated cast featuring Mary Woronov, Gerrit Graham, Diana Franklin and John Gries with vividly chintzy special effects by John Carl Buechler. The cartoon-like premise is quite original and mock-serious in its approach, which sees the Puttermans a suburban family getting a new satellite TV which draws in a hungry outer space monster (which looks great). This monster then goes about eating the family, by transporting its self from one TV to another. Everything is done in a comical manner and purposely so, from the flamboyant performances to the colourfully cheap sets and then the creatively grotesque make-up effects. It's downright goofy and surreal, but still far from light-hearted with it streaming with numerous oddball sexual innuendo (especially since Woronov and Graham are playing swingers) and an Elvira like character known as Medusa. Director Ted Nicolaou does a capable job. Diana Franklin is cute and Chad Allen is likable as the young boy who goes up against the beast. While short-lived, it's a constantly amusing tongue-in-cheek outing that's fairly unpredictable, while at the same time haphazard. Despite the fair share of hate, I found it hard not to like this camped-out medium.

"What you looking at you creep".

"Terrorvision" is a fun little slab of 80s cheese. With the costumes,(ranging from Yuppie to Metal Head to Cyndi Lauper) slang, set decor, music (including a 5 sec shot of Blackie Lawless from W.A.S.P. >:) ) props (including a hi-fi with the one of the first CD players.) this movie doesn't need carbon dating to show it was made in that era. I first came across this film on the Sci-Fi Channel in the summer of 1999 (the defunct Vestron Television was the ones who distributed the edited mess and judging by the edits made for broadcast, this was aired circa the late 80s when FCC restrictions were *really* tight) I kinda threw it off as a bad movie. Years later, I picked up the complete R-rated video at the local mom-and-pop video store and watched it. The 2nd time around was way better than the first. My opinion changed after seeing the full version. If you like classic B-movie material meshed with the 80s, this is your movie.

We're introduced to a family brimming with all the worst trappings of the 1980's; the clichés have been elevated to the absurd and it's to the director, Ted Nicolaou's, credit that, in 1986, he was able to poke so much fun at the decade without the benefit of hindsight. The result is an off-the-wall comedy that feels like a 1950's monster movie, staring 'Leave it to Beaver', as filtered through 'Adult Swim'.

The daughter, Suzy, played by Diane Frankin ('Better Off Dead' / 'Bill & Ted's Excellent Adventure'), has the hair and make-up of an animated Cindy Lauper and an over-the-top valley-girl gab. A very young Chad Allen (you'll recognize him from nearly every family TV show of the late 80's and early 90's), is the war-game-obsessed son. The mother, played by the always fantastic Mary Woronov (Roger Corman's poster girl and star of 'Eating Raoul'), is a distant, self-involved socialite more interested in her exercise videos than her kids. Gerrit Graham ('Phantom of the Paradise' / 'Demon Seed'), hams it up as the swinging (literally) father always on the lookout for the next big thing. Rounding out the family is Grampa, the paranoid vet with a bomb shelter in the basement (Bert Remsen – 'Nashville' / 'Places in the Heart') and Suzy's boyfriend, 'O.D.', the tweaked metal-head dropout played buy 1980's staple, Jon Gries ('Real Genius' / 'Running Scared'). Together, this group inhabits a home that looks like a cross between a sex spa and a Patrick Nagel exhibition on ecstasy.

Wacky from minute one (the theme song being one of the film's high points), the family has just hooked up their new satellite dish while, simultaneously, far across the cosmos, a creature that can only be described as a booger with eyes, is being transported in exile by a humanoid-lizard alien that we don't learn much more about until the film's climax. The monster is mistakenly transmitted to the family's satellite dish and has the ability to escape at will from their TV sets. Nonsense ensues as the monster is able, by transforming its tongue, to impersonate the face and voice of anyone it kills.

The film never really crosses into any straight genre and manages to hover, quite proudly, over 'wonderfully weird'. If all of Hollywood had ostracized, instead of embraced, Tim Burton, this is the kind of live-action cartoon he'd be making.