Howard... une nouvelle race de héros

Though I knew of its infamy, I'd never actually sat down and watched "Howard The Duck" before, so noticing that it's currently available on Sky Movies, and with a spare evening, I thought now was the opportune time.

Howard (Jordan Prentice & Chip Zien (primarily)) from a planet where the duck, rather than monkey, was the dominate species, is transported across the Galaxy, to Earth, where, despite his appearance he connects with Beverly (Lea Thompson) a struggling rock singer. Their attempts to find a way for Howard to return to his own planet are assisted by Beverly's friend Phil (Tim Robbins), who brings in Dr. Jenning (Jeffrey Jones) but their research only results is something much worse being brought to Earth.

So, no. It's not good. Not good at all. Particularly for the first half. Tonally it's all over the place, with duck playboy magazine and the visit to the brothel feeling at odds with the PG Certificate. The plot takes an age to get going and the set pieces are dull or incomprehensible. The acting is terrible, from some pretty big names too - what is Tim Robbins doing? It's also not helped that time hasn't been kind to the very 80's sensibilities, from the awful band, to the massive hair, to the outfits that everyone wears to the weird Rock club, to the generic 80's street thugs.

But is its reputation as one of the worst films of all time actually warranted? Not really, of course it was a financial failure and essentially ended up costing Lucas Pixar, but those consequences shouldn't really be considered when appraising the movie. Does "The Shawshank Redemptions" initial financial failure affect people's opinions of that film? The second half of the movie is alright, when the plot finally starts. I actually quite like the effects for the evil overlords race, I'm a bit of a sucker for stop motion animation.

Whilst never approaching a level you would describe as "good" the film is, never the less, rather unfairly grouped in during the "worst of all time" conversations and Howard himself is overdue his full MCU reboot.

At a time when most of Marvel Comics' characters were stuck in low budget TV and straight-to-video productions, Steve Gerber's relatively obscure Howard the Duck got the big budget treatment with none other than George Lucas as producer. The film was written by Willard Huyck and Gloria Katz, who co-wrote "American Graffiti" and "Indiana Jones and the Temple of Doom", and directed by Huyck, with special effects by ILM. What could go wrong?

A lot, apparently. "Howard" was a critical and financial failure that deep-sixed the careers of Huyck and Katz and led to the cancellation of the duck's magazine. If the film had a moderately priced budget, it might have been forgotten as just another lightweight, trashy 1980s comedy and even turned a profit. Instead, the budget somehow ballooned to a then staggering $37,000,000 (almost as much as the entire "Star Wars" trilogy cost to make). Although other films lost more money and got worse reviews, the name "Howard the Duck" is still synonymous with "expensive turkey".

That said, the movie itself isn't as bad as it's reputation suggests. The plot revolves around the title character (voice by Chip Zien, played by various midgets in animatronic duck suits), a sarcastic talking duck from a planet a lot like Earth, except ducks evolved into the dominant life form. Howard is brought to Cleveland, Ohio when an experimental laser beam opens an interdimensional portal. There he befriends an aspiring rock singer (Leah Thompson) and a kooky lab assistant (Tim Robbins), and comes into conflict with various lowlifes, the police, and an evil demon that has possessed the body of a helpful scientist (Jeffrey Jones), all the while trying to get back home.

Gerber's original comic book series and a subsequent adult-oriented magazine weren't kids' stuff. They juxtaposed a funny animal character with bizarre villains and action more typical of Marvel's super-hero books, usually parodying comics, politics, and popular culture in the process. A sexual relationship between Howard and his human girlfriend Beverly was more than just implied. The "Howard the Duck" movie could have either toned down the more adult situations to create a family-friendly action-comedy, or gone straight for ribald satire and gotten an "R" rating. Instead, the filmmakers sought an uncomfortable middle ground that pleases no one. The script is not witty enough for adults and it is too sleazy and scary for young children. The endless duck puns become tiresome. There are, however, a few truly funny moments, such as Howard's shock at being served eggs, or his observation that "If God intended ducks to fly, he wouldn't have taken away our wings."

The direction is uneven. The reaction of several characters to meeting a talking alien duck seems muted given the circumstances. The special effects are also hit and miss. The animatronic duck suit cost millions, but the actors inside it add little personality. They could have at least waddled when they walked. The demonic Dark Lords of the Universe at the end of the film are portrayed with stop motion animation that is jerky and unrealistic even for the time (perhaps this was intentional, though, to provide a B-movie feel). However, while a bad movie all around, "Howard the Duck" at least stands out for its unique premise. Amidst a sea of formulaic mediocrity, an original idea, even if it's poorly developed, counts for something.

** out ****

"Howard the Duck" was a critical and commercial failure when it was first released in the summer of 1986. Since that time, the movie has become synonymous with one word: BOMB. However, while it is not a very good film, I feel "Howard the Duck" is not nearly as bad as many people seem to believe.

How can you dislike a film about a midget duck from another planet who (with the help of Lea Thompson and her gigantic '80s hair) saves Earth from impending doom? Not only that, but the menace threatening Earth is the Dark Overlord of the Universe, an evil force that has invaded the body of Jeffery Jones! "Howard the Duck" is one of those movies that is enjoyable in a mindless way. It is by no means classic cinema, but if you are in the right frame of mind, it is very fun to watch.

