Extremities

Extremities stars Farrah Fawcett as Marjorie who is attacked by a man in a ski mask on a routine trip to get ice cream. She manages to get away, but she forgets her purse and she starts living in constant fear that he'll use her drivers license to find her. To make matters worse, the police say there's very little they can do unless he does come back. One day, when her roommates (Diana Scarwid, Alfre Woodard) are out of the house, this man (James Russo) does return sans ski mask and is hoping to finish the job this time. But is Marjorie more prepared than she was the last time?

On the surface, Extremities sounds like any other typical slasher/home invasion thriller, but thanks to its stage roots, it plays out with more psychological mind games than your usual slasher flick. For example, the attacker, Joe, will try to make Marjorie think that no one will believe her and he even tries to turn her friends on her once they return and he's been captured.

Fawcett is in just about every frame of the film and her transition from meek victim to take no prisoners woman is a sight to behold. It's probably her finest performance. Scarwid and Woodard have a bit less to do, but are both incredibly effective with Russo sleazing up the joint (in the best way) as Joe.

Extremities is highly recommended for fans of thrillers.

I remember catching this movie on TV a few times and it always was an extreme experience for me. Here, a vulnerable woman named Marjorie (Farah Fawcett) who falls victim to an attempted rape by Joe (James Russo) escapes and turns the tables on him, caging the criminal in her fireplace.

Seeing Joe abuse Marjorie left and right was difficult to watch, but it was thrilling to see Marjorie give her attacker a taste of his own medicine. It is also pretty suspenseful to see what will her and her two roommates, Patricia (Alfre Woodard) and Terry (Diana Scarwid), do to the confined attacker after the incident. A majority of the film takes place in the house and you get to know a little bit of background on all three women and how the course of the film's events affect them. The plot does drag after all the action but the generating suspense does keep the movie a somewhat intriguing experience.

Grade B-

In Los Angeles, the gorgeous Marjorie (Farrah Fawcett) stops her car after-hours in a parking area to buy an ice-cream. However the store has just closed and when she returns to her car, a masked stranger attacks and attempts to rape her using a knife. Marjorie succeeds to flee, but the man keeps her purse with her documents. She goes to the police to report the assault but the female officer tells her that there is no evidence and no case since it is her word against the rapist's word. A couple of days later, the rapist breaks in Marjorie's house while her roommates Patricia (Alfre Woodard) and Terry (Diana Scarwid) are not at home. The cynical Joe (James Russo) submits Marjories to sadistic abuses and humiliations preparing to rape her. Out of the blue, Marjorie sprays insecticide in Joe's eyes, reverting the situation dominating Joe and then she ties him up. She decides to bury Joe alive in a grave in her garden since she does not have evidence to keep him in prison and he had promised to return to kill her. But Terry and Patty arrive and try to convince Marjorie to call the police and think about the consequence of her intention. What will she do?

"Extremities" is a film with a dramatic story and a great dilemma. Farrah Fawcett has one of her best performances in the role of a woman abused by a stranger that she finally subdues. His first intention is to kill the man but there is a debate with her roommates and the film has a moralist conclusion. James Russo is impressive in the role of a sadistic rapist. My vote is seven.

Title (Brazil): "Seduzida ao Extremo" ("Seduced to the Extreme")

