Tout va trop bien

Although this movie has not done well on the polls of Amazon, whenever I've seen it I've always found it enjoyable. (So much so that I felt obliged to write this brief review on it !!) O.k, its a bit daft in places and some of the humour is a bit dated perhaps, but the story trundles along with plenty of twists, its not predictable and the relationship between the two main two characters slowly builds up and develops throughout the film.

Both Tom Conti and Terri Garr give good performances and are believable in their roles. (And I've always had a shot spot for Terri Gar, and I find her particularly appealing in this film !)

The bungling villains are also well played (though a bit cheesy) and Christopher Lloyd seems to enjoy playing his part.

Overall, this film is never going to be considered a masterpiece as its just a light hearted family comedy adventure story - designed to be watched by kids, but engaging and entertaining enough to be watched by their parents as well.

Miracles tells the story of two exes who find themselves entangled on a drawn out drug smuggling scheme that resulted into them being stranded in South America with no one believing their stories.

Its fine.

It is practically like Romancing the Stone. They practically stuck the hated exes in the film. I just I cannot believe for the love of god believe they made a lawyer a nagging wife role. It such a whiplash of a characterization. Like, she literally does work AND you make her almost unable to do anything sensible.

Very uninspired stuff. I really wished that they actually did not fall in those shameful pratfalls of romcom.

I love this movie. Roger (Tom Conti) and Jean (Terri Garr) are a newly-divorced couple who meet again by accident (literally!) and wind up on a truly incredible journey. Christopher Lloyd has a supporting role as a mad pilot.

My favourite parts are the witchdoctor, the plane landing sequence and the jailbreak and its consequences. The only false note is Tom Conti's American accent, but it's easy to overlook as the rest of the movie hangs together so well.

9 out of 10 from me!

and undoubtedly the only one to contain a reference to oral sex. I must confess that the "Miracles" of the title were not apparent to me as such until the second viewing.

In this film, every prayer (Even an "Oh God!") is answered, in such a way as to be unapparent to the beneficiary. Conversely, every use of you-know-Who's name in vain is swiftly punished in the same manner. Especially, note the prayer that opens the film and how it is eventually answered.

Nothing flashy, no parting of the Red Sea or the sun standing still in the Heavens--just a deft touch to give the deserving a little help when needed.

Watched this 80's movie on TV and it came with the latter-day warning about the dangers of flash photography, when in truth, it should have come with a warning for the ears, as it's filled almost from start to finish with shouts, screams, bangs and crashes. From that particular era when Hollywood was churning out slapstick marital rom-coms seemingly by the score ("Ruthless People", "First Wives Club" et. al.) "Miracles" seeks to emulate "Romancing The Stone" (sort of) but adds the twist of employing a UK actor in the lead role - Tom Conti, but inexplicably lumbering him with an American accent.

Unfortunately, Tom's accent, like the couple's ill-fated plane journey, bales out about half-way to its intended destination, while alongside him, Teri Garr, as his newly-divorced lawyer ex-wife gets all wet and emotional in a pink ball-gown she's required to wear from start to finish. Along the way, taking in the "miraculous" coincidences which presumably inform the film's title and see lots of little good things happen, usually to the indigenous Latin American population of the country they cross into, springing okay, miraculously, from their haphazard adventures, they arrive, you'll not be surprised to learn, at a happy ever after conclusion, reuniting them and seeing them re-marry over the closing sequence.

Christopher Lloyd gets to reprise his "Taxi" / "Back To The Future" kookiness but the law of diminishing returns was already applying by this time. For an episodic chase film like this to work, it helps if you've got likable characters, smart one-liners and exciting stunts. Unfortunately, this film has none of the above and thus seems far longer than it actually is so that you'll probably be glad, like me, when it reaches its nondescript ending.