L'invasion vient de Mars

The remake of the memorable 1953 'Invaders from Mars' is also pretty memorable but not in quite the same manner.

Both films have the unusual narrative told from a prepubescent young lad's perspective and both are folded up inside a dream/nighmare plot device.

Both versions have serious incursions into the less satisfying areas of b-movie magic: thin characters and thin storylines but find some redemption from schlock and surprises.

This version has a lot less "surprises", and sadly less of every redeeming and estemable trait.

On the positives the director has a good eye for crane shots with a good roving birds eye view within a few scenes. There's some very peculiar and and distinctively "80's" Martian designs. The idea of copper being some form of fuel and the goofy uses that this gimmick is put to are all kinda OK.

This version of 'Invaders from Mars' definitely makes more of a play on the boys feeling of being a child in an adults world as it builds the dread and tension into his situation. This isn't missing in the interpretation of the original version but here there are a few more domestic touches to set the effect off.

That's it for me though in offering praise, overall I can see why this film has a certain cult following but is otherwise not well remembered by the majority of people.

As a film it is sadly incomplete and unconvincing and as a remake I rate it as inferior to the original. All in all I give a 4/10 rating and that's for the little domestic touches on the earlier stages of the "invasion" plus the 80's practical effects magic which this film does partially posses. I don't really recommend the film but if you can see it for free and you like the kind of films that it us in part a homage to then there is stuff here worth seeing.

Title: Invaders from Mars (1986)

Director: Tobe Hooper (the man!)

Cast: Karen Black, Hunter Carson, James Karen

Review: Tobe Hoopers resume includes many great films (Texas Chainsaw Massacre, Lifeforce, Poltergeist)...and many so-so ones (Spontanious Combustion, The Mangler). Invaders from Mars the re-make of the original alien invasion flick from the 1950's is one of his good ones. Not great, just good.

Early on in the film an alien spaceship crashes in David Gardners back yard, slowly but surely everyone in town starts acting weird...soon David must be the one responsible for stopping the aliens from conquering his home town...and maybe the world! This movie is a remake of the 1950 original, and just by the simplicity of the story you can tell that. It has that simple, light hearted, almost innocent feel that the movies had back in those days. But Hooper adds his only brand of weirdness and surrealism to the film that makes it feel like its some sort of nightmare you might have had while falling asleep watching midnight alien invasion films on your TV. Its the type of movie in which people start acting not quite themselves and you get that " something is wrong here" vibe going on, not unlike Invasion of the Body Snatchers.

The aliens look great thanks to Stan Winstons always excellent work. But I must admit they do seem kind of harmless. They don't seem like they could be a threat. I mean yeah they got huge gaping mouths with rows upon rows of teeth...but they feel dumb and stupid. For example they have these big ass laser guns attached to their noggins...but they get overtaken by the us army in the blink of an eye? Still, they look cool. Specially their leader who looks like a huge giant brain that comes out of a slimy worm-whole type of thing. If you ask me he also looks pretty harmless....but who cares! They are supposed to be evil! And they are trying to take over earth! Kill them! The sets are awesome, the interior of the the ship is great looking, it kind of has an organic look and feel to it. But it always beats the hell out of me why aliens from mars would have disco lights inside of their ship. You kind of get the feeling that at any moment an alien DJ is going to pop up and spin a couple of cool tunes on his two turn tables and a microphone. Anyhows, the over all effect looked cool so I ain't complaining.

Obviously production values ain't the real problem with this flick. Its sets and creatures are awesome looking.

The acting is what hurts this film a bit. Karen Black and the Kid just didn't do it for me in certain scenes. The kid sucked as an actor which explains why we probably haven't seen much of him in any other movie. His dialog was to robotic. Like he just read it and blurted it out without any actual thought or preparation as to what he was supposed to be going through in the scene. Sorry dude, but facts are facts. The only actors worth mentioning are the evil teacher and James Karen as General Wilson kicking alien ass all over the place.

Invaders from Mars is the type of film you want to show your little kid brother or cousin or son if you want to start him into horror. It goes in my collection right along side other great kid friendly horror films as The Monster Squad and The Gate. Give it a shot.

