Apocalypse Warriors

If you're a Corinne Wahl fan, you'll have to see this movie at least once just so that you can witness the famous scene where she puts on her most serious and angry face, points a pistol at five dusty desperados dressed in Civil war uniforms and says "I'd love to blow you guys right here." Corinne tries so hard to be non-sexual, it's hysterical. The response by the desperados is equally amusing: The #1 bad guy acts frightened, scrambles to his feet and shouts "Keep your pants on, little missy!"

There is little to redeem this movie. I've seen better high school productions. The costuming was created using black spray paint and sporting equipment (football shoulder pads, helmets, hockey sticks, ski masks, etc). The whole movie was filmed in a dusty quarry somewhere east of LA. None of the actors in this movie are famous ... because they can't act.

See this movie if you want to see Corinne Wahl shooting guns, driving wildly in a rusty Mustang and running around in dusty black leather and leotards. Disappointingly, there is no skin in this movie and the only love scene consists of 30 seconds of kissing.

Rating Breakdown: Story - 1.00 :: Direction - 1.00 :: Pacing - 0.75 :: Performances - 0.75 :: Entertainment - 1.00 TOTAL - 4.5/10

Ah, the Eighties-a decade when dystopian sci-fi films meant wastelands, explosions, and shoulder pads so large they could double as aircraft hangars. And in this grand tradition of bargain-bin Mad Max knock-offs comes Equalizer 2000, a film that asks: "What if a gun was the main character?"

The plot, if you can call it that, follows Slade, a soldier for the evil Corporation (because all futuristic dystopias have one), who turns against his employers after his friend is murdered. He wanders through the desert, meeting various factions of people who all look like they got lost on their way to a Road Warrior convention, and then, with the help of an old friend of his father's, he builds the ultimate weapon-the Equalizer 2000. It is less of a gun and more of an artillery installation strapped to one man, and it exists solely to resolve the film's many, many conflicts in the loudest way possible.

Character development is nonexistent. Slade is not a hero, nor is he an anti-hero-he is simply a man attached to a machine gun. Richard Norton, an actual martial artist, is bafflingly underused until the final act, while Robert Patrick, in one of his earliest roles, injects some much-needed charisma into an otherwise cardboard cast. But the real stars here are the explosions-glorious, real, and reckless, a tribute to a time when stuntmen risked life and limb for your entertainment.

It is not good. It is not intelligent. But it is honest in its mission: big gun, big bangs, big fun. Would I watch it again? Not for a long time. But if you want a perfect slice of Eighties schlock for a lazy afternoon, it is ready and waiting.

Prolific low-budget director Cirio H. Santiago made a career of directing low-budget genre pictures in the Philippines for US distributors and here brings to us his version of "The Road Warrior." Musclebound stuntman/actor/martial artist Richard Norton ("Twinkle Twinkle Lucky Stars" "Gymkata") plays Slade, our hero who uses his giant machine gun, the Equalizer 2000, to defeat a nasty gang of wasteland bikers. Compared to most of the Italian Mad Max ripoffs, this one actually bothered to film a few car chase action sequences that aren't too bad, but most of the movie is a bunch of dudes in ratty clothes fighting, arguing, and shooting each other up in what looks like an abandoned quarry. One interesting casting note, this is the first film appearance of Robert Patrick, four years before his star making role as the T-1000 in "Terminator 2: Judgement Day." Overall, "Equalizer 2000" is nothing to go out of your way to watch, but if you're desperate for a warriors of the wasteland action flick and have seen all of the good non-Mad Max ones (i.e. "Cherry 2000" "A Boy and His Dog" "Doomsday" "Six String Samurai" and the list pretty much stops there), Cirio H. Santiago's "Equalizer 2000" or "Wheels of Fire" may scratch your itch.

This movie really sucks, but still it´s fun to watch. For 90 minutes it´s just gunfights and explosions. No talking, just shooting. It´s amazing to see fully grown men act like this, and being serious about it! If you have nothing to do on a late Sunday night, then give this one a try!

B movie perennial Richard Norton ("Force: Five") stars as a hero named Slade in this little epic, just one of many grungy post-apocalypse features to pattern itself after "Mad Max" and "The Road Warrior". Slade is out to get revenge on a military unit dubbed "The Ownership", who are just greedy enough to want control of all resources. They meet resistance from Slade and other rebels, "mountain people", and a sexy as Hell warrior woman named Karen (Penthouse hottie Corinne Wahl). But Slade has an ace up his sleeve: the sleek and massive weapon of the title, which ensures its owners' survival.

Fans of derivative future set schlock won't mind that the story (written by co-star Frederick Bailey, who plays Hayward) is practically non existent. It's all about non-stop (and I do mean non-stop) gunfire, explosions, and setting people on fire. (This is the kind of movie where nobody ever seems to run out of ammo.) While it's hard to give much of a damn about any character here, the actors do what they can with limited material. Norton is fortunately one very badass hero; he can shoot at the bad guys while perched on the hood of a car, and not lose his balance. Wahl isn't much of an actress, but it's doubtful that many people will care when she looks so fine. William Steis (as Lawton) and Peter Shilton (as MacLaine) are adequate villains. Any fan of Filipino exploitation cinema will be happy to see Vic Diaz here, as he portrays one of those "mountain people". But the most fun is in seeing future star Robert Patrick, in his second feature film appearance, as a mangy weasel named Deke.

Passable direction by Cirio H. Santiago and amusing electronic music by Ding Achacoso help to make this an okay diversion.

Five out of 10.