Jean de Florette

Marcel Pagnol was rightly admitted into the Acadamie Francaise, just about the highest honor a French writer can receive. No less a major force than Orson Welles described Pagnol's own movie 'La Femme du Boulanger' (The Baker's Wife) as the greatest movie ever made. For someone with a limited canvas - Provence, its small hamlets, the port of Marseilles, and the people who lived there - he sure extracted the maximum mileage. Jean de Florette and its sequel Manon des Source has now arguably become the highest profile of all Pagnol's work eclipsing even the great trilogy 'Marius', 'Cesar' and 'Fanny' featuring the great Raimu, and his two autobiographical works My Father's Glory and My Mother's Castle. It is very gratifying for someone with a healthy streak of cynicism in their makeup to read such glowing tributes to this movie. If French cinema NEEDED an ambassador, which it doesn't, then these two titles - shot back to back as Montand's wife, Simone Signoret, lay dying - could not be bettered. To add any superlatives to those already posted here would be superfluous so just let me say that Montand is at the top of his game and that is saying something. Superb entertainment with terrific ensemble playing. An all-time great. 11/10

This film captures another world, and makes you a part of it. The acting is superb, the scenery breathtaking, and a huge amount of skill and effort has gone into evoking the heat of summer and the details of village life in a harsh, pre-industrial world. If you cannot stand watching a film in a foreign language, or you only watch films with special effects and non-stop action,then you may find something to object to in this one, but otherwise it is perfection. The story is heart-wrenching, all the characters (both good and bad) demand sympathy, and the story is both credible, and beautifully told. That is the true quality of this film - it tells a simple, gripping story in a way that grips any viewer with a heart from start to finish.

I was 10 when my parents rented this and it's sequel the first time. They tried to make me watch it, but I refused. Subtitled movies are for cultured people was my thoughts at the time. I came down a few hours later when they had just started Manon De Sources. Emanuelle Beart had just started playing harmonica. If you've seen this then you'll know why I was instantly captivated. Before I realized what was happening I was caught up in the tale. For many years I have remembered the film, and meant to see it again, it made such an impression on me. I finally saw them again today, and they were magnificent.

I watched them both, one after the other. The scenery is spectacular, and the story is so spellbinding that time will fly. I am usually an action junkie, but these films just appealed to me as no other ever has.

Even if you hate subtitles I guarantee that you will love this film, and an hour later you'll remember the characters speaking in English. No matter how tough you are, if your heart doesn't break for Jean, then it never will.

This is a marvel of story-telling. Rarely have I felt so much pain for a fictional character. The "force of destiny" (great sound track motif selection!) is nowhere as evidently crushing as in this movie. I'm astounded and stunned by the beauty of human suffering, not, of course, out of sadism but out of melancholy. Great, great movie (though the Southern French accent is very hard to understand).

Certainly one of the best examples of French cinema. A searing powerful story of greed, and its effects. All the actors are excellent, Yves Montand is especially heartbreaking. This movie and its sequel are two of the best films of the 1980's. By the way it's about time they were re-released on DVD i want to add them to my collection.I do not understand why such films are released and the go out of print these are important wonderful films that deserve new audiences, and a new generation of admirers. If it is a business decision that they don't create as much revenue as most of the garbage that comes out of Hollywood, they should be ashamed of themselves.