Le dernier missile

You will either love this film or wish you hadn't started it.

I loved it, can't help it.

A great post-nuclear-tribe-based world with no rhyme or reason to it. But who cares. Absolute ridiculous. Totally 80s

Lisa Blount is amazing in her pseudo "V" post apocalyptic costume, a must for her fans (which is how I ended up seeing this). Dudikoff is (somehow) hilarious. Albert Pyun juggles the mish-mash of film genres, whether comedy, action, pop video, or detective noir (little bit tongue in cheek with that last one), and keeps the film together going even at its sloppiest.

Escape From New York meets The Warriors meets John Hughes meets Buckaroo Banzai meets Blade Runner meets low budget meets classic 80s DTV.

Pyun's ambitious effort is well-made but extremely lacking in plot and character development. Essentially, it is a half-baked post-apocalyptic comedy about two Hardy Boys-esquire young guys (John Stockwell and Michael Dudikoff) who see the world for the first time. They run into various zombies, 80s bondage/biker chicks, a genuinely creepy butcher, and several other zany and morally ambiguous characters as they search for their father.

Like a lot of Pyun's films, it doesn't take any effort to level the ground for the audience. It has flashy ideas and camera maneuvers and some decent action, but it was hard to understand what was going on. Or maybe it was hard to understand that the movie WAS going on without any real plot lying underneath its surface. By the end I was giving up on it because there was no interesting conclusions or character accomplishments. If it were trippier and filled with more complex weirdness it could have been more watchable, but it still needed better characters and more fun.

There is a dance number at the end that is pretty amazing though . . .

The only thing I really liked about this movie is Michael Dudikoff. This was his first (and, until about BOUNTY HUNTERS nearly eleven years later, only) turn at comedy, and he proved he definitely has what it takes play a comedic role. He and John Stockwell play two teens who have grown to maturity inside a bomb shelter with nothing but Philip Marlowe novels, and when they finally set foot out into the post-nuke future, encounter everything from a mysterious woman to some really ugly creatures. I really had no idea what was happening in this movie. I just liked watching Dudikoff do comedy for a change (his teenage girl-like reaction to discovering that a giant creature hanging from the ceiling is alive is hysterical) and show off some cool dance moves at the end. Of interest to only Dudikoff fans, and even they might be disappointed outside of him.

I have been a sort-of fan of this film for a long time, as it was an attempt (no matter how misdirected) to like two of my favorite genres of film. This is a strange movie, but about as good as it could have been, given the budget. However, I must warn any potential viewers that you MUST be prepared to suspend a significant amount of disbelief...

The ultimate problem is that it cannot seem to decide if it is a comedy, or more serious film. It begins with sort of a comedic premise, it works well as a strange sort of slapstick comedy (with Michael 'American Ninja' Dudikoff turning a surprisingly good performance). It is two kids who were locked in a fall-out shelter by their 'fathers' the day of the nuclear war. All they are left with is pulp detective books and so they model themselves on the characters therein. They then enter the world after the bomb and thier innocence is confronted by a series of unpleasant challenges and betrayals (some that are surprisingly un-funny, but not bad). They then become 'real' film noir style, jaded anti-heroes and confront the baddies.

Then the film ends in a dance number...

OK, it's wierd, but I honestly believe that anyone who has an appreciation for strange film will really enjoy this movie. It is cute and kind of innocent and relatively entertaining. It is worth at least a watch.

This is that rarity amongst post-apocalyptic cinema - a film that dares to show people trying to enjoy life in the ruins of civilization. Although it's eighties heritage shows through in an overzealous use of neon, tacky dance-rock and the frankly dodgy nightclub scenes, any film that can combine a nuclear war with disco has to be applauded.

Our heroes emerge after a childhood in a bomb shelter. Their only guide to the 'real' world has been the work of crime writers such as Raymond Chandler. Convinced, therefore, that everyone wears sharp suits, talks like a hipster and goes down after one swift punch to the jaw, they embark on their journey back to civilization.

Although the film starts by gently mocking the conventions of post-apocalyptic cinema (disco dancing midgets in white suits for instance (no, I'm not making this up!)), the bravery of the script dwindles, and about half way through it degenerates into the very generic twaddle that it sets out to mock. Still, as generic twaddle goes, it is enjoyable and entertaining, and hey, love that disco dancing...