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I suspect this film was made by the Finnish to pander to Americans. From watching Hollywood movies, they knew Americans despised the USSR, and Americans like to be the heroes. And, hey, Finland is right up here with Russia, so we have a plausible plot and our country kind of looks like Russia!

The three Americans being self entitled idiots traipsing across the border is actually plausible, but sheesh, it gets ridiculous quick. For example, one of the "good guys" is in a tiny church that's on fire, and the Russians close the door. So he- bolts it closed! Wtf??

And speaking of "good guys", uh, I'm supposed to like the three American guys why now?

This movie is totally surreal, because the Finn movie makers didn't really understand Hollywood movies. But that does give it a weird charm, like it's easy to imagine you the viewer is in the twilight zone where an actual Hollywood movie is like this.

There's even a training montage where I was surprised they DIDN'T have the guy do a crane kick.

I am a 60-year old Russian born in Estonia (a Baltic country annexed and occupied by Russia 1940-1991). I have travelled a lot by hitch-hike around the USSR and seen what the life was like there. I know the grim Russian reality first-hand.

That is why I disagree with a comment saying that Born American "is a bad, bad film and it's made worse by the fact that it portrays every level of Russian society in a very unflattering manner".

In fact, the film is realistic -- therefore its portrait of the Russian society is unflattering. The Finnish producer seems to know much more about the real life in Russia than many in the West. Later the film turns into an 'action'. But the general picture of the Soviet-time Russia is true.

Until the Soviet bloc collapsed this film could not be demonstrated here: it was banned. Moreover, Moscow made a protest to the Finnish government, even demanding that the film be banned from cinemas in Finland! Can there be a better proof that the film demonstrates the Soviet/Russian reality in a honest way?

Indeed, for a person in the West it may be hard to believe that such reality can exist. But may I tell you that an elderly Estonian exile once told of having cried watching a film about Russian slave labour camps, while other western audience laughed. People just couldn't believe it was possible -- but she knew, and she cried.

Valeri Kalabugin Tallinn, Estonia

If I were to pick two words to describe this movie it would be unbelievable and unpredictable. Unpredictable because not a single moment of this movie could be foretold. And unbelievable because it has above a 4 rating on this website. This movie doesn't deserve the use of stars, it should be given its own rating system of awful, like a 5 rectum review or something. I mean this movie stinks up something awful, so awful I had no choice but to express my sincere concern that someone else might one day view this movie, or worse pay for it. Please dont... Renny (the brilliant director of other favorites such as Cutthroat Island and Driven) has presented something truly unique to the world of cinema this time however. No protagonists and no antagonists, at least no clear ones, any time we start to develop any kind of sympathy for a character he kills them! any time something happens in this movie it is wasted, unused, unexplained. Here this should sum up the movie: 3 kids go to Finland (for spring break i guess, it has become quite the hotspot) and within 2 minutes are driving to the north pole for no reason. We soon find out that 2 of these guys are your traditional jocks/heros and one is a worthless nerd. The jocks bring guns and a bow and arrow set while the nerd just has unbelievably nerdy things for a vacation like, a camera! and clothes! and food! Our "protagonists" pick on the one normal and decent character in this movie to the point where A) its unbelievable they would be friends let alone the best of friends and B) we hate the kid too. They then shoot a few things on the border of lapland and Russia (during the cold war mind you) and decide it would be best to cross the border with their weapons to "check it out,'" like the ground would be paved with gold and the streams would flow with vodka. They then forcefully kidnap a girl so they can tell her "not to be scared," I mean i fully thought they were gonna rape this girl, but it turns out they just wanted to ask some questions. The girl screams and as you would expect they are then captured by villagers and accused of murdering a small girl by an occultist/demon possessed priest (no explanation of course) who has brain washed a village... So our americans kill everyone... EVERYONE! The military shows up so they kill more. You may be thinking... Why is this guy giving away the whole movie. I'M NOT, THIS IS ALL IN THE FIRST 10 MINUTES!!!! we havent even gotten to the HUMAN CHESS MATCH where the opponents fight to the death (apparently remmy doesnt quite get the concept of chess, what if the pawn took the knight when the knight was taking the pawn? well thats giving this movie too much credit). I watch bad movies a lot. If you are looking for one you've found it. Its damned funny, and a wonderful example in what drugs you should never take when you are on a deadline to make a movie. Just please understand, in no way is this movie good. It couldnt be good if it tried, it breaks every rule of film, theater, story, human relation, history, etc. This movie just, sucks.

A "first movie" for a director is often quite interesting to watch. Sometimes the movie is excellent, sometimes full of film student stuff and pretentious tricks and usually tries too hard with too little. Born American is of the third variety.

The story follows three guys who are vacationing in Finland and cross over the border to the Soviet Union. Guess if the Soviets are depicted as interesting characters or something else (hint: this movie was made in the 1980s)? Anyway, things start exploding (often with the same sound effect). Also the Russians prove to be evil etc. Which is sort of interesting considering there was some tendency to self-censoring in Finland towards these kinds of things.

The plot is actually quite ridiculous because it goes way over the top at one point. It really feels like they had made the movie up to that point and they noticed they have way more money left so they added more things - or bought some of that new crack-cocaine. Some twists really made me laugh out loud in their outlandishness or how cliché they were.

Actually, if this movie starred Chuck Norris, for whom it originally was planned, it would be quite well known after that Chuck Norris revival fad. Now it's just a curiosity for anyone interested. As a Finn, I'm ashamed of this movie by Renny Harlin (he DID make a few good movies, though. I still like you, Renny). Ashamed and also proud, few countries have something unifying like this that people all around the world can laugh at.

The bottom line: DIY MST3K.

This movie begins as one of those young-Americans-on-a-European-vacation affair. Then it shifts into an action-thriller as our three heroes, on a lark, sneak across the border into the USSR and are captured by Russian border-guards. At this point it becomes a grim prison drama laced with surrealistic touches. Then the final scene offers a hint of a boy-meets-girl romance.

While the movie doesn't quite succeed as a whole, individual parts worked well enough to propel Finnish director Renny Harlin all the way to Hollywood. Perhaps the best of these parts is the justly-famous torture scene in which a well-dressed interrogator who could pass as a college professor calmly, almost lovingly, attaches alligator clips to the nipples of Steve Durham in a series of screen-filling close-ups. These clips are attached by wires to a portable generator and soon Durham is jerking in pain from electrical shocks. However, the interrogator doesn't get the information he seeks so he concludes with a comment that he has all the time he needs in order to complete his task. (A better line might have included the thought that those alligator clips could be re-attached to other, even more sensitive parts of Durham's anatomy.)

Also worth noting are the scenes of a chess game played with prisoners instead of chess pieces, though not enough is made of this material.

Top-billed Mike Norris shows enough promise here that one wonders why his later film-career was so undistinguished. Albert Salmi and Thalmus Rasulala provide good support in small but pivotal roles. As for Steve Durham, he must be the only actor in the movies whose nipples are more recognizable than his face.