Eighteenth-century Spanish Jesuits try to protect a remote South American tribe in danger of falling under the rule of pro-slavery Portugal.Eighteenth-century Spanish Jesuits try to protect a remote South American tribe in danger of falling under the rule of pro-slavery Portugal.Eighteenth-century Spanish Jesuits try to protect a remote South American tribe in danger of falling under the rule of pro-slavery Portugal.
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Featured reviews
This movie changed my life. One day I would like to thank Jeremy Irons!
After seeing his portrayal of Father Gabriel, I decided that I wanted to be like him. I wanted to have his faith, to be capable of loving like he did in the movie.
This film made me become a missionary. I went on to work, as missionary, in Italy, Mexico, Guatemala, Morocco, Malawi, and my home country Portugal.
I don't want to tell the things I did, but I just want to recognize, that a good film can change a life and change so many others.
Great Film. Thank you Jeremy Irons, I still want to be as Father Gabriel, after all this years.
After seeing his portrayal of Father Gabriel, I decided that I wanted to be like him. I wanted to have his faith, to be capable of loving like he did in the movie.
This film made me become a missionary. I went on to work, as missionary, in Italy, Mexico, Guatemala, Morocco, Malawi, and my home country Portugal.
I don't want to tell the things I did, but I just want to recognize, that a good film can change a life and change so many others.
Great Film. Thank you Jeremy Irons, I still want to be as Father Gabriel, after all this years.
I had the good fortune to see The Mission on the big screen in 1986 when it was first released. I went into the theater knowing only the title, the two lead actors, and that it had something to do with South America. Two hours later I was a puddle of tears, both from the subject matter and from the knowledge that I had just witnessed a cinematic masterpiece. It is perhaps the most intelligently spiritual film I've ever seen. The cinematography is gorgeous throughout, the settings are stunning, the acting is top-notch across the board, the musical score is breathtaking, and the screenplay is brilliantly eloquent. Roland Joffé did a fantastic job directing The Killing Fields, but this one is even better. I just watched it again on DVD, and nearly 25 years later, the film has not aged or lost any of its power. Still one of the greatest and most underrated films of all time.
After hearing a quick clip from the soundtrack recently I decided to have another look at 'The Mission' which I hadn't seen for more than ten years. Interesting viewing in these days when epics abound: Lord of the Rings, Gladiator, Troy etc.
The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.
The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.
We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.
The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.
The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.
We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.
THE MISSION is a history drama about the expulsion of the Jesuits' missions in South America in the middle of the XVIII century. By what I've learned the plot's background is accurate to history and all we see in this movie truly happened in real life, unfortunately! The search for slavery work was continuous at the time by Portuguese colonists and the Spanish in spite of slavery not being directly allowed by their crown they also used the indigenous slaves. The Spaniards which had been creating Indian reductions since the middle of the XVI century, as a form to convert and control those indigenous people, were followed by the Portuguese, and both built Jesuit reductions in their territories. But after the 1750 treatment the Jesuits would be expulsed because they refused to leave their missions where their lived together with the indians, in peace. And the indians themselves they didn't want to abandon the reductions too because they knew that in the main jungle they would be an easy target to slave traders (known as "bandeirantes" in Portuguese colony).
So it's just the main plot's topic of this movie which then focus on the personal story of father Gabriel (played by Jeremy Irons), a Jesuit missionary, and Rodrigo Mendoza (Robert de Niro) a former slave trader which was converted to the Christian faith (and to the Jesuits) after kill his brother (because of a woman). The movie has good moments, especially in the last hour, and it describes very well the feeling of injustice and desperation those native people felt by the furious anger of the greedy imperialist armies! There're a few scenes, which focus the sad and empty native children' eyes, that worth more than a thousand words!
I enjoyed this movie and the plot's main topic which portrays a sad period of our history (unfortunately empires were always built under massacres and the subjugation of other people, and I know Portuguese empire was no exception!).
So it's just the main plot's topic of this movie which then focus on the personal story of father Gabriel (played by Jeremy Irons), a Jesuit missionary, and Rodrigo Mendoza (Robert de Niro) a former slave trader which was converted to the Christian faith (and to the Jesuits) after kill his brother (because of a woman). The movie has good moments, especially in the last hour, and it describes very well the feeling of injustice and desperation those native people felt by the furious anger of the greedy imperialist armies! There're a few scenes, which focus the sad and empty native children' eyes, that worth more than a thousand words!
I enjoyed this movie and the plot's main topic which portrays a sad period of our history (unfortunately empires were always built under massacres and the subjugation of other people, and I know Portuguese empire was no exception!).
My favorite movie, ever. It works on so many levels: as a story about the dissolution of the Jesuit order in portuguese South America (and the subsequent enslavement of the natives), as an account of one man's ill-fated but necessary conversion, as a series of complex ideological battles, and, lastly, as a tale of innocence, of Eden. All this, in addition to spectacular performances, brilliant direction, a fabulous script and one of the most breathtaking soundtracks ever recorded. It simply gets better with each successive viewing.
Did you know
- TriviaRobert De Niro was one of the few who did not became ill with amoebic dysentery.
- GoofsWhen Cardinal Altamirano visits the missions, the cut glass decanter is a Regency or Victorian style produced after the early 1800s.
- Crazy creditsAt the film's end, after the final credits, Altamirano gives the audience an ambiguous, almost accusing look, as if he were asking, "Would you or would you not have done this?"
- Alternate versionsIn the Blu-ray version, the Warner Bros. Pictures logo is plastered with the 2003 variant.
- ConnectionsEdited into The Nostalgia Critic: Signs (2012)
- SoundtracksGabriel's Oboe
Composed by Ennio Morricone
- How long is The Mission?Powered by Alexa
- Why does Mendoza haul the armor in the netting?
Details
- Release date
- Countries of origin
- Languages
- Also known as
- La misión
- Filming locations
- Iguazú National Park, Argentina(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $24,500,000 (estimated)
- Gross US & Canada
- $17,218,023
- Opening weekend US & Canada
- $40,366
- Nov 2, 1986
- Gross worldwide
- $17,504,819
- Runtime2 hours 5 minutes
- Color
- Aspect ratio
- 2.39 : 1
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