Abraxas

I'm not going to sit here and say that Scared Stiff is some sort of lost classic of the genre. It's not. It has pacing problems and you're never quite sure if it's a haunted house movie, a "she's losing her mind" movie, or an installment of the Nightmare on Elm Street franchise, but when it gets something right, it really gets it right.

A single mother pop star moves into a spooky antebellum mansion with her child and boyfriend and not only begins to unravel the house's gruesome history, but starts to believe that she's actually seeing the previous owners in her day to day life.

Scared Stiff starts out as a typical haunted house film. The lead character is plagued with visions and dreams of the wicked slave owner who used to live there and she thinks she's losing her mind. All of a sudden, it seems as if her doctor boyfriend can't be trusted either and it turns into one of those "is she crazy or being gaslit?" movies, before pulling out all the stops in a genuinely imaginative and nightmarish final act.

It's not as if Scared Stiff is brilliant, but it's competent and the final act is incredibly memorable, creepy, and downbeat.

Scared Stiff is definitely a film that most B horror fans should venture into seeing. It literally has EVERYTHING. Horrible editing, awful acting, a script that goes nowhere, off the wall gore (at the end), and an incredible silly ending!

Kate, David and Kate's son move into and old house. Kate is an actress and David is a therapist. When they move into this house things start going very strange as Kate starts seeing things, along with her son. It turns out that the house they moved into belonged to an evil man that tortured slaves back in the late 1800's. As the family stays in the house lounger, the more possessed David becomes.

I have a soft spot for movies like this. Yes, it was a terrible film. No doubt about that. But, did I enjoy this film... I would have to say yes. For fans of a genre long dead this is definitely worth seeing as the story is actually not half bad. It is everything else that brings this movie down. Example: there is a scene in which a man is hanging outside of a window. We get a close up of his face for roughly 15 seconds. At the end of the scene, we see the mans eyes move. Truly poor editing. If you watch this movie you will see many inconsistencies. For me, that is what gives it its charm.

Goofy movie that is well worth watching for all of you 80's horror fans. 6/10

Could it be the workman, hanging undiscovered outside a boy's screenless window? He hangs there by his neck for days, perhaps weeks without being found, despite being in clear view from the outside, despite being less than a foot away from the boy's window; shouldn't there be flies? shouldn't the smell be intense?

But no, as you might suspect, it is this movie that stinks - stinks real bad. Whether its Andrew Stevens typical performance as...Andrew Stevens, or the Comic Relief Cop, or the Negroid (!) Slaveowner Werebeast, or the Giant Kitsch Indian Head Lamp, or, or, or...oh man, it's too bad to go on.

Miss it, unless you want to kill some time, and have a few (not many) laughs or groans at this painful wreck.

Moving into her boyfriends' new house, a former psychiatric patient and her son continue to experience strange events and visions caused by the ruthless former owner of the house and realizing that the haunting has affected him as well they try to discover a way of stopping it from consuming him.

This one wasn't that bad of an effort. One of it's best elements is the fact that the backstory used to set up the haunting manages to work itself out rather well. With the idea of the house being haunted by the ghosts of the past who are looking to settle the score for the treatment inflicted upon them by the cruel slave-owner in the past, which is a fine and worthwhile showing for these kinds of films in order to set up a potential haunting. That the early setups inside the house bring about their early introduction into the supernatural happenings in the house, from finding the secret room filled with pigeons to the discovery of the diary and the strange key on the grounds which all signal the start of the creepy action. That also leads to the film's rather decent and enjoyable haunting scenes. With the first hauntings occurring through her nightmares to the discovery of the bones locked in the attic and then the children's toys coming to life and playing on their own, this builds up rather nicely with a nice series of visions and sequences that further fuel her mental anguish. Since the attacks and visions are based more on her being the main witness to the action and her backstory being his patient as well as the backstory with the house, these come together rather nicely to deliver some pretty fun cheesy moments that move the hauntings into possession that matches the activity in the backstory. Featuring some solid action in this part of the film and really having a lot to like in the finale, these here hold this one up for the most part. There are a few problems here. The main issue is the absolutely troublesome beginning to this one to get the film going as it takes a while to get the storyline setup. The exploits of the doctor at the asylum working with his patients isn't all that interesting, as making his rounds or showing how he cares for the more psychotic inmates doesn't really serve any kind of interesting activities going on, especially with the plotless reasons for staying there as often as we do. That this is countered by the boring scenes of them packing up to move into the house just makes for an overlong and boring setup that takes forever to get going as the lack of horror scenes early on due to this issue is quite noticeable. The other big problem with this one is the absolutely bizarre and chaotic final half that makes no sense whatsoever. The film throws the characters through several alternate timelines and periods of history with various figures from her past thrown together into one random series of hallucinations to torment her and yet none of it makes any sense since nothing comes of these scenes. There's no greater sense of understanding the events of the past or using them to have the upper hand in the big confrontation, and it just ends up going through its scenes in such a random manner as chaotically as it does here just makes for a confusing time that lowers this one significantly. These here are the biggest problems to be had with this one.

Rated R: Graphic Language and Graphic Violence.

In the 19th Century some slaves put a curse on cruel slave trader George Masterson (David Ramsey). Move forward to the mid-1980's and pop singer Kate (Mary Page Keller, complete with mullet) moves into Masterson's Southern mansion, along with young son Jason and boyfriend Dr David Young. Needless to say strange and spooky things start to happen, eventually becoming more and more horrific. Back in the 1980's and 90's I was visiting video shops most weeks and I did have a poster for the UK VHS release of this movie yet strangely I don't think that I had actually watched it until last night. I recently acquired the Arrow blu-ray and a fine release it is too. Scared Stiff is very typical of the B movies that found themselves more or less straight to VHS, and that is certainly no bad thing as that period was awash with such films and it was a great time to be a horror fan. This one reminds me of "House" (1986) but with less humour plus it's not as good. The movie had a low budget but the acting is fine though the practical special effects (so much better than horrible CGI) are the real stars of the show. I have seen better quality but they are good enough. I clearly remember this for its wonderful Graham Humphrey's VHS poster artwork but can find very little mention of it in my horror movie books. Sad really, it's no classic but does deserve to be better known. For a late night movie, lights off and a few beers it's a pretty entertaining watch. And after the end credits have rolled don't be surprised if you have the song "Beat of the Heart" going around and around in your head, ha ha!