L'invasion vient de Mars

The boy David Gardner (Hunter Carson) is the son of George Gardner (Timothy Bottoms) and Ellen Gardner (Laraine Newman). One stormy night, he sees a spaceship landing on the beach nearby his house and he tells his beloved father that promises to investigate in the morning. George goes to the spot and vanishes, and Ellen calls the police. The two officers walk to the place and also disappear. Out of the blue, George returns home emotionless and acting in a strange way, and David notes a cut on his back neck. David goes to school and learns that the aliens are somehow controlling earthlings including his teacher Mrs. McKeltch (Louise Fletcher). He goes to the infirmary and the nurse Linda Magnusson (Karen Black) asks him to tell what is happening. After the interview, she sees evidences that David is scared and telling the truth. What can they do to avoid the invasion?

"Invaders from Mars" is a good remake of the classic 1953 sci-fi film. The original movie was made a couple of years after the end of WWII when the army was the symbol of defense of the country. Tobe Hooper introduced more humor in the story and the result is very entertaining. My vote is seven.

Title (Brazil): "Invasores de Marte" ("Invaders from Mars")

Note: On 31 July 2022, I saw this film again.

Invaders from Mars (1986)

* 1/2 (out of 4)

Tobe Hooper's disappointing remake of the 1950s classic about a young boy (Hunter Carson) who witnesses a UFO land in his backyard and soon realizes that aliens are overtaking various people in town. The only person who will believe him is a teacher (Karen Black) and the two quickly find themselves hunted by the aliens. There were a lot of remakes going on during this era so it makes since that someone would try to remake INVADERS FROM MARS but The Cannon Group probably should have left it to someone else while they just worried about their Charles Bronson and Chuck Norris pictures. Or, perhaps they could have added Bronson and Norris to this thing and at least delivered some fun. This is a really lifeless, over-long and rather pointless remake that doesn't have much of anything going for it. Just about the only good thing that can be said about the film belongs to the special effects, which were pretty good. I thought the landing of the spaceship was rather effective with the lights being used and the monsters certainly looked very good. I also thought the set design of the cave was well done but sadly everything else here is just a bust. The biggest problem is the direction by Hooper who just doesn't bring any energy to anything going on. No matter what a scene calls for the director completely misses the boat and this includes the early scenes with him trying to show this "loving" family. There's so much sugar added to these scenes that you can't help but roll your eyes. Then when the boy comes under attack you'd expect there to be some suspense but there isn't. There are even a few hints at some comedy but this doesn't work either. The final forty-minutes of the film goes into action mode with all sorts of gun play, explosions and other craziness but these scenes too fail to gather up any excitement or energy. The performances really aren't anything to write home about either. Black is about as over-the-top in her emotions as one could get. Carson, as the young boy, isn't charming a bit and comes off more annoying than anything else. Timothy Bottoms plays the father and isn't all that entertaining. James Karen, from THE RETURN OF THE LIVING DEAD, is also so over-the-top that it seems like he thinks he's in some spoof. Even former Oscar-winner Louise Fletcher goes overboard as the psycho teacher. Jimmy Hunt, the boy from the original film, gets a fine cameo. INVADERS FROM MARS is considered one of the biggest disasters from the 80s and it's easy to see why Hooper's career started to go down. With such a budget they really should have came up with something much better but at least we have the original to go to.

Hooper and his writers seem to want to both parody the 1950s classic and, at the same time, to be a straight remake of it. Trouble is that this simply isn't possible. It looks great throughout, with superb, shadowy photography and generally good production design (though the Martian drones look more silly than anything else). Some of the actors, particularly Karen Black and Louise Fletcher, are very good; some, unfortunately including lead Hunter Carson, are not very good.

But the main failing is that the tone is so inconsistent. Some scenes are played for horror, and work; some are played as if the intent was comic, and they don't work. If the intent was to actually scare us, after being taken over by the Martians, the parents should have acted creepy -- but instead, they act silly, which is hardly the same thing. It's not the fault of Bottoms and Newman -- they could have played the roles however the director and script suggested -- but rather a failure to go for broke. In the original film, after returning from the sand pit, the father brutally slaps his son. Here, the big weird touch is that he fills his coffee cup with sweetener. Doesn't quite have the same impact.

And what's with the frogs? Kids LIKE frogs; they don't regard them as creepy. There should never have been a scene without the boy in it, but there are several. There should have been some touches of surrealism to fit the all-a-dream scenario. Dream logic isn't like waking logic, but it's stringent nonetheless; this film ignores logic. In the original, the Martians take over the parents, the neighbor kid, the cops and the military -- exactly the targets a boy would expect. Adding a teacher wasn't a bad idea, but the other targets here, including a busload of kids, don't make any sense. Why would the Martians want to control a bunch of children?

The effects are good but not as well-conceived as they might have been. The sand funnel that captures people is fancier in this remake, but much eerier in the original. And Christopher Young's score is a disaster.

The opportunity was here to make a technologically-improved version of a much-loved classic original, but for the most part, the film doesn't live up to its potential.

This is not a movie to be viewed from a serious perspective. But even sci-fi aficionados seem to have been losing their sense of fun over the years, which may be why this remake has been panned so badly. The whole movie is viewed from a young boy's dark imagination, right down to the ridiculous Mr. Potato head aliens. Even the camera angles are taken from child's height. And within the bizarre dream world of adolescent fears and disempowerment springs forth a really fun movie. Within this context, the remake of Invaders from mars remains true to the 1950's genre with some tongue in cheek. Relax, grab some popcorn, and warp back to the 50's, when your imagination didn't have to be fed with a spoon.

I'm not sure what to make of Tobe Hooper. He can direct all time classics like Poltergeist and The Texas Chainsaw Massacre, but he also creates odd misfires like this movie.

Invaders From Mars is almost totally ruined by hammy, awkward acting. This is partially due to incompetence, especially on the part of the young lead actor, but it feels likely that the actors were actually directed to perform this way, in order to emulate the corny, over the top acting style of 1950's horror and sci fi films. Indeed the entire movie is an homage to this era of filmmaking. Instead of taking the premise of a 50's monster movie and updating it with modern special effects and filmmaking methods, it feels like Tobe was trying to make the exact kind of film that would have been made in that period, including corny dialogue and rubbery monsters.

On one hand this movie is trying to be straight up horror, and on the other it's trying to be a 1950's pastiche, and those two tones clash. The young lead seems plucked from one of those old boys adventure stories. The movie needs him to have genuine emotional reactions in order for the horror to be fully effective. We need to see him be afraid and shocked and sad as any boy would be in this situation, but instead he is always plucky and courageous and never seems to be too fazed by the surreal and terrible things happening around him. The lead actress is there only to scream and look scared and to move the plot forward.

The Martian monsters created by John Dykstra and Stan Winston are generally great, especially in their first on screen appearance, but they seem more and more creaky and rubbery as the film progresses, which might have been intentional in order to maintain the 50's homage style. The flying spaceship shots are excellent.

I think this could have been an 80's horror cult classic if it had dropped the hammy acting and committed fully to its horror premise. Because the performances are wooden and cliched, nothing in the movie feels consequential. The movie is fun for the special effects alone, but it mostly feels like an awkward missed opportunity.