Honey Britches

A classic exploitation title for a film with almost no exploitation features in it, this tame affair is hugely disappointing on every level. A low budget, cheap effects and amateur acting are all to be expected in films such as these, but the lack of action in the film - which doesn't pick up until the last twenty minutes - is intensely disappointing. This was my first exposure to a Troma film and it left me pretty deflated, but at least the trailer for A NYMPHOID BARBARIAN IN DINOSAUR HELL looks cool.

So, the film has little happening except characters talking to each other a lot, and slapping each other and shouting. Big deal. There are also some incredibly racist attitudes towards the 'redneck' Bible-thumping farmers, which are intended as comedy but I'm not sure. The trouble with the film is the lack of any exploitative features. No nudity, swearing, violence, anything to get excited about. When the murders finally arrive the camera shies away from them, and all we get is a little bit of fake blood. At least some effort could have been taken with them, bad effects are better than no effects! This may be because this was actually filmed FIFTEEN YEARS before being released by Troma!

The only thing the film has going for it are some humorous performances from the two male leads. The first, that of the farmer Harlan, is pretty funny, and he's a weird guy - he hates his wife but lusts after local prostitutes, he's apparently dim-witted but violent when he wants to be. He also looks a lot like Perry Mason but with a big bushy beard. The other performance is from a bald man with a distinct (and slightly overdone - but hey!) British accent, the cool, calm and collected ringleader. The main comedy highlight here is that he looks the spitting image of Sir Clive Sinclair, renowned Spectrum founder of the 1980s and something of a cult icon for those of us interested in those old ZX computers. In fact I think it was Clive in a rare acting role - but this information needs to be verified.

Also on hand, and obviously to trade on his image as a horror icon, is John Carradine, whose scenes are filmed separately from the rest. Carradine brings the Biblical references to the film and presents it in a series of chapters about man's greed and evil leading to death and destruction. Poor John is looking pretty old here, it was one of his last films and he's obviously reading from an autocue, it's quite sad to see the type of films he was reduced to - although it has to be said some of his earlier efforts weren't much better! Altogether this was something of a missed opportunity, it has the right atmosphere but just not enough violence or action to make it entertaining. Preferably avoid if you can.

In HONEY BRITCHES, four bickering travelers wind up at a farm, where they encounter a pair of female rustics. Soon, the hillbilly males return, and backwoods insanity commences.

This movie scrapes the bottom of the barrel, crashes through it, only to emerge in a cesspit on the other side of the Earth!

Meant primarily to showcase the cleavage and mountainous hairstyles of the women involved, all else, including plot, dialogue, acting, etc., has been ignored.

There is an obligatory rape scene, followed by a "catfight", and death. The remaining 95% of this "film" is filler. Outhouse filler to be exact. Sitting through it is an agonizing experience, like wearing cactus pants!

Even the finale is awful!...

I am usually a big fan of movies like this one, however I felt that this film failed to deliver on several levels. Firstly, and it might just be my copy, the sound (especially the dialog) was awful. I was sure I could hear a generator running in several places; probably to keep the lights/other equipment going. The characters were horrible. I can't even complain about clichés and stereotypes as these particular characters were far too one dimensional for even those embarrassing labels. It is fun to listen to the "actors" flub their lines and awkwardly phrase even the most dry dialog. Worst of all however, was the complete lack of nudity/gore. There were some tantalizing glimpses that held some promise, but it was disappointing in the end. The one exception is a murder by pitchfork, but it was short and ultimately underwhelming. Best left alone even for fans of the genre. There are so many more worthy pieces out there that deliver the goods. All in all, I found myself bored and reaching for the fast forward button.

(1971) Demented Death Farm Massacre/ Honey Britches THRILLER/ COMEDY DRAMA

Co-produced and directed by Donn Davison that has four convicts on the run from the police riding their jeep until it runs out of gas. Leading the group is Phillip Courtney (Jim Peck) and his girlfriend, Karen (Trudy Moore) and Kirk Taylor ( Mike Coolik) and his girlfriend, Suzanne (Pepper Thurston) as their jeep runs out of gas. They are then forced to walk and soon stumble onto a farm with a single hillbilly wife, Reba Sue Craven (Ashley Brooke) waiting at home for her husband, Horlon (George Ellis). Complicating matters is when one of the criminals holds them hostage and begins to seduce Horlon's wife, Reba Sue The movie has poor acting, low budget, using an idea used a dozen times, and just when one presumes there is nudity in there, there is perhaps a breast scene and that is basically it.

Moments mostly of bad film-making. It is, to me anyway, clearly not a horror film that got messed with some in the editing to try to make it more horrifying--with little success. Though none of the performances are really much good, some have a regional theater style fascination. You'll hope for real nudity, but your hope with remain only a hope by and large. The failed camp nature of the thing is somehow less painful than in other purely Fred Olen Ray movies, so maybe he didn't have that much to do with this one.

Total crapola post production sound job leads to more laughs and they try real hard to use sounds that don't match the picture, it's like they only have one FX CD just had to make it work for everything--though there is very little in the way of polish on any level. The first, and one of the only, night scenes in the movie is almost entirely out of focus and grainy.

It's sort of going for a 2000 Maniacs feel I suppose only less well made--yes that's what I said.