Sherman's March

This is a great doc just out on DVD. Ross McElwee originally set out to shoot a documentary following General Sherman's Civil War path in the south, but then decided to shift the focus, upon a break-up with his girlfriend, to the various single women he comes across while ambling through the south. In the purest of D.I.Y. film-making, McElwee stars, operates the camera, handles sound, and narrates...all at the same time! On the surface, this loose and rambling documentary might appear too self indulgent, but it does indeed succeed its task of tracking General Sherman's historic march, albeit in a most unique way. It's the documentary equivalent of "Adaptation."

First off, I'm not sure what this movie has in common with "The Road Warrior," which is one of the movies recommended on the IMD "if you enjoyed this movie." This movie cannot be compared with most other films because it is a documentary about the search for one man's inner happiness. Ross McElwee is a filmmaker commissioned to make a movie about the Civil War. Right before he begins his odyssey, his girlfriend leaves him. He's stuck with a camera and no inspiration to follow Sherman's trail through the south. His new odyssey is quite different than any historical documentary, and thank God for it. It is so wonderfully entertaining and funny because McElwee is a well-spoken, charming and insightful filmmaker. And a natural comedian to boot! His struggle to find true love in the modern south plays like a country fried steak version of Woody Allen. And the women he encounters are nearly as unforgettable and entertaining. This film and his follow-up, Time Indefinite, seem to serve as his personal catharsis. Normally I would cringe at the thought of watching someone make a movie just to better him or herself. But I have yet to see a more personal and entertaining documentary than Sherman's March.

Ross McElwee, a native Southerner, started off wanting to make a straightforward documentary film about General Sherman's march, but then his girlfriend broke up with him. The result is an idiosyncratic and personal documentary, as McElwee tries to film his Sherman movie but can only obsess about the various women he meets along the way, and his own personal failings.

"Sherman's March" is funny because of its many characters and lines of dialogue that are so crazy, you'd never believe them if they were in a fiction film. Best of all is Charleen, McElwee's former teacher, who is convinced that Ross just needs to sweep a girl off her feet--even if he's never met her before. And nearly all of the young women McElwee meets come across as kooky--two of them believe that the Apocalypse is imminent and another considers herself a "female prophet." Many of them are attached to men who also seem weird or distant. A feminist lawyer, whom McElwee considers the lost love of his life, wishes she could love him, but is instead obsessed with a guy who collects giant plastic animals. Like I said: you can't make this stuff up.

The Sherman theme crops up now and then, but McElwee could have done more with it. At one point he discusses the strength and courage displayed by the women of Atlanta when Sherman destroyed their city, then cuts to some footage of two self-absorbed actresses--you can't help thinking that Southern women have diminished in quality over the last 100 years. But he never picks up this thread again.

"Sherman's March" is a rambling movie, and at over 2.5 hours, way too long. And though McElwee's deadpan observations, delivered in voice-over, are frequently amusing, he is also a masochist, which diminishes our sympathy for him. He spends time on a near-deserted island, where he is tortured by mosquitoes, ticks, and the knowledge that the only two other people on the island are an attractive female linguist and her boyfriend. Later, he breaks things off with a hot musician (one of the few women who doesn't seem like a kook) in order to agonize over the aforementioned lawyer. Moments like these just make you frustrated with the filmmaker and his quest, not approving of it.

I love this film. I remember seeing it years ago on a NYC PBS station on a rainy night and I was immediately drawn into it. A southern documentary filmmaker starts to make his film about Civil War General Sherman but he breaks up with his girlfriend and goes back home down south and starts filming everyone in his life (his parents, his siblings, his friends) and they are all giving him advice on his struggling film career and his love life and they all try and fix him up with all these "southern belles" and he just films it all. It is fascinating and funny and real. Well, as real as life can be when you know someone has a film camera on their shoulder and they are filming you. I also highly recommend the two follow-ups to this "Time Indefinite" and "The Six O'Clock News". Ross McElwee is an incredibly talented filmmaker and a sweet, neurotic human being who has no trouble baring his soul on film. Check this film out.

Yowch! Some of these comments are so negative! The anonymity of the internet seems to have spawned this new subculture of jaded dissing. I've seen "Sherman's March" four times (and its sequel, "Time Indefinite," twice) and loved it every time. It's true that this movie is very slow, very long, and very subtle, but those are not necessarily flaws. If you watch "Sherman's March" with that it mind, it can be a tremendously rewarding experience - touching, subtly funny, and thought-provoking. Ross McElwee will never have the commercial viability of Quentin Tarantino or Arnold Schwartzenegger or whoever, but I don't think his "home movies" are intended to be viable. They're just intended to be good old-fashioned well-crafted art. Some people get mad when movies have no freakishly attractive people or satisfyingly pat endings or giant explosions, and some people feel grateful. This movie is for the latter camp.