Police action

Michelle Yip (Michelle Yeoh) of the Hong Kong police is a mild-mannered Kung Fu expert; Michael Wong from air security is happy-go-lucky, stuck on himself, constantly talking, and smitten by her; Yamamoto (Hiroyuki Sanada)is quiet, hard-boiled, leaving the Tokyo police to spend time with his wife and daughter. They form an alliance when they foil a hijacking on a plane flying a mob prisoner from Tokyo to Hong Kong. The mobster and his would-be rescuer die; this sets off two avengers who were their blood brothers. Our three cops become the targets.

Michelle Yeoh and Hiroyuki Sanada star in this hard-hitting cop action film which has non stop action, and of the exhilarating kind. Frantic hand to hand combat, a high-speed chase, a car bomb, the destruction of a nightclub, a spectacular suicide, a fight in a plane, and a tense cliffhanger at the end, all executed with skill. The parts in between the mayhem is much lighter, which is due to Michael Wong who is smitten by Yeoh. It's pleasant, and a break from the mayhem. But ultimately it's the action set pieces and Yeoh's and Sanada's high kicking attitude that makes this a recommended watch for martial arts fans.

Michelle Yeoh, legend. What a great showcase for her athleticism and fluidity, which just jumps off the screen. At 24 and in her second major role, she cemented herself in the Hong Kong action films of the 80's and 90's with this performance. There are so great scenes here - fighting on the street, in an airplane, during a car chase, in a crane, in a nightclub, with an armored vehicle, and against a chainsaw. Several times it looks like the actors are in real danger of being hurt, and adding to the feeling of being on the edge is the script not being afraid of killing off innocent bystander characters, young and old. It also gives us a nice little backstory for the four villains, though on the other hand it also gives us the annoyingly repetitive romantic overtures of Michael Wong's character to Yeoh's, which was the weakest part of the film. If you think you know where that may end up, however, you might be mistaken. Aside from that, there is a lot of cheese here which may bother you, including some sappy family interaction from a Japanese colleague (Hiroyuki Sanada), the synth soundtrack, and the bad guy's cliché evil laugh, but they just added to the camp appeal for me. I loved its bits of real darkness and how it was Yeoh's character doing the rescuing at the end. A lot of fun, so much so that I rounded up my review score a bit.

'Royal Warriors (1986)' is absolutely wild. This exhilarating action movie pushes through high-octane set-piece after high-octane set-piece, rarely letting its foot of the gas as it presents a compelling mix of old-school Hong Kong Kung Fu and exquisitely eighties action excess. It's the kind of movie in which everyone wears either 'The Terminator (1984)'-esque leather, Vietnam-era combat gear or bold business blazers three sizes too big for them. It's filled to the brim with death-defying stunts, metal-crunching car chases, squib-triggering shootouts, bone-crunching brawls and dizzying amounts of collateral damage. It's incredibly exciting. Rather unusually for a film of its kind, it only features four baddies. There are no giant fights between our heroes and hoards of faceless goons, just personal battles between people seeking revenge in a nearly endless loop that threatens to make good on the promise that an eye for an eye makes the whole world blind. It's actually a sequel to 'Yes, Madam! (1985)', and it's superior to that picture because it keeps its focus firmly on Michelle Yeoh and her co-stars, Hiroyuki Sanada and Michael Wong (playing someone called Michael Wong, for some reason), rather than cutting away to secondary characters who mostly engage in screwball comedy. It's a pretty dark and occasionally downright vicious picture, even if it does have moments of levity in the from of Wong's attempts to start a relationship with Yeoh. It's rather tragic overall and isn't afraid to show civilians getting caught in the crossfire that occurs as a result of the villains' vendetta against the heroes (a sequence set in a gloriously neon-soaked nightclub is particularly callous in its chaos). Thanks to its mixture of different types of set-piece, strong central performances (Yeoh is a total star) and consistently well-choreographed action, the well-paced piece remains really entertaining from its first frame to its last. It's one of the more sheerly thrilling examples of its genre, and it's genuinely great. Of course, it has some of the same flaws as many of its counterparts, but they're all fairly minor and aren't really worth mentioning. It's not perfect, but - for what it is - it's fantastic.

This is some of Michelle Yeoh's best work, alongside Magnificent Warriors and Yes Madam (A.K.A. In The Line of Duty or Police Assassins). This movie has a mix of drama, hard-hitting action, and comedy (little less on comedy though).

In my opinion, this movie could've done without Michael Wong. He tries to create a lovable character but he just seemed to get in the way of the movie. Well, I guess the movie needed some comedy. I appreciate the casting of Henry Sanada (Hiroyuki Sanada) in the film. After Ninja in the Dragon's Den, I was hoping he would continue to pursue action flicks. His martial arts skills always seems to impress me. His character in the film is portrayed as cool and slick, but if provoked, can be aggressive. Michelle Yeoh's character is very dedicated to her work as a police officer. She will enforce the law by any means.

The action in this film was very excellent and brutal. The club scene was the best. I'm pretty sure the actors and actresses had to use some ointment to take care of the bruises after some of the scenes. Groundwork dominated this film. I really didn't notice wirework.

Overall, this a great film. The replay value is very high. Besides the action, drama and a little comedy gave the film a good mix. HIGHLY RECOMMENDED!!!

Final Judgement: ****/****

Michelle Yeoh is very cool. That could be the review; that's enough to make Royal Warriors worth watching.

It's a bit of an oddity as a film, starting out with a dance number and then becoming surprisingly dark, not to mention jarringly violent. It's that kind of hard-edged martial arts movie where the punches and collisions look genuinely painful, and some of the stunts look remarkably dangerous. There are certain parts that aren't entirely believable (an overuse of sped-up footage at the end, and a mat poorly disguised as pavement early on), but most of the action's done really well.

I think it's a movie that hits the ground running to the point where it runs out of steam a little by the final act. It flounders a bit to get to the final action sequence, but once it gets there, it does work.

Some of the melodramatic elements didn't always work for me either, but the core of what's needed for a Hong Kong action movie to shine is intact here, and so I mostly liked Royal Warriors. Michelle Yeoh is very good, and it's interesting seeing a young Hiroyuki Sanada here too, given both he and Yeoh have seen their popularity reach new heights (at least internationally) during the early 2010s. They're both very good here, too.