Le Déclin de l'empire américain
Original title: Le déclin de l'empire américain
- 1986
- Tous publics
- 1h 41m
IMDb RATING
7.1/10
9K
YOUR RATING
Secrets are shared and spilled when a group of academics and their partners spend a weekend at a country retreat.Secrets are shared and spilled when a group of academics and their partners spend a weekend at a country retreat.Secrets are shared and spilled when a group of academics and their partners spend a weekend at a country retreat.
- Nominated for 1 Oscar
- 13 wins & 8 nominations total
Featured reviews
This is a very well done French-Canadian film about eight friends meeting for a dinner party out in the country. Three middle-aged men and a one young man are already at the manor where the dinner will take place, preparing the meal and discussing their sex lives. The remaining party guests, three middle-aged women and one young woman, are spending the day at the gym, exercising and discussing their sex lives.
Eventually they meet up at the country manor for dinner, and the conversation continues. While this may sound like not much happens, the film is never boring, and the direction by Denys Arcand keeps the viewer visually interested. I'm also keeping the character descriptions purposely vague, as their relationships to one another are revealed slowly as the film progresses. The dialogue is frank, funny and sharp, and all eight characters are fully-drawn human beings. I especially like the notion that these eight characters who seem to speak non-stop and at times overshare in the extreme, can't seem to honestly communicate when it matters most in their lives.
The title refers to a historical adage that when members of a given society begin to think about their own individual happiness above every other concern, that society is doomed. The characters' romantic navel-gazing and at times destructive pursuit of happiness seems to signal our own societal sunset. But don't let that heavy thought steer you away from the film, as it's brilliantly acted and well worth a look.
The sequel, "The Barbarian Invasions", made 17 years later, is also very worthwhile.
Eventually they meet up at the country manor for dinner, and the conversation continues. While this may sound like not much happens, the film is never boring, and the direction by Denys Arcand keeps the viewer visually interested. I'm also keeping the character descriptions purposely vague, as their relationships to one another are revealed slowly as the film progresses. The dialogue is frank, funny and sharp, and all eight characters are fully-drawn human beings. I especially like the notion that these eight characters who seem to speak non-stop and at times overshare in the extreme, can't seem to honestly communicate when it matters most in their lives.
The title refers to a historical adage that when members of a given society begin to think about their own individual happiness above every other concern, that society is doomed. The characters' romantic navel-gazing and at times destructive pursuit of happiness seems to signal our own societal sunset. But don't let that heavy thought steer you away from the film, as it's brilliantly acted and well worth a look.
The sequel, "The Barbarian Invasions", made 17 years later, is also very worthwhile.
I never had a good reason to add a review to the existing ones on IMDb, but this time I was appalled by the lack of critical thinking displayed by the majority of the reviewers.
This movie is *not* about sex, *not* about the sexual lives of the characters, and *not* about the battle of the sexes. As the title explicitly states, It is about the moral decline of a society, which in this particular case is made manifest through the over- indulging of the main characters on their sexual life and on their own personal gratification, at the expenses of their families, friends, and social group at large. This line of thought is made clear at the beginning of the movie. First, we see the main character – Remy – explaining the role of numbers in history, and claiming there is no place for morality in history, and thus drawing a line between personal and public history.
We then see Diane – one of the main characters – interviewing Dominique – the chairperson of the History department – who has just written a book entitled "Changing Concepts of Happiness". She draws a parallel between the American society at large/Empire and the Roman Empire, arguing that the search for personal happiness is associated with the decline and fall of a society. When people are too concerned with seeking quick gratification of their appetites while ignoring their responsibilities within family and larger social group, society is doomed to collapse.
And what we learn from the dialogues and the interactions that follow proves just that. What we see is that the lives of these so-called intellectuals are only marginally interested in history and the intellect. Their lives are centred around their never ending sex-hunt, and around the lies they consciously tell in order to hide the things that even according to their moral standards are considered rather unacceptable. Their relationships are fundamentally shallow and deceptive, and towards the end of the movie the whole sand castle comes crumbling down, and all is left is a huge nothingness, their nihilism, their lack of moral values and ideals. And so the story comes full circle while the characters sit together and listen to Dominique's interview, which reiterates the theme of decay, and is also the catalyst that will make the castle crumble down.
The dialogues are absolutely brilliant, and it is perhaps easy to be absorbed and forget about the broader theme, and when the movie ends you are left with a sense of desolation, even desperation, the same feelings that permeate the character's lives.
This movie is *not* about sex, *not* about the sexual lives of the characters, and *not* about the battle of the sexes. As the title explicitly states, It is about the moral decline of a society, which in this particular case is made manifest through the over- indulging of the main characters on their sexual life and on their own personal gratification, at the expenses of their families, friends, and social group at large. This line of thought is made clear at the beginning of the movie. First, we see the main character – Remy – explaining the role of numbers in history, and claiming there is no place for morality in history, and thus drawing a line between personal and public history.
