Reincarnated "Satanic Witch" from New Amsterdam, circa 1600's comes back to revive her cult members by sucking the life force out of people.Reincarnated "Satanic Witch" from New Amsterdam, circa 1600's comes back to revive her cult members by sucking the life force out of people.Reincarnated "Satanic Witch" from New Amsterdam, circa 1600's comes back to revive her cult members by sucking the life force out of people.
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It's a bad day for movies at my place. First I have to stop watching "Funeral Home" due to boredom. Then I put in this movie. Good thing I had my horror magazines to read during the slow parts. One scene with 3 pairs of dripping breasts (on one witch) cannot carry a whole movie.
It begins in the 1600's, yet the witch is wearing 80's make-up and underwear. Also she is doing a none-too-cool 80's dance. I go to 80's dance clubs and have seen nothing so goofy looking as these ridiculous steps. Not as bad as "Ghoulies IV", but quite bad.
It begins in the 1600's, yet the witch is wearing 80's make-up and underwear. Also she is doing a none-too-cool 80's dance. I go to 80's dance clubs and have seen nothing so goofy looking as these ridiculous steps. Not as bad as "Ghoulies IV", but quite bad.
Necropolis (1986) is a movie I recently watched on Tubi. The storyline follows a witch from the 1600s that has been resurrected into a present day tall, gorgeous, sensual blond. She lures people into dark dingy corners, sucks the lifeforce out of them 😉, allowing the souls of her cult members from the past to return in her victims bodies. Can anyone resist her temptations?
This movie is directed by Bruce Hickey (The Hot Mess) and stars LeeAnne Baker (Breeders), Michael Conte (Panama Red), Adriane Lee (Mutant Hunt), Nadine Hartstein (Robot Holocaust) and Christina Sisinni (Mutant Hunt).
The storyline for this had a lot of potential but unfortunately was executed poorly. I will say the opening dance sequence was solid and there was plenty of nudity throughout the film; but the acting was bad, the cinematography was mediocre, the script was terrible and the horror elements were lacking. There's really no gore in this. There were some fun cult meetings and elements.
Overall this film has little going for it and is only worth seeing for the main character. I would score this a 3.5/10 and recommend skipping it.
This movie is directed by Bruce Hickey (The Hot Mess) and stars LeeAnne Baker (Breeders), Michael Conte (Panama Red), Adriane Lee (Mutant Hunt), Nadine Hartstein (Robot Holocaust) and Christina Sisinni (Mutant Hunt).
The storyline for this had a lot of potential but unfortunately was executed poorly. I will say the opening dance sequence was solid and there was plenty of nudity throughout the film; but the acting was bad, the cinematography was mediocre, the script was terrible and the horror elements were lacking. There's really no gore in this. There were some fun cult meetings and elements.
Overall this film has little going for it and is only worth seeing for the main character. I would score this a 3.5/10 and recommend skipping it.
This movie is a Great Waste of Time! A tired witch turned punk-rock bimbo tries to keep her youth (Duhh!) by sacrificing a virgin in New York City, but seems to have a bit of a problem finding one. I never have understood *why* a virgin has to be (a) female, (b) teen-aged; and, (c) pretty! However, if you want to see more of the same with the obligatory T&A - here's your chance! Poor acting, sloppy direction and choppy scenes. I hate to mention that the sound quality also seems to be lacking! Don't bother!
My review was written in May 1987 after a screening at Liberty theater on Manhattan's 42nd St.
"Necropolis" poses the thorny question: how does Empire pictures' brass decide which of their films will be released theatrically? This meager, N. Y.-lensed effort is far below the level of quality of several of Empire's recent direct-to-video releases, yet it popped up unannounced on 42nd Street on a triple bill to bore the pants off a horror-hungry audience. Home viewers at least will have a fast-forward option.
By an unfortunate application of the Peter Principle, erstwhile bit player LeeAnne Baker graduates to a leading role here, sashaying trashily through "Necropolis" as a 300-plus-year-old devil worshiper, preying upon New Yorkers to suck out their lifeforce. It seems, per a ludicrously cheap prolog set in New Amsterdam in 1686, that she was interrupted in a satanic ritual and must now complete it in order to obtain eternal lif for herself and a grisly bunch of ghouls. Most interesting gimmick is an Ed French makeup effect giving Baker three sets of breasts with which to sucklethe ghouls with the genre's requisite (ever since "Alien") daily requirement of KY jelly.
Al Pacino-lookalike Michael Conte unconvincingly plays the cop on the case, while British-accented Jacquie Fitz is a bland heroine and William K. Reed the neighborhood black reverend, ever ready with a set of wooden crosses to stake Baker and her ghouls.
Campiest material has b aker, looking hideous with short-cropped platinum blonde hairdo, eyelids covered in black, garbed in trashy black outfits emulating Vanity and Madonna, doing exotic dnces by herself without warning. Under Bruce Hickey's limp and static direction, even this isn't funny on a camp level.
"Necropolis" poses the thorny question: how does Empire pictures' brass decide which of their films will be released theatrically? This meager, N. Y.-lensed effort is far below the level of quality of several of Empire's recent direct-to-video releases, yet it popped up unannounced on 42nd Street on a triple bill to bore the pants off a horror-hungry audience. Home viewers at least will have a fast-forward option.
By an unfortunate application of the Peter Principle, erstwhile bit player LeeAnne Baker graduates to a leading role here, sashaying trashily through "Necropolis" as a 300-plus-year-old devil worshiper, preying upon New Yorkers to suck out their lifeforce. It seems, per a ludicrously cheap prolog set in New Amsterdam in 1686, that she was interrupted in a satanic ritual and must now complete it in order to obtain eternal lif for herself and a grisly bunch of ghouls. Most interesting gimmick is an Ed French makeup effect giving Baker three sets of breasts with which to sucklethe ghouls with the genre's requisite (ever since "Alien") daily requirement of KY jelly.
Al Pacino-lookalike Michael Conte unconvincingly plays the cop on the case, while British-accented Jacquie Fitz is a bland heroine and William K. Reed the neighborhood black reverend, ever ready with a set of wooden crosses to stake Baker and her ghouls.
Campiest material has b aker, looking hideous with short-cropped platinum blonde hairdo, eyelids covered in black, garbed in trashy black outfits emulating Vanity and Madonna, doing exotic dnces by herself without warning. Under Bruce Hickey's limp and static direction, even this isn't funny on a camp level.
This movie is about a witch that comes back 300 years later and dominates people by using mind control ideas into making people commit murder and suicide. This movie is awful, cheezy dance moves that aren't even fit for the oldest disco club in the world, cheap makeup that makes even the 80's version of Barbie look more attractive and fake rubber looking boobs. Need I say more, this movie is just plain terrible.
Did you know
- TriviaMuch of the music score consists of reused cues from Trancers, Eliminators and The Alchemist.
- GoofsIn the beginning, a few scenes seem to be out of order: the witch is at the store, suddenly she's at the community center, cut to her getting dressed back at the store, cut back to the community center again.
- ConnectionsFeatured in Doses of Horror (2018)
- SoundtracksSay What You Do
Written by M. Bernard & P. Silva
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- Necropolis: Die Blutsauger von Manhattan
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