Dream Lover

Kristy McNichol plays Kathy Gardner, a jazz flutist who is menaced in her apartment one night by a stranger (Joseph Culp). Later, she suffers recurring nightmares regarding the incident, and in desperation, turns to a sleep / dream researcher named Michael Hansen (Ben Masters) for help. The idea is that she will use some form of "dream therapy" in order to consciously affect the outcome of her dreams.

This material (by writer / co-producer Jon Boorstin) had potential, and certainly the film is creepy at times, but this has to rate as a real off-day for filmmaker Alan J. Pakula, who'd done much better things such as "Klute", "The Parallax View", and "All the President's Men" in the 70s. He doesn't seem particularly invested in the material, and brings no real life to it. In fact, the film is deadly boring and often intensely uninteresting. It indeed moves along at a real snails' pace. Pakula does bring some visual flair to Kathy's dream sequences, but otherwise "Dream Lover" is just too dull to work overall. The sleep center scene in "A Nightmare on Elm Street" was more entertaining in this viewers' eyes.

A good cast (Paul Shenar plays Kathy's father, John McMartin & Gayle Hunnicutt play two family friends) is rather wasted here. Kristy is appealing as always, and Masters gives a likeable performance, but she's been better utilized in other things. Look for the late, great character actor Jon Polito in a small role (minus his trademark mustache).

This over-extended attempt at thrills & chills ultimately goes on too long, and leads to an extremely unimpressive ending. It's too bad, really, because this COULD have been better. The score by Michael Small is one of the films' few virtues.

Four out of 10.

If there isn't much in this modest, sub-Hitchcock thriller worth criticizing it's only because there isn't much in it worth noticing at all. The premise is fascinating: that a drug might be used (or, in this case, abused) to block the chemical in our brains that inhibits muscular action during sleep, allowing us to unconsciously act out our dreams. But the script never aspires toward anything more than a routine psycho-thriller of curiously limited means: the film seems to have been made on two or three sparse studio sets with a very small cast, led by Kristy McNichol as the young test subject who naturally forgets to ask about an antidote. A throw away release doomed the film to a quick, easy death at the box office, which is a shame considering the far worse features being plugged that same summer, and the unsettling streak of sadism didn't help matters: most of McNichol's dreams find her a victim of rape and/or extreme violence.

Kristy McNichol stars as a young flautist in New York City who is asked to join her teacher's jazz group, which means defying her imposing widower-father and moving into her own apartment in the Village. But an attack on her first night away from home--in which she stabs an intruder--plagues her with a recurring nightmare, sending her to a sleep research center. MGM/UA had no idea how to market this admittedly slow, low-keyed yet ambitious thriller from director Alan J. Pakula--and the film pretty much vanished. Still, Pakula presents to us an intriguing scenario and an interesting take on sleep disorders and, though screenwriter Jon Boorstin cheats in his dealings with the heroine's complicated relationship with her father (it seems almost incestual), "Dream Lover" is a chilly, intriguing, ambitious achievement. McNichol gives a very good performance despite being somewhat miscast; the actress was eager to shed her tomboy persona, yet she's all wrong when dolled up in period costumes or gowns (she also draws the line at nudity, with the camera dropping to her feet when she gets out of bed after sex). Still, the actress gives this psychological puzzle an honorable try, and her dreams--four or five different scenarios which overlap and intermingle at the climax--are fascinating. Michael Small composed the eerie, shimmering score. Pakula was awarded the Grand Prize at France's Avoriaz Fantastic Film Festival. *** from ****

In the opening and closing credits, the filmmakers acknowledge the services of sleep research centers and consultants in the making of this movie. But while there is some educational dialogue about dreams, the main concept - the heroine acting out her dreams - is not as innovative as they seem to think; haven't these people ever heard of the word "sleepwalking"? Kristy McNichol is fine (if one-note) in a demanding role, but director Pakula's pacing is off, the thrills are few, and the finale, with one character apparently transforming into Superman, is ludicrous. (*1/2)

The involvement of lead actress Kristy McNicohl, director Alan J. Pakula and cinematographer Sven Nykvist (best known for his regular work with Ingmar Bergman), as well as a fascinating premise, were four good reasons to see 'Dream Lover'.

Really hate to see one of the dissenting voices here but 'Dream Lover' didn't do it for me. Can see why it was panned by critics because to me there were some big problems, while not finding it anywhere as dreadful as reputed (certainly do not agree that 'Dream Lover' didn't have redeeming values). 'Dream Lover' was just a film that could have executed a good idea much better. It had all the makings of a thought-provoking and creepy film, but both of these only came in spurts rather than an overall whole.

'Dream Lover's' best asset is Nykvist's cinematography, frighteningly surreal and beautifully dreamy 'Dream Lover' looks striking in this regard. The sets and lighting are similarly atmospheric. Some sequences actually are pretty unsettling and have suspense and creepiness.

The cast are also a strength and do their best with the wanting material with professional. McNichol is in an atypically darker role to usual and gives plenty of intensity and vulnerability, it's a great lead performance in a challenging and different role for her. Plus she looks sensational. Paul Shenar, who if he made better career choices and hadn't died so young just three years later would have made it bigger, plays one of the creepiest domineering father figures personally seen in any film recently. His chemistry with McNichol has moments of pathos and chills.

Ben Masters is charming and Justin Deas makes the most of a role that isn't developed enough. There are a few thought-provoking moments.

On the other hand, the story and pacing spoil 'Dream Lover'. Some of the pace is leaden and like riding on the back of a lethargic snail. In terms of atmosphere, there is a lack of tension and suspense in general and too often is too sterile. The story is dull with parts that feel like overlong and irrelevant padding and not always easy to follow (downright confusing even in some places), while the ending is anti-climactic and preposterous.

Pakula's direction is uninspired at best and somnambulist at worst, don't think he was that interested in the film or knew what to do with it. While the production values are generally good some of the editing is amateurish, especially the shocking gaffes in day/night scenes.

Rest of the cast struggle to do anything with sketchily written plot device characters (true of the characters here in general) and weak dialogue. The script has thoughtful moments but generally is flabby and gets bogged down by too much confused and rambling psychobabble and overkill histrionics. The music score is forgettable and doesn't really gel with the atmosphere of the film.

On the whole, not that bad but to me it was far from a dream. 4/10 Bethany Cox