Rating: 31/2 out of 5

Invaders from Mars (1986)

* 1/2 (out of 4)

Tobe Hooper's disappointing remake of the 1950s classic about a young boy (Hunter Carson) who witnesses a UFO land in his backyard and soon realizes that aliens are overtaking various people in town. The only person who will believe him is a teacher (Karen Black) and the two quickly find themselves hunted by the aliens. There were a lot of remakes going on during this era so it makes since that someone would try to remake INVADERS FROM MARS but The Cannon Group probably should have left it to someone else while they just worried about their Charles Bronson and Chuck Norris pictures. Or, perhaps they could have added Bronson and Norris to this thing and at least delivered some fun. This is a really lifeless, over-long and rather pointless remake that doesn't have much of anything going for it. Just about the only good thing that can be said about the film belongs to the special effects, which were pretty good. I thought the landing of the spaceship was rather effective with the lights being used and the monsters certainly looked very good. I also thought the set design of the cave was well done but sadly everything else here is just a bust. The biggest problem is the direction by Hooper who just doesn't bring any energy to anything going on. No matter what a scene calls for the director completely misses the boat and this includes the early scenes with him trying to show this "loving" family. There's so much sugar added to these scenes that you can't help but roll your eyes. Then when the boy comes under attack you'd expect there to be some suspense but there isn't. There are even a few hints at some comedy but this doesn't work either. The final forty-minutes of the film goes into action mode with all sorts of gun play, explosions and other craziness but these scenes too fail to gather up any excitement or energy. The performances really aren't anything to write home about either. Black is about as over-the-top in her emotions as one could get. Carson, as the young boy, isn't charming a bit and comes off more annoying than anything else. Timothy Bottoms plays the father and isn't all that entertaining. James Karen, from THE RETURN OF THE LIVING DEAD, is also so over-the-top that it seems like he thinks he's in some spoof. Even former Oscar-winner Louise Fletcher goes overboard as the psycho teacher. Jimmy Hunt, the boy from the original film, gets a fine cameo. INVADERS FROM MARS is considered one of the biggest disasters from the 80s and it's easy to see why Hooper's career started to go down. With such a budget they really should have came up with something much better but at least we have the original to go to.

This is not a movie to be viewed from a serious perspective. But even sci-fi aficionados seem to have been losing their sense of fun over the years, which may be why this remake has been panned so badly. The whole movie is viewed from a young boy's dark imagination, right down to the ridiculous Mr. Potato head aliens. Even the camera angles are taken from child's height. And within the bizarre dream world of adolescent fears and disempowerment springs forth a really fun movie. Within this context, the remake of Invaders from mars remains true to the 1950's genre with some tongue in cheek. Relax, grab some popcorn, and warp back to the 50's, when your imagination didn't have to be fed with a spoon.

I'm not sure what to make of Tobe Hooper. He can direct all time classics like Poltergeist and The Texas Chainsaw Massacre, but he also creates odd misfires like this movie.

Invaders From Mars is almost totally ruined by hammy, awkward acting. This is partially due to incompetence, especially on the part of the young lead actor, but it feels likely that the actors were actually directed to perform this way, in order to emulate the corny, over the top acting style of 1950's horror and sci fi films. Indeed the entire movie is an homage to this era of filmmaking. Instead of taking the premise of a 50's monster movie and updating it with modern special effects and filmmaking methods, it feels like Tobe was trying to make the exact kind of film that would have been made in that period, including corny dialogue and rubbery monsters.

On one hand this movie is trying to be straight up horror, and on the other it's trying to be a 1950's pastiche, and those two tones clash. The young lead seems plucked from one of those old boys adventure stories. The movie needs him to have genuine emotional reactions in order for the horror to be fully effective. We need to see him be afraid and shocked and sad as any boy would be in this situation, but instead he is always plucky and courageous and never seems to be too fazed by the surreal and terrible things happening around him. The lead actress is there only to scream and look scared and to move the plot forward.

The Martian monsters created by John Dykstra and Stan Winston are generally great, especially in their first on screen appearance, but they seem more and more creaky and rubbery as the film progresses, which might have been intentional in order to maintain the 50's homage style. The flying spaceship shots are excellent.

I think this could have been an 80's horror cult classic if it had dropped the hammy acting and committed fully to its horror premise. Because the performances are wooden and cliched, nothing in the movie feels consequential. The movie is fun for the special effects alone, but it mostly feels like an awkward missed opportunity.