Campus

Probably the best movie Albert Pyun directed. First rate cinematography and photography (shades of blue and red during the night scenes especially). So-so actors but with a special mention to Mr Stockwell and J. Eddie Peck (whatever happened to him anyway after that movie?).The screenplay is the best on this subject.Most of the time in college/high school movies, the fact of being different is an issue and you end "normal" at the end (She's all that and others very bad stuff). Here, being different is enough to get you killed. This is the most interesting part of the plot : it got an unusual political and sociological issue that is scarier than any Scream movie. Be sure to see the movie til the very last image and you'll know why. Great suspense that makes you think!

I wish I didn't have to write 10 lines for inclusion on IMDb, because there isn't too much to say about this movie EXCEPT that I really liked it at the time - it is a good example of mid-80's style - and the actors are very good, some have more recently become well known: John Stockwell is a noted Director now ("Blue Crush"), and he was 'Cougar' in "Top Gun" the same year, 1986. Carey Lowell, Mrs. Richard Gere, went on to "Law & Order" after a role in a bad James Bond movie. So why no DVD??? It was on VHS in the late 80's. One thing I do remember at the time, when Siskel & Ebert reviewed it they noted a strange homo-erotic overtone in many scenes (like in the school gym's locker room). Of course, you could say that about the Top Gun locker room scenes, also. But they had a point, and I think one reason this movie did stand out from the run-of-the-mill Drive In fare was that director Albert Pyun gave it some of these inexplicable, strange tones. And there was one TERRIFIC pun half-way into the movie, but you'll have to watch it to find out for yourself...

Not a good movie. Not a bad movie. Kind of a non-movie. Had to give it a shot being from the 80s. First up we get some nearly inaudible exchange between a father and son at a kitchen table, then some hot rod punker blazes his way to school in a loud car, then some panty waist talks about the dangers of something or other, then there's a shooting at a party, then I stopped the tape. Plotless, cheaply photographed, surprised even a head honcho at Canon read this script and said "Yeah, this is up to our standards". C'mon, guys, you made much better "junk" like "American Ninja" and "Invasion USA". Film also features the oldest looking high school students in film history. Not even the fast forward button can save you here.

The Sentinels is a group of self appointed high school monitors at Vista Verde High. Leader Randy McDevitt (John Stockwell) befriends magnet student Danny Lennox (J. Eddie Peck), but may have ulterior motives as the group likes to torment those they feel don't belong in their social circle. This was Albert Pyun's third film and his first of several for Cannon. Probably inspired by The Wave (1981), this shows how fascism and intolerance can quickly grow out of control. The problem here is while you are supposed to hate the jocks, the guy playing Lennox's punk buddy is so annoying that you want to see him killed. One of the more interesting things is Stockwell co-wrote the script and opted to play the bad guy. Perhaps rebelling from his hero status in John Carpenter's Christine (1983)? Also impressive is the soundtrack (featuring the likes of The Smithereens and Depeche Mode) which shows you could get a song cheap back in the day as we all know Golan and Globus wouldn't put out big bucks for those artists (interesting note: this hit theaters the same week Robert Palmer's "Addicted to Love" featured in the film hit no. 1 on the Billboard charts). Cool cast of co-stars include Miguel Nunez, Don Michael Paul, Bradford Bancroft, Carey Lowell, and Thom Mathews (the last two later appearing in Pyun's better Down Twisted).

Standard bubblegum high school thriller in the vein of "Massacre at Central High", "Wolfpack" and having a touch of "The Most Dangerous Game". This little, gritty b-grade outing from Cannon productions and low-budget filmmaker Albert Pyun is a true time capsule of the 80s period, where a whole bunch of films of a similar ilk flooded the screens. However these exploitative teen revenge films ("Savage Streets", "Class of 1984", "The New Kids", "3:15" and such) acted on its nastiness. However Pyun's film while it can be unpleasant, actually felt a little more thoughtful (despite formulaic and simple minded) in its narrative and struck up a mystery angle (even though predictably done) that added another element to it. This probably took away a bit of mindless fun, by upping the talkative nature; sticking with a grim air and deliberately letting the pace mellow out. As our protagonists (J. Eddie Peck and Carey Lowell) try to put the dots together, but we the audience are always ahead of them to the very final frame. There it pulls out a twist in an anticlimactic finale, only to top that one with another freeze frame closing. Foreseeable, but nonetheless bleak. The plot follows that of a group of students known as "The Sentinels", who combat the vandalism occurring in their school. However it's what they do outside of school, as this deputised group has turned into a violent neo-fascist army who pick out the kids that don't fit in. School newspaper editor Danny Lennox finds himself caught in the thick of it, as his best friend Krooger is a trouble-maker, but the "The Sentinels" leader Randy wants to get Danny of his side. It's a promising set-up, but not as exciting as it could have been. It feels all build-up and it takes a while to really get into it, so when it comes to it there's little in the way of a pay-off. Pyun presents some impulsively atmospheric scenes, especially when the "The Sentinels" are toying around with their victims. These guys really do love their school. But for most part it never gets out of first-gear. The performances are acceptably done (although there are some unconvincing looking high school students). John Stockwell (who also co-wrote the story) is fitting as Randy, who underneath that cool persona boils a menacing edge. J. Eddie Peck and Carey Lowell are agreeably likable in their parts. Bradford Bancroft (who was in "3:15") adds some defiant energy. Also for "Return of the Living Dead" fans; Thom Mathews (one of "The Sentinels" who begins to have second thoughts) and Miguel A Nuriez Jr. (one of their victims) add to the curiosity. A bubbly Dedee Pfeiffer also pops up. Then there's game support by Carmen Argenziano, Madison Mason, Anthony De Longis, Greg Finley and Karen Witter. Then we got this pumping rock / punk soundtrack, which have some notable tracks - namely Robert Palmer's "Addicted to Love".

Nothing we haven't already seen before, but in its abuse of power it has its moments and a capable cast to boot.

"What an arsenal."