Légitime vengeance

Brandon Lee was offered the lead in this rather routine actioner and was apparently reluctant to accept, not knowing how well he would be received as a successor to his now-legendary father. The response was a positive one. Brandon showed himself to be a good actor, as did co-star Michael Fitzgerald Wong in an early role as a smooth baddie, and Brandon also showed off some impressive martial arts chops. The fight scenes are the main reason to watch this movie at this point. The double-crossed- by-my-best-friend-now-I-have-to-get-revenge plot line has been done to death by now and it was not exactly fresh stuff at the time (1986). This one, like Rapid Fire, shows off Brandon as an 80s action hero who could fight, do stunts and act too. He was evolving into an international action star and had he survived the accident on the set of The Crow, that one role would have made him an A-lister. Brandon Lee made so few movies by the time of his death that every one is a curiosity, although The Crow is the only one that is actually really good. Oh, what might have been.

Be warned that most of the dialogue is in Cantonese, which neither the California raised Brandon nor New York City native Michael could speak. If you read their lips, they were actually speaking English and post- synched into Cantonese by actors who sounded nothing like them. Of course, when a scene requires them to actually speak English, instead of using their own voices, the editors dubbed in English dialogue using yet another actor who had a thick accent and sounded even less like them! You would think the producers would take advantage of having English speaking actors around to dub their own English dialogue, but it is instructive of the high-speed factory approach to film making common in Hong Kong at the time that this was not done. Production units and editors had little contact with one another, and in any case one or the other used whatever talent was on hand at the time rather than looking for opportunities to refine the finished product.

Made by D & B Films (no need to thank me), "Long zai jiang hu" was the first movie I saw with Brandon Lee - unlike the other posters, I actually saw it when it came out - and it was ultimately nothing too special, but all of the action stars of the past and present have had to work their way up, and it was certainly better than "Rapid Fire" and "Showdown In Little Tokyo" (which was admittedly entertaining in a cheap way, Tia Carrere's obvious body double and the snuff video scene with that gorgeous blonde notwithstanding).

The action's okay, and the scene where our hero bursts a villain's eye with a garotte still makes me wince 16 years later, but the best bit is when our hero visits a wimpy friend to get some armed help; wimpy friend says "I only have these," and unveils an armoury that would give Charlton Heston wet dreams. Still, you do wonder what would have happened had Brandon lived.

The 1986 martial arts action flick "Legacy of Rage" has the benefit of being the first starring role of the late Brandon Lee (the ill-fated son of deceased martial arts legend Bruce Lee). It was also the only film that Brandon Lee made in Hong Kong, and likewise the film is spoken in Cantonese (though the voices are dubbed - as the practice at that time was to film movies without sound, and then dub in the actors' voices later).

Brandon Lee is in fine form here (despite never hearing his natural speaking voice), though the film itself - written and directed by Hong Kong action veteran Ronny Yu (who would later gain fame in the West with the American horror films "Bride of Chucky" and "Freddy vs. Jason," and the martial arts epic "Fearless" with Jet Li) - is somewhat of a mixed bag; it's more or less a standard action film, with lots of stuff about gangsters, drugs, and John Woo-style gun-play. Also, disappointingly, there isn't much of Brandon Lee using his father's patented Jeet Kune Do skills against the bad guys being sent his way.

Lee plays Brandon Ma, a hard-working average Joe with a beautiful girlfriend named May (Regina King, in her film debut) and dreams of buying a motorcycle. Brandon's best friend is Michael (Michael Wong), who is also the son of a local Hong Kong gangster and is looking to take over his father's business and thus make a name for himself. He also has unrequited feelings for May, and he soon cooks up a scheme to get rid of Brandon so that he can have her for himself. This scheme would involve the murder of the undercover narcotics detective that has been hassling his father's organization, and then setting up Brandon as the scapegoat. The plan goes off without a hitch, and Brandon is sent to prison for eight years for the crime. But when he learns the truth about what's happened to him and why, that's when he sets out to get revenge and save May.

While we all know Brandon Lee's tragic story (he was killed while filming a scene of his last film, 1994's "The Crow"), "Legacy of Rage" definitely shows the talent the younger Lee inherited from his more-famous father. Brandon Lee may not have been as skilled a martial artist as his father (this is really debatable and a pointless argument, if you ask me), but he certainly may have been a stronger and more charismatic and charming actor. He certainly did not want to be remembered as a martial arts star like his father, but he did want to be remembered as an ACTOR. "Legacy of Rage" may not have much in the way of kung-fu action, but it does show that Lee was a strong and capable action hero, much like he would show in his later English-speaking features "Showdown in Little Tokyo" (1991), "Rapid Fire" (1992) and of course, "The Crow" - his last and most famous film.

So "Legacy of Rage" is worth viewing maybe once or twice, as a worthy introduction to the skills of the extraordinarily talented Brandon Lee.

6/10

P.S.: Bolo Yeung (who appeared as a villain in Bruce Lee's last completed film "Enter the Dragon") also has a brief appearance here, as well.

I'm not understanding the fellow reviews of other posters here, seems like the general negative consensus is that Brandon Lee didn't do enough martial arts or with the finesse of his father. Well this isn't a martial arts film, so if you were expecting the successor to Bruce Lee you'll be disappointed. Immediately push Bruce Lee out of your head. This is an overly melodramatic action film from Hong Kong, falls into the genre also known as "Heroic Bloodshed", and in that respect the movie's hokey but simultaneously keeps strong pacing and high entertainment value. This film is from 1986 coinciding with the release of John Woo's A Better Tomorrow, in which is set at the root of the new wave HK gangster genre. For being one of the first of its kind, it doesn't receive sufficient credit. This type of all-out gunplay in HK films doesn't appear until at least a year later. Brandon Lee plays a young waiter about to marry when a jealous/criminal friend purposely shatters his future. Brandon gets framed and sent to jail where he'll waste away for eight years. Luckily with some assistance from those on the outside who know the truth, he manages to escape where he wishes to find his fiancée and take vengeance on the friend who put him away. There are some twists in the story and the bullet-frenzied climax is very well done. The negative aspects about this movie are the shoddy soundtrack and dubbing, although once the plot takes off you forget about both. Lee is very charismatic in his character, and if you become attached to his story this should be a very fun ride. -7/10

This was another interesting but not very exciting film. For me I was rather in-between about liking and disliking it.

To begin with it was nice seeing this as one of the very few not to mention early Brandon Lee films. At first this struck me more as a US production, considering that it was officialy released in the UK around 1993 (the same year he tragically died on the set of "The Crow").

I got my chance to watch this back in 2001. The thing that made me feel emotional after watching the film was wishing he'd still been alive to make other quality films. For me The Crow is still one film that stands out a brilliant achievement, it's not surprising to learn that there would've been so many promising role for him in the pipeline.

My only disapointment with Legacy of Rage was the fact that not much martial arts was demonstrated despite the showdown with "Enter the Dragon" co-star and Bruce Lee student Bolo Yeung. You couldn't help but feel slightly put off considering the fight didn't seem to last that long since things were more geared towards gun battles. But to top it off the dubbing was real annoyance as it's becoming both lame and outdated with most of these actor's not being able to speak their native languages, what a crock of s**t.

Overall not a bad film at all, but it's high time that voice dubbing becomes a thing of the past?