And don't miss the musical number at the end, when Howard and the cast do the "duck waddle"!

I was 16 years old when HOWARD THE DUCK made it to the screen in 1986, and I actually paid money to see it at my local theatre. (Judging from its famously-meager box office take, I was one of only a few dozen who did the same.) In the 20 years since, HOWARD has gone down in Hollywood history as one of the most expensive movie bombs EVER and it is generally looked down upon by "serious" film fans. I have to ask them: WHY? Howard the Duck KICKED ASS in 1986 and it still kicks ass today! It had everything: a talking duck for a hero, gigantic Dark Overlords from outer space, crashes, explosions, endless duck puns, remarkably decent special effects (most of which still hold up today), bad '80s synth-rock songs, and Lea Thompson at her most gorgeous in the role of Beverly Switzer, punk rocker and Duck-o-philiac. If it were not for this film I would not have developed my lifelong crush on Miss Thompson (which still persists to this day... if you watch her infamous tender love scene with Howard in which she's wearing only her underwear and you DON'T fall immediately in love with her, there's something seriously wrong with you!), nor would I say "Hey, there's Phil Blumburtt!" every time I see Tim Robbins in another movie. I'm sure the majority of the cast and crew involved with HOWARD would like to forget that the movie ever happened, but judging from the comments on this board, there are untold legions of bad-'80s-movie devotees out there like me who loved this movie then, still love it now, and are dying to own HOWARD THE DUCK on DVD. It absolutely astounds me, that with the amount of CRAP out there filling video store shelves, HOWARD has never achieved a DVD release. It's been 20 years, where's our 2-Disc 20th Anniversary Deluxe Edition, Mister Lucas? I'm still getting by with my taped copy of HOWARD that I recorded off of HBO back in the '80s, and it's about due for a replacement! Seriously folks, don't believe the hype. HOWARD THE DUCK is worth seeing, and it's nowhere near as bad as you've heard. Trust me. MetalGeek has never lied to you before.

HOWARD THE DUCK is one of those movies you have to see to believe.

A whopping boondoggle of sheer notoriety that replaced HEAVEN'S GATE as The Most Embarrassing Miscalculation In Hollywood History, this flick immediately humanized George Lucas; it proved that even he could make a bomb. And that's one of the things that makes it so fascinating--you just sit there, wondering what on earth the man was thinking.

I'm not going to write this with any intent of sarcastically ripping it to shreds, though. I'm going to attempt to both be fair and to express my opinion of it at the same time, mainly because I know that there *are* some folks out there who enjoy it for various reasons.

I'll be honest with you, the moment I heard Lucas was doing this film months in advance (and even then I was convinced the guy telling me was kidding until I saw an article for it in the paper), I rolled my eyes with disgust and didn't see it in the theatres. I saw it when a friend later rented it out of curiosity after it was rushed to video.

So what was it that suddenly possessed me to watch it? Well, I found out that my cousin was in it. You see, my cousin's name is Debbie Carrington (a.k.a. Debbie Lee Carrington), who was an Ewok in RETURN OF THE JEDI as well as a slew of other things, including but not limited to MEN IN BLACK, CAPTAIN EO, TOTAL RECALL (where she got to get on a table in a blonde wig and blast people with a machine gun) and on THE DREW CAREY SHOW ("Mini-Mimi"). So, naturally, I wanted to see this one because I learned of her involvement in it after the fact.

Most people loathe this film, but some like it simply because it's *so* weird in its badness while others genuinely love it for whatever reason. And that's okay. Actually, I kind of got a kick out of it and all its silliness the first time I saw it. We tried to watch it a second time, though, and were bored by it half the way through.

I just now saw it again for the first time since then.

One of the most bizarre things about this movie is how cheap it looks. For all the gobs of cash wasted on it (a record sum), HOWARD THE DUCK looks terrible. And no, I'm not talking about just the duck costume; I'm talking about the overall film, which looks exactly like a low-budget special made for television. Seriously, that's exactly how it looks, and I have no clue as to where the budget went to. I once wondered if it was used to desperately convince the stars involved to be in it, but I doubt it.

And meanwhile... speaking of the stars, I've got to hand it to Lea Thompson. Despite all the oddness here and all the stuff she is asked to do, she handles it all like a real trooper. In fact, this may be the bravest performance she's ever done, especially the bed scene. It also apparently didn't kill her career, thank God. Even though her character isn't at all fitting for a Big City Punkette, critics have nevertheless pointed out that she's still appealing here in her role as Beverly, and I agree. Meanwhile, Jeffery Jones gives quite possibly the strangest performance he's ever done, which is also an oddly effective one.

The biggest problem with the film is its mechanically coy, self-conscious script that has commercialized to death all of the original comic's appeal out of the final result (so what ELSE is new, Hollywood? ;) ). The movie can't decide whether it wants to follow the original concept or sweeten it up to supposedly appeal to a wider audience, and it is badly confused as a result. The movie desperately wants to protect its investment, so much so that the life has been choked out of it. Also, it has a *huge* amount of blah, unimaginatively generic lines ("No more Mr. Nice Duck", "You'll never get away with this", etc.).

But these days, it does have a ridiculous kind of flaky charm, partially because it's such an unbelievable anti-achievement and because it's so incredibly Eighties that it serves as a strong time capsule. And for those reasons and more, HOWARD THE DUCK has earned a place in twentieth century culture.