TerrorVision

TERRORVISION is a very peculiar horror-comedy that has the word "camp" labeled all over it. This fairy tale tells about a sloppy alien puppet monster who, presumably by accident, enters Planet Earth via a TV satellite dish. This enormous monster appears on the TV screen at first, then, talk about visual effects, it eventually materializes, appearing live, in the flesh! Talk about audience participation!!

Gerrit Graham (PHANTOM OF THE PARADISE, THE ANNIHILATORS) and Mary Wodornov (EATING RAOUL) portray the Puttermans, a happily married suburban couple. They do not realize the "realism" of the monster they see on TV, HA! This so-called "couple" leads a VERY dysfunctional family with a military obsessed son and his survivalist grandfather. There is also a crazed daughter who loves heavy metal rock music, and her mentally inept boyfriend, who looks like Kid Rock minus the attitude and pizzazz. There is also a horror movie hostess, Medusa (Jennifer Richards) who fits into this scheme for absolutely no plausible reason. Meanwhile, the monster devours each of the family members one by one...later reproducing their heads when necessary in order to cover up its actions.

Planet Earth is in grave danger, once again and its only chance into stopping this hungry creature is an intergalactic police alien. He explains to everyone that this creature was originally suppose to be disposed of...but instead, it lands on Planet Earth. This interstellar alien cop is the only one who can blast the gross alien creature into oblivion but...well, I'm sure that you are interested in finding out the rest, so go see this movie!

TERRORVISION is a funny, hilarious horror cult film that has plenty of humor to liven this movie up. There are silly one-liners, hokey special effects, and a variety of "eccentric" characters to give this film strength. It is a stupid film at times, and the cast definitely overacts, but if you are looking for a nice, relaxing horror film that offers a very different style from the rest of the horror movies in this genre, then TERRORVISION is recommended for you!

This film was again produced by the one and only Empire Pictures, and you know what that means: cheesy special effects and acting galore! The monster especially is the most ludicrous...hairball-type creature that I have ever seen on screen. The rest of the special FX in this movie are standard fare though, with a elegant touch of cheekiness...

If you are in the mood for a humorously bad movie, then this picture is the perfect candidate for you! In addition to being a delightfully stomach churning horror experience, TERRORVISION is a satire on the media-obsessed suburban middle class family. Hey, these guys make "The Simpsons" look and act like those mature, civilized, and pleasantly lovable neighbors living next door. If you thought that your own family may be "dysfunctional," hey (trust me), the family portrayed in this movie will add new meaning to that word!

For a fine sense of humor that will appeal to cult film fans, TERRORVISION is destined to become that next "special" classic. Beware, if you are not prepared to laugh and be disgusted at the same time, then perhaps you should skip this film...

RATING: ** out of ****.

This is a movie I've kind of been wanting to see. I am ready to add this to my list of personal favorites after watching it for the first time, so I know they did some stuff right. While it's still fresh in my mind, there are some things I definitely want to say. First off, I am extremely surprised that this doesn't seem to have a cult following to it. "TerrorVision" is a great film that should have definitely achieved cult status. From the start (after some credits set to music by Siouxsie and the Banshees imitators!), this has a definite John Waters look and feel. When the fast-paced story moves into grotesque monster territory, it gets even better. And, regardless of how goofy it is, I dig the commentaries the filmmakers are sprinkling all throughout this movie, the main one of all being the most obvious: television giving birth to monsters. This is definitely one of those wild movies that gets weirder and more bizarre as it moves along. As for people quoting favorite lines from Bert Remsen's "Gramps" character, I love it when he refers to MTV as a secret conspiracy to rot the brain. "TerrorVision" wasn't as gory as I've heard, relying more on gooey FX than gory ones, but there are no complaints here. I love this, it was a real upper of a flagrant horror satire. I am so glad I saw this, and I would give it no less than a definite 9 on a scale of one to ten. In fact, I'm tempted to give it a full 10.

Charles Band and Albert Band's Empire pictures have made some fun productions and "Terrorvision" happens to be one of those inclusions. Wacky sci-fi horror comedy with a terrifically animated cast featuring Mary Woronov, Gerrit Graham, Diana Franklin and John Gries with vividly chintzy special effects by John Carl Buechler. The cartoon-like premise is quite original and mock-serious in its approach, which sees the Puttermans a suburban family getting a new satellite TV which draws in a hungry outer space monster (which looks great). This monster then goes about eating the family, by transporting its self from one TV to another. Everything is done in a comical manner and purposely so, from the flamboyant performances to the colourfully cheap sets and then the creatively grotesque make-up effects. It's downright goofy and surreal, but still far from light-hearted with it streaming with numerous oddball sexual innuendo (especially since Woronov and Graham are playing swingers) and an Elvira like character known as Medusa. Director Ted Nicolaou does a capable job. Diana Franklin is cute and Chad Allen is likable as the young boy who goes up against the beast. While short-lived, it's a constantly amusing tongue-in-cheek outing that's fairly unpredictable, while at the same time haphazard. Despite the fair share of hate, I found it hard not to like this camped-out medium.

