TerrorVision

Sherman Putterman is your standard alien monster film kid who has seen a monster but can't get anyone else to believe him. His grandpa (Bert Remsen in the film's best performance) is a survivalist promoting his lizard tail jerky product (the perfect food because lizards' tails grow back and you can eat it again) and hiding out in his well-stocked fallout shelter.

If it were possible for a complete parody to be called original, "Terrorvision" (1986) would be the first to qualify. This is another cheap Albert and Charles Band (Empire Studios) production, but is not as mindless as something like "Redneck Zombies" and even has a bit of lyrical (yet very silly) charm. Everyone involved is obviously having a good time and the creature is much like something Richard Carlson would have encountered in a 1950's sci-fi film, but with much more slime. Not until "The Lost Skeleton of Cadavra" would there be a more self-aware genre parody. Although rated "R" because of some off-color humor, it would not be worth denying middle schoolers the pleasure of viewing this film because the overall style and effect is best appreciated by that age group.

Sherman's swinging parents are Gerrit Graham (who played superstitious car salesman Jeff in "Used Cars") and Mary Woronov ("Eating Raoul").

1980's teen queen Diane Franklin plays Sherman's sister Suzy and Jon Gries (of "Pretender" fame) is her boyfriend "O.D." who is really into heavy metal music. Franklin is almost unrecognizable in her mid-1980's "Girls Just Want to Have Fun" look.

Although the parody is primarily directed at the excessive cuteness of "ET", "Terrorvision" also goes after Elvira and Vampira with a similar late night horror show hostess called Medusa who wears a wig of snakes, has two enormous talents, and manages a host(ess) of semi-explicit puns.

The real star is an alien house pet whose mutation into a hungry beast forced its owners to send its atoms out into space. The film begins on a distant planet where this mutated pet is being processed at the mutated creature facility. A stray planet causes the creatures atoms to deflect through space until it finally is sucked down to earth by Sherman's father's new satellite dish.

By the middle of the film the monster has chewed and sucked its way through most of the family and their friends when Sherman, Suzy, and OD have an "ET" moment with it. The monster can mimic anyone it has eaten so the other cast members have a couple of post- demise scenes.

Terrorvision was one of those 80's cult classics that I never got round to watching until now, I went in expecting very little but came away quite amused.

Telling the story of an extraterrestrial being beamed down to earth into a families satellite dish and running rampant with an unearthly hunger its a scifi comedy horror that actually entertains.

With a host of familiar faces and a retro soundtrack this creature feature actually looks quite good considering its age. It reminded me of Critters (1986) and alike that the creators didn't take it all too seriously.

Over the top, silly yet at the same time quite horrific this is a true 80's gem and a lot of fun.

The Good:

Great creature effects

Likable cast

All looks the part

The Bad:

Feels very dated in places

Things I Learnt From This Movie:

If you prank call the police they'll block your number

Being "Greek" in the swinging world means you're gay

Charles Band and Albert Band's Empire pictures have made some fun productions and "Terrorvision" happens to be one of those inclusions. Wacky sci-fi horror comedy with a terrifically animated cast featuring Mary Woronov, Gerrit Graham, Diana Franklin and John Gries with vividly chintzy special effects by John Carl Buechler. The cartoon-like premise is quite original and mock-serious in its approach, which sees the Puttermans a suburban family getting a new satellite TV which draws in a hungry outer space monster (which looks great). This monster then goes about eating the family, by transporting its self from one TV to another. Everything is done in a comical manner and purposely so, from the flamboyant performances to the colourfully cheap sets and then the creatively grotesque make-up effects. It's downright goofy and surreal, but still far from light-hearted with it streaming with numerous oddball sexual innuendo (especially since Woronov and Graham are playing swingers) and an Elvira like character known as Medusa. Director Ted Nicolaou does a capable job. Diana Franklin is cute and Chad Allen is likable as the young boy who goes up against the beast. While short-lived, it's a constantly amusing tongue-in-cheek outing that's fairly unpredictable, while at the same time haphazard. Despite the fair share of hate, I found it hard not to like this camped-out medium.

"What you looking at you creep".

One of the underappreciated gems of the horror era in the 1980s. This is silly fun but ultimately enjoyable.

"TerrorVision" is an odd sci-fi/horror/comedy that seems to wear its "Poltergeist" influence on its sleeve. Either that or the filmmakers didn't care enough to hide the debt they owe to that movie.

The plot is about an otherworldly monster that comes - where else? - through the TV. Its arrival is even noticed by a cute little blond kid, a boy this time (Heather O'Rourke, R. I. P.).

The movie also doubles as a kind-of satire about middle class attitudes of the time as "Poltergeist" did, though that is barely noticeable. I liked the patriarch complaining about the punk/metal slacker his daughter brings home to meet the family, saying he looks ridiculous while putting metal chains around his neck to draw attention to his ample chest hair (they're preparing for a "'swingers' party", you see).

I admit I will watch anything with Diane Franklin in it. She's barely recognizable this time around, so heavily punked up you wonder why her parents are so shocked at the sight of her boyfriend - his own parents would probably be more shocked to see her.

I mentioned the movie was "odd" at the beginning of this review. I said that for a couple of reasons: one, despite the movie apparently being set in boring, staid 1980s suburbia, the house the characters live in looks like something out of "A Clockwork Orange". There are all kinds of weird art deco touches to the furnishing, like doors that belong on a submarine airlock. There's even semi-pornographic art work on the walls.

The other weird thing about this movie is that all the blood in it is green. Not just the monster blood (paging R. L. Stine) - I mean the human blood. I couldn't work out why humans in this movie have green blood. Was that simply to avoid a harder rating? Overall, it's an enjoyable movie for horror/b-movie fans which unsurprisingly died on a theatrical release. It's not "a truly wretched movie" (Janet Maslin) - if you're a fan of these types of movies, you know there are much worse out there. It's well enough made, well enough acted, funny at times, and has some cool gore effects.