We then see Diane – one of the main characters – interviewing Dominique – the chairperson of the History department – who has just written a book entitled "Changing Concepts of Happiness". She draws a parallel between the American society at large/Empire and the Roman Empire, arguing that the search for personal happiness is associated with the decline and fall of a society. When people are too concerned with seeking quick gratification of their appetites while ignoring their responsibilities within family and larger social group, society is doomed to collapse.
And what we learn from the dialogues and the interactions that follow proves just that. What we see is that the lives of these so-called intellectuals are only marginally interested in history and the intellect. Their lives are centred around their never ending sex-hunt, and around the lies they consciously tell in order to hide the things that even according to their moral standards are considered rather unacceptable. Their relationships are fundamentally shallow and deceptive, and towards the end of the movie the whole sand castle comes crumbling down, and all is left is a huge nothingness, their nihilism, their lack of moral values and ideals. And so the story comes full circle while the characters sit together and listen to Dominique's interview, which reiterates the theme of decay, and is also the catalyst that will make the castle crumble down.
The dialogues are absolutely brilliant, and it is perhaps easy to be absorbed and forget about the broader theme, and when the movie ends you are left with a sense of desolation, even desperation, the same feelings that permeate the character's lives.
The title sounds like as if it comes from Ancient Rome, and in a very galvanized way, this witty-sarcastic tragicomedy from Canada has something to do with it: The easier is life, the looser are the dos. And that is why during a country house weekend stay all the participating intellectual bourgeois charmers, who usually teach history and write books, waffle about sex, sex and sex, while they kick at the fitness center (the women) or prepare a fish plate in the kitchen (the men).
With perfidious lust Denys Arcand contra-dots male and female sex fantasies. When you listen to the gent club between stove and sink, your ears seem to fall off. When you hear the rants of the lady squad between sauna and bodybuilding, the ears of the gents ought to fall off. However, after the gender cliques unite at the table for dinner, a more complicated inner life becomes visible beneath all these ludicrous orgasm rants from before. Friends came together here who are kind to, who lie to, who hurt each other. Bitterness and resignation, but also safety and tolerance remain in the autumn dawn. And after all, it's a film of a verbally disarming sexual humour, adorably acted and with gentle ironies of absurd experiences of life: The human being is multifaceted. Simple are only theories.
With perfidious lust Denys Arcand contra-dots male and female sex fantasies. When you listen to the gent club between stove and sink, your ears seem to fall off. When you hear the rants of the lady squad between sauna and bodybuilding, the ears of the gents ought to fall off. However, after the gender cliques unite at the table for dinner, a more complicated inner life becomes visible beneath all these ludicrous orgasm rants from before. Friends came together here who are kind to, who lie to, who hurt each other. Bitterness and resignation, but also safety and tolerance remain in the autumn dawn. And after all, it's a film of a verbally disarming sexual humour, adorably acted and with gentle ironies of absurd experiences of life: The human being is multifaceted. Simple are only theories.
Each time I see this film, I know how truly wonderful cinema can be at its best. This film, which amazingly is 16 years old (don't know where the time went - frightening!!) is still as fresh, witty and engrossing as it ever was. The story revolves about a group of academics, getting ready to attend a dinner party, the men and women separately(prior to the dinner) discussing with each other their lives loves hopes and fears - sounds dull doesn't it? Well dont you believe it!! Considering its such a dialogue based film, the time flies by due to the superb performances by all involved. Yves Jacques is outstanding as the gay character, whose facial expressions and body language in the film convey what only an actor of the finest calibre could. Louise Portal as the unattached woman longing for a meaningful relationship is also worth a mention amongst the cast. I enjoyed this film so much, that I turned my rusty 'o' level French into fluency so that I could appreciate other French language movies fully, prompted my first visit of several to Montreal where once I actually, believe it or not, bumped into Remy Girard (one of the actors) in the street and started a lasting love of non-English speaking /and or art house movies when previously I had only watched popular box office. I can't guarantee you will love this movie as much as I do, but if you approach it with an open mind, I am sure that you will thoroughly enjoy it. By the way, its about time this movie was released on DVD, especially when you consider some of the junk which has!!!
This film, made in the mid-eighties about yuppies and their lives still holds up 15 years later. It was a contemporary movie then, it is now an impressive period piece. A drama/comedy about four man who are cooking, waiting for their wives who are at the gym and all 8 talk about sex, their lives, sex, fine wine, sex and living in the suburbs! The dialogue is witty and true and never the battle of the sexes has been fought so ferociously and with such verve! You will have a treat remembering how our lives were then. A perfect 10
Did you know
- TriviaThe house in which the majority of the events take place, in Magog, burned down in 1989, was later rebuilt. The scene in which one of the women characters is having sex, seen through a window from outside, was actually shot through a garage window. The actress was sitting on the snow tires which the owner of the house stored in the garage. She told him that, thanks to the tires, it was one of the most comfortable scenes she had ever done.
- ConnectionsEdited into 50 ans (1989)
- SoundtracksMusic themes
by George Frideric Handel.
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Details
- Release date
- Country of origin
- Languages
- Also known as
- The Decline of the American Empire
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$1,800,000 (estimated)
- Gross US & Canada
- $1,902,706
- Gross worldwide
- $1,915,792
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