Blood Theatre

Mary Woronov and the chick that plays Selina (the bitch of the group) were the saving graces of this movie. There is barely any blood, the acting is bad, the killings are off screen, but on the other hand it has a couple of funny moments, topless nudity, it has a high body count and a lot of good one-liners. See it, you'll laugh a lot.

A movie house was closed down after tragic fire and mass murder.Manager of Spot light Cinema Murdoch chooses three of his best employees to get the old place ready for opening night.The killings begin...Suspenseless and horribly clichéd slasher spoof with eleven goreless killings and lame slapstick scenes.People wander into the cinema and are stabbed to death by the old manager.There is truly badly done decapitation scene plus a little bit of sleazy nudity provided by the chick in gold satin hot pants.The score is horrible and the sound effects are even worse.The ending doesn't make any sense,but it's always nice to see lovable Mary Woronov and her gorgeous legs.6 out of 10.

The most hardcore bad film buff will be surprised by the overall ineptness of this grade-z "film". Mary Woronov, a clever actress best known for her roles as Mary Bland in Eating Raoul and Miss Togar in Rock 'N' Roll High School, is by far the best thing about this tripe. This film is almost too bad even for MST3K - honestly!

This movie was so dumb and slow was it ever slow. The only good part of the film was the girl in the tight shinny gold pants. There was no gore whatsover and what is a 80's horror movie without a little gore. Plus the killer wasn't at all scary nor were the murders. But if you like to watch the world's worst horror movie then this is for you. Don't waste your time like I did watching this.

My review was written in January 1986 after watching the movie on Active video cassette.

"Movie House Massacre", made in 1984, is an unimpressive spoof of horror films which went directly to the home video market, bypassing theatrical release. Despite the presence of accomplished actress Mary Woronov, it plays like amateur night at the bijou.

Gimmick is a presumably haunted movie theater (originally a legit theater house), where many years ago the manager went nuts, started a fire (creating a panic) and stabbed the ticket booth girl to death. Now the owner of the 11-screen Spotlite Theaters chain attempts to reopen the accursed place, sending three hapless employees to clean up the site for the big opening night. Supposedly he will get a $25,000 reward from parties unknown for daring to reopen the joint.

Hokey subplot has one of the employees being a school cheerleader, so her fellow cheerleaders can visit her at the theater and become standard victims of the ghostly killer. Body count mounts until a botched nonending.

Filmmaker Alice Raley demonstrates an ignorance of rudimentary technique, with poorly matched shots, minimal sound mix and incompetent editing. Woronov keeps busy with irrelevant bits of business as tghe theater owner's assistant, but the rest of the cast is blah. Location filming at the Beverly Theater in Beverly Hills and Fairfax Theater in Los Angeles delivers some atmosphere.

If "Massacre" had been released theatrically, exhibitors would not have been pleased by its silly in-jokes, emphasizing a corrupt theater owner who is more interested in videotaping bootleg versions of films off his screen than in satisfying his (less lucrative) filmgoing clientele.