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Abraxas

Original title: Scared Stiff
  • 1987
  • R
  • 1h 23m
IMDb RATING
4.8/10
1K
YOUR RATING
Andrew Stevens and Mary Page Keller in Abraxas (1987)
Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.
Play trailer1:28
1 Video
46 Photos
Horror

Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.

  • Director
    • Richard Friedman
  • Writers
    • Mark Frost
    • Daniel F. Bacaner
    • Richard Friedman
  • Stars
    • Andrew Stevens
    • Mary Page Keller
    • David Ramsey
  • See production info at IMDbPro
  • IMDb RATING
    4.8/10
    1K
    YOUR RATING
    • Director
      • Richard Friedman
    • Writers
      • Mark Frost
      • Daniel F. Bacaner
      • Richard Friedman
    • Stars
      • Andrew Stevens
      • Mary Page Keller
      • David Ramsey
    • 26User reviews
    • 29Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Teaser Trailer
    Trailer 1:28
    Official Teaser Trailer

    Photos46

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    Top cast27

    Edit
    Andrew Stevens
    Andrew Stevens
    • David Young
    Mary Page Keller
    Mary Page Keller
    • Kate Christopher
    David Ramsey
    • George Masterson
    Josh Segal
    • Jason
    Bill Hindman
    • Dr. Ben Brightman
    • (as William M. Hindman)
    Jackie Davis
    • Detective Whitcomb
    • (as Jakie Davis)
    Nicole Fortier
    Nicole Fortier
    • Elizabeth Masterson
    Brian Smith
    • Director
    Tony Shepherd
    • Wally
    Tom Kouchalakos
    • Michael Murphy
    Jennifer Hingel
    • Jennifer
    Richard Jason
    • Elizabeth's Son
    Pete Conrad
    • Short Man
    Carol Gun
    • Sherry
    Ellen Simmons
    • Claire
    Chris Gilbert
    • Mover
    Dee Dee Deering
    Denis Hartigan
    • Townsperson
    • Director
      • Richard Friedman
    • Writers
      • Mark Frost
      • Daniel F. Bacaner
      • Richard Friedman
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews26

    4.81K
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    Featured reviews

    6CMRKeyboadist

    Silly Little Film

    Scared Stiff is definitely a film that most B horror fans should venture into seeing. It literally has EVERYTHING. Horrible editing, awful acting, a script that goes nowhere, off the wall gore (at the end), and an incredible silly ending!

    Kate, David and Kate's son move into and old house. Kate is an actress and David is a therapist. When they move into this house things start going very strange as Kate starts seeing things, along with her son. It turns out that the house they moved into belonged to an evil man that tortured slaves back in the late 1800's. As the family stays in the house lounger, the more possessed David becomes.

    I have a soft spot for movies like this. Yes, it was a terrible film. No doubt about that. But, did I enjoy this film... I would have to say yes. For fans of a genre long dead this is definitely worth seeing as the story is actually not half bad. It is everything else that brings this movie down. Example: there is a scene in which a man is hanging outside of a window. We get a close up of his face for roughly 15 seconds. At the end of the scene, we see the mans eyes move. Truly poor editing. If you watch this movie you will see many inconsistencies. For me, that is what gives it its charm.

    Goofy movie that is well worth watching for all of you 80's horror fans. 6/10
    5thalassafischer

    I Feel Pity For These Film Makers

    Scared Stiff should have been a better movie and it probably would have been with a bigger budget. I can see where they were going and they didn't have the proper sets and equipment to make it work.

    It is rare that I watch a horror flick and am like aw dang I totally get this and would be into it if this weren't so bargain basement and slapped together by some low paid amateurs.

    I also feel like there wasn't enough done with the connection between the slaves introduced in the beginning and the magical powers in the voodoo charm. Some things could have been improved by a more thoughtful execution with what they had, which is why I am still only giving this middling 80s mess five stars.
    FieCrier

    What's that smell?

    Could it be the workman, hanging undiscovered outside a boy's screenless window? He hangs there by his neck for days, perhaps weeks without being found, despite being in clear view from the outside, despite being less than a foot away from the boy's window; shouldn't there be flies? shouldn't the smell be intense?

    But no, as you might suspect, it is this movie that stinks - stinks real bad. Whether its Andrew Stevens typical performance as...Andrew Stevens, or the Comic Relief Cop, or the Negroid (!) Slaveowner Werebeast, or the Giant Kitsch Indian Head Lamp, or, or, or...oh man, it's too bad to go on.

    Miss it, unless you want to kill some time, and have a few (not many) laughs or groans at this painful wreck.
    6kannibalcorpsegrinder

    Enjoyable enough but not all that memorable effort

    Moving into her boyfriends' new house, a former psychiatric patient and her son continue to experience strange events and visions caused by the ruthless former owner of the house and realizing that the haunting has affected him as well they try to discover a way of stopping it from consuming him.

