A man becomes aware that his wife has been having an affair resulting in a violent argument. Shortly afterward she is murdered and he becomes the chief suspect.A man becomes aware that his wife has been having an affair resulting in a violent argument. Shortly afterward she is murdered and he becomes the chief suspect.A man becomes aware that his wife has been having an affair resulting in a violent argument. Shortly afterward she is murdered and he becomes the chief suspect.
Eliana Miglio
- Monica
- (as Eliana Hoppe)
Giampaolo Saccarola
- Theater Watchman
- (as Gianpaolo Saccarola)
Lamberto Bava
- Police Photographer
- (uncredited)
Giuseppe Marrocco
- Doctor
- (uncredited)
Francesco Narducci
- Passerby running into Nicola
- (uncredited)
Featured reviews
I recently watched the Italian giallo 🇮🇹 You'll Die at Midnight (1986) on Tubi. The storyline follows a man who gets into an argument with his wife, who shortly thereafter ends up stabbed to death. He goes on the run from authorities and decides to stay with his ex-girlfriend, who reluctantly agrees to help him. As he searches for clues to clear his name, he's fortunate that his ex-girlfriend is assigned to the case. However, as bodies start piling up, it becomes increasingly hard for him to hide.
This film is directed by Lamberto Bava (Demons) and stars Valeria D'Obici (Escape from the Bronx), Leonardo Treviglio (Titus), Eliana Miglio (Demons), and Paolo Malco (The New York Ripper).
This is a unique giallo that keeps the audience guessing until the very end. The storytelling and dialogue feel like an 80s soap opera at times, despite having a unique and interesting premise. The opening shower scene was disappointing and a far cry from Psycho. The kill scenes are classic giallo, with stalking elements and limited gore but enjoyable stab scenes. The diverse kill settings add an extra layer of interest. The killer's mask was cool and reminded me of Mr. Bean. The final reveal was solid.
In conclusion, You'll Die at Midnight is a mediocre addition to the giallo genre but is still worth a watch for genre fans. I would score this a 5/10 and recommend it with appropriate expectations.
This film is directed by Lamberto Bava (Demons) and stars Valeria D'Obici (Escape from the Bronx), Leonardo Treviglio (Titus), Eliana Miglio (Demons), and Paolo Malco (The New York Ripper).
This is a unique giallo that keeps the audience guessing until the very end. The storytelling and dialogue feel like an 80s soap opera at times, despite having a unique and interesting premise. The opening shower scene was disappointing and a far cry from Psycho. The kill scenes are classic giallo, with stalking elements and limited gore but enjoyable stab scenes. The diverse kill settings add an extra layer of interest. The killer's mask was cool and reminded me of Mr. Bean. The final reveal was solid.
In conclusion, You'll Die at Midnight is a mediocre addition to the giallo genre but is still worth a watch for genre fans. I would score this a 5/10 and recommend it with appropriate expectations.
Nicola's beautiful wife is brutally murdered in the shower immediately after he discovers that she has been cheating on him.Naturally the police assume Nicola is responsible, but the possibility of another suspect becomes more and more likely..."You'll Die at Midnight" is one of the better Lamberto Bava's giallo efforts.The film is surprisingly stylish and the killings are quite gory.The film borrows a lot from Dario Argento's brilliant "Tenebre",although I enjoyed it more than earlier Bava's giallo "A Blade in the Dark".The murder of a young woman who has underwear stuffed down her throat is an obvious nod to the first killing scene in "Tenebre".The stalking scene in the abandoned theater is truly creepy.The score by Claudio Simonetti is great and the acting is decent with Valeria D'Obici and Leonardo Treviglio in the leading roles.The story is pretty derivative,but "You'll Die at Midnight" shouldn't disappoint fans of Italian giallos.7 out of 10.
The director of Midnight Killer is Lamberto Bava, son of the legendary Mario. Lamberto's era was the 80's and he made several effective and fun horror films in that decade. So it is with some disappointment that I have to conclude that I thought Midnight Killer his weakest effort I have seen. It's very possible that Bava himself wasn't too crazy about this one either seeing as he went under a pseudonym.
The story follows a fairly typical giallo plot-line about serial murder. It borrows a bit from other earlier films from the genre like The Bird with the Crystal Plumage, Four Flies on Grey Velvet, Torso and Tenebrae. But it never approaches the standard of any of these. While Bava does manage to generate some decent suspense at times, overall the film is a little half-hearted. Even the soundtrack by the usually inspired Claudio Simonetti of Goblin fame is a fairly pedestrian synth score. The mystery itself isn't so obvious to work out but given the insane final explanation that is not really so surprising to be honest. In fact, the final killer reveal is especially daft even by giallo standards. It actually enters into Hanna-Barbera territory! It isn't as gory as many gialli and there isn't really any nudity but there still is a mean spiritedness to the scenes with the killer nevertheless. This is alleviated somewhat though by moments that enter the truly absurd, such as a part when one of the victims tries to defend herself with a kitchen blender! This scene is agreeably moronic and at least good for a chuckle.
I have to conclude that overall, while Midnight Killer has some good moments it isn't very good as a whole.
