Un sacré bordel!

"A Fine Mess" is a sloppy comedy from Blake Edwards, director of "Micki + Maude", "Victor/Victoria", "10", and the "Pink Panther" films. I first saw "A Fine Mess" at the theater with my best friend when it first came out. I was only 15 years old at the time, and we laughed our heads off. You would think that today I would find this film to be incredibly stupid. Well, I just watched it again recently, and I still laughed at this movie. That makes "A Fine Mess" a huge guilty pleasure of mine. It's about Ted Danson and Howie Mandel getting mixed up in a fixed horse race, and spend parts of the movie running from two clumsy gangsters (Richard Mulligan and Stuart Margolin) who are responsible for creating this fixed horse race on orders from their mob boss (Paul Sorvino). In the midst of this fine mess they fall in love with beauties Maria Conchita Alonso and Jennifer Edwards (Blake's daughter). This movie was no doubt an embarrassment to Edwards, Danson, Mandel, Sorvino, and especially Mulligan and Margolin. They all make total fools of themselves. But I laughed anyway. It's notable for an appearence by a pre-"NYPD Blue" Dennis Franz and a bit part by a pre-"Babe" James Cromwell. But one thing I'll always remember about "A Fine Mess" is film critic Rex Reed's thrashing of the movie on the movie review show "At the Movies" when he and co-host Bill Harris (taking over for Siskel and Ebert) were reviewing their choices for the worst movies of 1986. Reed started saying quote "Well at least part of the title is accurate. "A Fine Mess". Well it's worse than a mess. It was an all out disaster, and there's nothing fine about it." It was quite obvious that Reed gave "A Fine Mess" no stars. But I give it three stars. I know I shouldn't, but I can't help it. This movie does make me laugh. If you decide to watch this, remember to check your brain at the door.

*** (out of four)

When Blake Edwards initially was putting this film together it was originally intended to star Burt Reynolds and Richard Pryor. Unfortunately due to Pryor's near fatal burning the film had to be recast. The Films original Title was 'The Music Box' taken from the Laurel & Hardy short film of the same title. Was made as a homage to classic comedies . Did not fair well at the box office. ************************************************************ ************************************************************ ************************************************************ ************************************************************

A definite "check your brain at the door" comedy, one of the most plot less films ever, but manages some good characters and situations. Danson, pigeon-holed as his "Cheers" character Sam Malone, plays another womanizer here, this time an actor. While shooting a film at a racetrack, he overhears the doping of a philly, and though seen, decides to bet the horse the next day. Two movie-type hit men dingbats spend the next twenty minutes chasing him by foot and car all over the place. Along for the ride is Danson's buddy Mandel, who gets swept up in the madness. There's also an auctioneer, a Mob wife, her grumbling husband, two cops on the trail, and a disgruntled brother in law. Edwards attempt at an all-out comedy comes off here and there, but the film has no real direction. A bunch of gags are clustered along the business of Danson and Mandel avoiding a bullet from the two hitguys. But for whatever reason, I let it slide and just enjoyed what was given. Danson at about 40 and Mandel in his 20s, though never explained how they know each other, had a great chemistry. Seemed like they had been buddies a while, and clicked on-screen. Throw in some Mandel bits like voices or eating soap, and you can't help but laugh. Especially his moment in an Indian restaurant where he disregards the diners and lets loose after eating....something. Danson milks being slapped in the face and chasing women, and an odd boon to the film is the up-beat soundtrack. From the Temptations to Mr. Mister, it came off energetic. In fact, I don't recall any scenes of score used in the film. It all culminates in a chaotic finish involving a piano and another chase, so it may be worth a shot if you're into stretching your funnybone.

I suppose I shouldn't be surprised at the number of viewers whose comments generally trashed this picture, but I must admit that I'm astonished at the snobbery of some people when it comes to comedy.

Not every movie has to have an intricate plot, Oscar caliber performances, and a perfect script to be a noteworthy movie. We have movies like Citizen Kane, The Killing Fields, A Dry White Season, Rain Man ect... for that. The most important aspect of a comedy is whether or not it is genuinely funny, and there's no way one can say that this flick is not.

Just about every scene in the film is funny, physical as well as dialogue. Howie Mandel cracked me up constantly with the strange voices he used. It's vulgar in parts, and sure, the plot is weak. So what. It does it's job. Blake Edwards is a master at comedy. He never leaves me disappointed.

If you're looking for a movie that will leave you with a sore ribcage at the end, this one will do the trick. As comedies go, I'd give it an 8/10.

You can't blame Blake Edwards for making this kind of movie.

For years, he depended on the kind of pratfalls that course through "A Fine Mess" as his bread and butter, so to speak. They served the "Pink Panther" series well, and made Inspector Clouseau a world-wide reference point for the ultimate in clumsiness.

But for a movie that basically features two losers crossing the mob in a horse race then moving a piano to a rich lady's house, this film is all over the place. So many people introduced then forgotten, plot lines that go nowhere, laughs that are fun for the moment but have no context.

Shocking, really, this coming as it does from Blake Edwards, who once personified classy comedy with such works as the aforementioned "Panther" films, not to mention classics like "10", "Micki + Maude" and the under-appreciated "S.O.B.".

And with the calibre of talent, you'd expect great things; the manic Mandel, lecherous Danson, luxuriant Alonzo, and wackos like Mulligan and Margolin as mob flunkies all have the fire, but there's just nothing here to stoke the furnace.

There were separate moments here and there that gave me a smile but, like the movie itself, it just lives for the moment, then is gone.

TIDBIT - The idea for this movie actually came from a Laurel and Hardy short where Stan and Ollie try to move a huge piano up innumerable flights of stairs. Hence, the name.

It still is fitting: this movie is definitely a "Mess", if not a "Fine" one.

Three stars. Saved but for the virtue of Mulligan in the cast and a bit part for pre-"NYPD Blue" Franz.