Sherman's March

I love this film. I remember seeing it years ago on a NYC PBS station on a rainy night and I was immediately drawn into it. A southern documentary filmmaker starts to make his film about Civil War General Sherman but he breaks up with his girlfriend and goes back home down south and starts filming everyone in his life (his parents, his siblings, his friends) and they are all giving him advice on his struggling film career and his love life and they all try and fix him up with all these "southern belles" and he just films it all. It is fascinating and funny and real. Well, as real as life can be when you know someone has a film camera on their shoulder and they are filming you. I also highly recommend the two follow-ups to this "Time Indefinite" and "The Six O'Clock News". Ross McElwee is an incredibly talented filmmaker and a sweet, neurotic human being who has no trouble baring his soul on film. Check this film out.

After seeing this documentary "Sherman's March" by Ross McElwee in 1986, I was so confused and had no idea what the main point of this "documentary" is. My first impression was that why the title of this film is called Sherman's March? There are only a few parts about Sherman's history and background. I have no idea why he wanted to name this long film "Sherman's March"? Besides, the major part of this documentary / biography is about the women he met and his inner fantasy for nuclear war. If the director could change the title, and remove General Sherman part, this documentary could be a nice piece about man, woman, and love. In my personal opinion, McElwee's inner mind could be dark and invisible - it reflects on his insomnia and bad dreams. However, these women having different background could be lighthouses for him to guide him to a new peaceful world. Then I think in the process of seeking love, and he could realize what he really wants by meeting different women around him. He used his own voice to narrate what he is thinking and what is in his mind when he saw different people and experience different things. I think it is quite unique - the camera becomes his eyes and audiences see what he saw through the frames and the movie not only recorded all these people he met, but also became a tool for the director to analyze himself. Even though I think this is not Sherman's March - instead, it is Women's March! I still think the content itself is quite interesting and funny. The director's unrestrained and vigorous thought and humorous conversation actually made the "path way" to "true love" more interesting.

This is a great doc just out on DVD. Ross McElwee originally set out to shoot a documentary following General Sherman's Civil War path in the south, but then decided to shift the focus, upon a break-up with his girlfriend, to the various single women he comes across while ambling through the south. In the purest of D.I.Y. film-making, McElwee stars, operates the camera, handles sound, and narrates...all at the same time! On the surface, this loose and rambling documentary might appear too self indulgent, but it does indeed succeed its task of tracking General Sherman's historic march, albeit in a most unique way. It's the documentary equivalent of "Adaptation."

Yowch! Some of these comments are so negative! The anonymity of the internet seems to have spawned this new subculture of jaded dissing. I've seen "Sherman's March" four times (and its sequel, "Time Indefinite," twice) and loved it every time. It's true that this movie is very slow, very long, and very subtle, but those are not necessarily flaws. If you watch "Sherman's March" with that it mind, it can be a tremendously rewarding experience - touching, subtly funny, and thought-provoking. Ross McElwee will never have the commercial viability of Quentin Tarantino or Arnold Schwartzenegger or whoever, but I don't think his "home movies" are intended to be viable. They're just intended to be good old-fashioned well-crafted art. Some people get mad when movies have no freakishly attractive people or satisfyingly pat endings or giant explosions, and some people feel grateful. This movie is for the latter camp.

McElwee has done many other similar works, some more deeply moving -- the one about his father the doctor, for instance. But this gives a great introduction to his "style" -- the guy who takes the camera everywhere and films his life, and not just in trivial ways -- ala web cams today. A tribute to women -- and women rate it much higher than men, as the imDb voting demographics show. This pre-dated the well-known and wildly successful "Sex, Lies, and Videotape" -- some would call it an outright steal or rip-off of "Sherman's March." As far as I know, McElwee had nothing to do with and is not credited in "Sex, Lies, and Videotape. "Sherman's March" clearly influenced "SL & V," to put things more mildly. SL&V has marketing written all over it, from the title to the stars (admittedly not as famous during the time of the shoot as now), and in its focus on sex and masturbation, particularly. "Sherman's March" has indie-film written all over it; it's not about stars, only indirectly about sex, and everyone plays themselves: it's a documentary. I liked all of that and it was a fresh approach when it first came out. Most such films are not done skillfully, thoughtfully, or edited well enough to make for excellent viewing. You may or may not like McElwee personally; he's a bit of an odd-ball, but a kindly one. His women friends are the focus here, however, and he wisely gets out of the way most of the time. Well worth your time.