Extremities is a story of a man, overwhelmed with guilt, one that has proved to be fatal, turning him killer. When first learning of this film, back at the start of '87, I thought it was just about some psycho getting his kicks, raping women. Little did I know. Our rapist, Joe has already raped a score of women and disposed of em'. Only his latest, Marjorie (Fawcett in a great dramatic performance) has managed to escape when first car jacked and driven to a deserted underpass. Marjorie explains her situation to the police, none too helpful, where the police woman tells her straight, there's a chance he could get off. Farrah's even mistaken for a hooker by a young cop, who interrupts the not so progressing well conversation. She leaves, irate, and by not signing this certain form, the cops can't take action. The rapist has got her wallet with her id, so we know what's gonna ensue. We too see Joe, has a family where he has been kept pretty faceless up to this point. When he's in his little shed, examining Farrah's id, his cute little daughter knocks on the glass, informing him, dinner's almost ready. So now with Farrah, it's a waiting game. Her two housemates, Patti and Terri, have been informed of the situation. Even when the pizza guy, comes delivering a meal, Farrah is rather surly, when he asks if the three of them live together, which is understandable. Then days later, low and behold, a man freely enters her house, asking after a Joe. And from here, the real drama and suspense begins, claustrophobic, one would say, as Russo, great here, gets quite physical and cruel, at one point almost threatening to toss a pan of burnt bacon onto her. He also examines her particulars, even making opportunity to indulge in some forced sex, cause in reality, there's no way in hell, she'd go out with this creep of low class status. Keeping with the stage play, she finally turns the tables on the attacker, after luring him on, when on top of her, falsely. She then sprays his eyes with insecticide, cracks a hot glass kettle of coffee over his head, before strangling him and barricading him in a fireplace, from which there is no escape. Not much sooner does her two friends return from work and cross this scene of madness. The two do not agree with her illogical plan of murder, which too could be seen as logical, if this madman gets off. We do weigh these real life options. Scarwid, a great character actress, brings an effervescent, quirky and sexy character as Terri, while the more mature Woodard, gives a very humane and real performance, I liked. She's the only one showing compassion to the not so healthy looking Russo. Farrah at one point, who's taken enough of her, says "Why don't you just f..k him. That'll make him feel better". Extremities is a real film of real situations and choices. Even near the end, Scarwid chooses to stay with Russo, when Farrah and co, get the cops, warming up to him some, as hearing his reasons. One particular moment with Farrah running her knife down Russo's lower region, may make you flinch. This is a great dramatic film, that I wouldn't suggest a rape victim should watch. It's all too real, as are the performances, and I'm not just talking the mains. You will feel pretty washed out at the end of this, too, as in these claustrophobic movies. The up tempo music score, at it's opening is all so unfitting though, even though I liked it a lot, so.

EXTREMITIES is the disturbing, yet riveting screen version of a play by William Mastriosimone (who adapted his own play for the screen) about a woman who is attacked in her car one night by a would-be rapist on her way home and is terrified when she realizes the man got her purse and knows where she lives. After her roommates leave for work the next day, the guy shows up at her home and attempts to rape her. The story takes a surprising twist when, at one point, the woman turns the tables on the man and is able to overpower him; but when she realizes there is no way that attempted rape can be proved and if the man is arrested, he will just get off, she decides to keep him prisoner in the house until she can get a confession out of him. Far-fetched? Maybe. Disturbing? Definitely, but there's a wonderfully claustrophobic feel about this film, especially the middle with just the woman and her attacker, that you can't help but feel completely a part of what's going on. I did not see the play on Broadway, but I would imagine a piece like this works better onstage, but that doesn't make this film any less riveting an experience. Farrah Fawcett, one of the last actresses to do the role on Broadway, was awarded the role of Marjorie in the film version and delivers a taut and deeply moving performance as the victim who refuses to be a victim. Many critics found Fawcett's performance to be one-note, but for me, Marjorie is a woman completely numbed by what she has been through and the performance works for me. James Russo, in the performance of his career, is slimy and menacing as the would-be rapist who finds Marjorie to be much more of a challenge than he assumed. Alfre Woodard and Diana Scarwid co-star as Marjorie's roommates, who come home after Marjorie has overpowered the guy and has him tied up and stuffed in their fireplace upon their arrival. And it's the arrival of the roommates that take the story to an unexpected level because they didn't see what we saw Marjorie go through and therefore, think she should call the police and let them handle the guy. Not for the faint of heart, but if you can stand it, a gripping film experience anchored by a lead performance that will surprise you.