    This one wasn't that bad of an effort. One of it's best elements is the fact that the backstory used to set up the haunting manages to work itself out rather well. With the idea of the house being haunted by the ghosts of the past who are looking to settle the score for the treatment inflicted upon them by the cruel slave-owner in the past, which is a fine and worthwhile showing for these kinds of films in order to set up a potential haunting. That the early setups inside the house bring about their early introduction into the supernatural happenings in the house, from finding the secret room filled with pigeons to the discovery of the diary and the strange key on the grounds which all signal the start of the creepy action. That also leads to the film's rather decent and enjoyable haunting scenes. With the first hauntings occurring through her nightmares to the discovery of the bones locked in the attic and then the children's toys coming to life and playing on their own, this builds up rather nicely with a nice series of visions and sequences that further fuel her mental anguish. Since the attacks and visions are based more on her being the main witness to the action and her backstory being his patient as well as the backstory with the house, these come together rather nicely to deliver some pretty fun cheesy moments that move the hauntings into possession that matches the activity in the backstory. Featuring some solid action in this part of the film and really having a lot to like in the finale, these here hold this one up for the most part. There are a few problems here. The main issue is the absolutely troublesome beginning to this one to get the film going as it takes a while to get the storyline setup. The exploits of the doctor at the asylum working with his patients isn't all that interesting, as making his rounds or showing how he cares for the more psychotic inmates doesn't really serve any kind of interesting activities going on, especially with the plotless reasons for staying there as often as we do. That this is countered by the boring scenes of them packing up to move into the house just makes for an overlong and boring setup that takes forever to get going as the lack of horror scenes early on due to this issue is quite noticeable. The other big problem with this one is the absolutely bizarre and chaotic final half that makes no sense whatsoever. The film throws the characters through several alternate timelines and periods of history with various figures from her past thrown together into one random series of hallucinations to torment her and yet none of it makes any sense since nothing comes of these scenes. There's no greater sense of understanding the events of the past or using them to have the upper hand in the big confrontation, and it just ends up going through its scenes in such a random manner as chaotically as it does here just makes for a confusing time that lowers this one significantly. These here are the biggest problems to be had with this one.

    Rated R: Graphic Language and Graphic Violence.
    brandonsites1981

    * out of 4.

    Awful film about a family moving into a new house and falling prey to a rubber faced African voodoo monster that possesses Andrew Stevens and forces him to kill his family. The special effects are really that terrible, the entire cast is bland, and the situations that unfold in the film are a laugh riot. Good to watch and make fun of, otherwise avoid this piece of junk masquerading as a horror film. Rated R.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      After the film's underwhelming performance, it was released on VHS and then LaserDisc, but then fell into obscurity. In 2004, film historian Robert Ellinger was in one of the last video rental stores that still sold VHS tapes when the film caught his eye. He loved the film's music, especially "Beat of the Heart", but no soundtrack had ever been released. This began his long obsession with the film. He began acquiring everything he could from the film: test posters, various foreign VHS copies and even a promotional paperweight from when the film was released to home video. He was able to reach the film's costume designer Beverly Safier, who sent him a piece of fabric from one of the dresses that Kate wears in the film. He wanted to see if the film had other fans, so he uploaded "Beat of the Heart" to YouTube and discovered that there were fans who loved both the song and the movie. Because Ellinger works in the music industry, he was able to locate the film's composer The Barber Brothers (who was really just one person, Billy Barber) and asked him if he had the original masters for the soundtrack, but they were lost. Unwilling to give up, Ellinger contacted producer Daniel F. Bacaner, who had disowned the film and was surprised to hear someone mentioning the film so long after its release. Ellinger told Bacaner that he should re-release the film to introduce it to a new audience. They were able to locate the original negatives in an MGM vault in Pittsburgh, where it had remained for thirty years, as well as a treasure trove of unused promotional materials. Bacaner contacted director Richard Friedman and was able to secure a restoration by Arrow Video, who also gave the film a Blu-Ray release. They were able to get some of the cast and crew to provide some background information on the film, and Friedman, Bacaner and Ellinger made a commentary track. Billy Barber even performed a piano cover of "Beat of the Heart." As thanks for setting the restoration in motion, Bacaner gave Ellinger some negatives from the film out of his personal collection.
    • Goofs
      The workman's eyes clearly move after he is dead.
    • Quotes

      Michael Murphy: [as a hallucination to Kate] Hi Miss Christopher... I'm fine now... wanna see?

      [unzips his forehead, causing his scalp to fall off, displaying his pulsating brain]

    • Connections
      Referenced in Robot Ninja (1989)
    • Soundtracks
      Beat of the Heart
      by Billy Barber

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    FAQ14

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    Details

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    • Release date
      • October 23, 1987 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Scared Stiff
    • Filming locations
      • Miami, Florida, USA
    • Production companies
      • Manson International
      • The Fremont Group
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $1,300,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 23m(83 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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