"What you looking at you creep".

We're introduced to a family brimming with all the worst trappings of the 1980's; the clichés have been elevated to the absurd and it's to the director, Ted Nicolaou's, credit that, in 1986, he was able to poke so much fun at the decade without the benefit of hindsight. The result is an off-the-wall comedy that feels like a 1950's monster movie, staring 'Leave it to Beaver', as filtered through 'Adult Swim'.

The daughter, Suzy, played by Diane Frankin ('Better Off Dead' / 'Bill & Ted's Excellent Adventure'), has the hair and make-up of an animated Cindy Lauper and an over-the-top valley-girl gab. A very young Chad Allen (you'll recognize him from nearly every family TV show of the late 80's and early 90's), is the war-game-obsessed son. The mother, played by the always fantastic Mary Woronov (Roger Corman's poster girl and star of 'Eating Raoul'), is a distant, self-involved socialite more interested in her exercise videos than her kids. Gerrit Graham ('Phantom of the Paradise' / 'Demon Seed'), hams it up as the swinging (literally) father always on the lookout for the next big thing. Rounding out the family is Grampa, the paranoid vet with a bomb shelter in the basement (Bert Remsen – 'Nashville' / 'Places in the Heart') and Suzy's boyfriend, 'O.D.', the tweaked metal-head dropout played buy 1980's staple, Jon Gries ('Real Genius' / 'Running Scared'). Together, this group inhabits a home that looks like a cross between a sex spa and a Patrick Nagel exhibition on ecstasy.

Wacky from minute one (the theme song being one of the film's high points), the family has just hooked up their new satellite dish while, simultaneously, far across the cosmos, a creature that can only be described as a booger with eyes, is being transported in exile by a humanoid-lizard alien that we don't learn much more about until the film's climax. The monster is mistakenly transmitted to the family's satellite dish and has the ability to escape at will from their TV sets. Nonsense ensues as the monster is able, by transforming its tongue, to impersonate the face and voice of anyone it kills.

The film never really crosses into any straight genre and manages to hover, quite proudly, over 'wonderfully weird'. If all of Hollywood had ostracized, instead of embraced, Tim Burton, this is the kind of live-action cartoon he'd be making.

"TerrorVision" is an odd sci-fi/horror/comedy that seems to wear its "Poltergeist" influence on its sleeve. Either that or the filmmakers didn't care enough to hide the debt they owe to that movie.

The plot is about an otherworldly monster that comes - where else? - through the TV. Its arrival is even noticed by a cute little blond kid, a boy this time (Heather O'Rourke, R. I. P.).

The movie also doubles as a kind-of satire about middle class attitudes of the time as "Poltergeist" did, though that is barely noticeable. I liked the patriarch complaining about the punk/metal slacker his daughter brings home to meet the family, saying he looks ridiculous while putting metal chains around his neck to draw attention to his ample chest hair (they're preparing for a "'swingers' party", you see).

I admit I will watch anything with Diane Franklin in it. She's barely recognizable this time around, so heavily punked up you wonder why her parents are so shocked at the sight of her boyfriend - his own parents would probably be more shocked to see her.

I mentioned the movie was "odd" at the beginning of this review. I said that for a couple of reasons: one, despite the movie apparently being set in boring, staid 1980s suburbia, the house the characters live in looks like something out of "A Clockwork Orange". There are all kinds of weird art deco touches to the furnishing, like doors that belong on a submarine airlock. There's even semi-pornographic art work on the walls.

The other weird thing about this movie is that all the blood in it is green. Not just the monster blood (paging R. L. Stine) - I mean the human blood. I couldn't work out why humans in this movie have green blood. Was that simply to avoid a harder rating? Overall, it's an enjoyable movie for horror/b-movie fans which unsurprisingly died on a theatrical release. It's not "a truly wretched movie" (Janet Maslin) - if you're a fan of these types of movies, you know there are much worse out there. It's well enough made, well enough acted, funny at times, and has some cool gore effects.