The story follows a fairly typical giallo plot-line about serial murder. It borrows a bit from other earlier films from the genre like The Bird with the Crystal Plumage, Four Flies on Grey Velvet, Torso and Tenebrae. But it never approaches the standard of any of these. While Bava does manage to generate some decent suspense at times, overall the film is a little half-hearted. Even the soundtrack by the usually inspired Claudio Simonetti of Goblin fame is a fairly pedestrian synth score. The mystery itself isn't so obvious to work out but given the insane final explanation that is not really so surprising to be honest. In fact, the final killer reveal is especially daft even by giallo standards. It actually enters into Hanna-Barbera territory! It isn't as gory as many gialli and there isn't really any nudity but there still is a mean spiritedness to the scenes with the killer nevertheless. This is alleviated somewhat though by moments that enter the truly absurd, such as a part when one of the victims tries to defend herself with a kitchen blender! This scene is agreeably moronic and at least good for a chuckle.
I have to conclude that overall, while Midnight Killer has some good moments it isn't very good as a whole.
Lamberto Bava's films may not have the cutting edge that many of his father's did, but the good thing about it is that you can always count on a decent thrill ride, and while You'll Die at Midnight doesn't set the genre on fire; it's a more than decent Giallo and I'm pretty certain that regular viewers will get a lot out of it. Being released in 1986, this one comes very late in the Giallo cycle although it recaptures that mysterious feel of the classic Giallo's well and the cinematography is good despite the fact that this obviously wasn't an A-class production. The plot is pure Giallo, and focuses on a murderer. We start by focusing on Nicola; a man who spots his wife buying lingerie and notices she has an affair. After arguing and almost killing her, he visits his colleague Anna, but shortly after he leaves the house; someone breaks in and murders his wife! Naturally, Nicola is the main suspect, but Anna, a psychologist, sees signs that the murder may have been committed by the so-called "Midnight Ripper". The only problem is that The Midnight Ripper has been dead for several years...
The film features lots of scenes reminiscent of classic Giallo's, and many of the murders are memorable. The kitchen scene is probably my favourite, but the murder scene inside a lingerie store has a more nasty edge. There isn't a great deal of variety with the weapons, but at least Lamberto ensures that the imagery is good and the film is always at least interesting. You'll Die at Midnight is pretty short, running at around 85 minutes and this is a good thing as it means that there is little filler and the film doesn't really have time to become boring. You'll Die at Midnight has more of a range of central victim characters than many other Giallo's too, and this makes the film more interesting as the killer appears to be after each one for different reasons. Naturally, it all builds into a final twist; which although somewhat silly (as the climaxes in these films often are), it's interesting enough and somehow (almost) makes sense in the context of the film. Overall, I can't say that this is a classic example of the genre; but like Lamberto's other Giallo attempts; it's certainly worth watching!
The film features lots of scenes reminiscent of classic Giallo's, and many of the murders are memorable. The kitchen scene is probably my favourite, but the murder scene inside a lingerie store has a more nasty edge. There isn't a great deal of variety with the weapons, but at least Lamberto ensures that the imagery is good and the film is always at least interesting. You'll Die at Midnight is pretty short, running at around 85 minutes and this is a good thing as it means that there is little filler and the film doesn't really have time to become boring. You'll Die at Midnight has more of a range of central victim characters than many other Giallo's too, and this makes the film more interesting as the killer appears to be after each one for different reasons. Naturally, it all builds into a final twist; which although somewhat silly (as the climaxes in these films often are), it's interesting enough and somehow (almost) makes sense in the context of the film. Overall, I can't say that this is a classic example of the genre; but like Lamberto's other Giallo attempts; it's certainly worth watching!
Midnight Killer is exactly what you would expect from Lamberto Bava.Full of suspense,thrills,twists,turns,red herrings.But also people (mostly women acting stupid). Some of the victims act in such an illogical manner that at one point you begin to think."Don't tell me she is that stupid.Go ahead,kill her already". The pace is really good and you are constantly wondering who the killer is. At one point you can deduce it for yourself. Although I must admit that Lamberto successfully made me doubt a couple of times. He uses some clever tricks to put you off the trail.And in this case I simply loved that.Of course the ending might be too far fetched for some especially since the explanation is fast and short.It did not matter to me since it was effective.Overall Midnight Killer is a very decent giallo that delivers.
Did you know
- TriviaDespite being cautioned by the night watchman not to tarry retrieving her watch left in the gallery as it's about to close, she ignores his warning, stopping to unwrap the ice pick she finds attached, needlessly risking being too late and locked in the gallery with the killer.
- GoofsDespite being cautioned by the night watchman not to tarry retrieving her watch left in the gallery as it's about to close, she ignores his warning, stopping to unwrap the ice pick she finds attached, needlessly risking being too late and locked in the gallery with the killer.
- Quotes
Piero's Assistant: Do you really think Nicola's a sex maniac?
- ConnectionsReferenced in The Last Drive-In with Joe Bob Briggs: July 2018 Marathon: Demons (2018)
- How long is You'll Die at Midnight?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- You'll Die at Midnight
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 1.66 : 1
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