La tête dans les nuages

I'm really surprised I didn't see more comments on this movie. I remember watching this movie when I was, I think 13 or 14. I never quite understood the complexities of emotion that were put into this movie. But I had always remembered it from my younger years. I decided to pick up the DVD when it came out again. Now that I'm older, and actually work with cut scenes as an animator for a living. I now see everything that I missed.

I am by all means not an emotional person or cry a lot etc, but I have at least watched this film more then 15 times in the last year. No other movie has ever brought me to tears every time I watch it. Not tears of sadness or being upset , but tears of happiness. There are so many moments in this picture that can overwhelm you with that gut feeling of real love. You really let these characters take your heart and go with it. That is what a true movie is a about , is the ability to let you heart go and pull in that emotion from them and try to imagine feeling what they feel. I don't think any other movie has captured my heart that way. I might seem all soft and sound like a push over but I'm about as manly as you can get.

If you have the time to see this movie or buy it. You truly will receive a much broader look at life , love , fear , relationships and most of all believing in yourself and who you are.

I didn't want reveal any of the movie but it really has touched me.

Michael Loeck Character animator http://www.immortal3d.com

In an atmosphere of fantasy, the movie explores several real human issues. The story centers on a mother (Bonnie Bedelia), her young teenage daughter (Lucy Deakins), and her pre-teen son (Fred Savage) as they struggle to cope after the beloved father's sudden passing. Their grief is intensified by the manner of his death and their almost immediately having to adjust to a new life, a new home, a new neighborhood, and for the kids, a new school and new friends. Into this mix enters Eric (Jay Underwood), the apparently autistic teenage boy next door, who is coping with demons of his own as a result of his parents' sudden death in an airplane crash. So grief is involved, and adjustment, and trying to fit in, and acceptance of human differences, and courage, and love - love within a family group and among people, as well as real boy/girl love. Writer-director Nick Castle deals with these issues with respectful sensitivity, as does the excellent ensemble cast of Lucy Deakins, Jay Underwood, Bonnie Bedelia, Fred Savage, Colleen Dewhurst, Fred Gwynne, and Mindy Cohn. That fantasy might be important to plot movement shouldn't be surprising, considering the movie's title. However, whether that fantasy is allegorical or real, or both, is in the eyes of the beholder. In any case, it's a warm and poignant tale, and it deserves a high place in the literature of motion pictures.

I also watched this movie as a young teenager. And it's a movie I will never forget, I just remember it changed me somehow, as a person.

A classic 80's film that nears cheesy pap but still avoids and retains heart through excellent pacing, dialog and acting. It might not hold up as well as when I first saw it because the family film concept had not yet been run into the ground yet for me.

Fred Savage does a good job in an interesting subplot that involves a bully and funerals for GI JOE soldiers. Fond memories of his confrontation with the neighborhood bullies still color my memory of this film.

A fun warm family fantasy that seems to be in short supply as of late due to it being nearly impossible to make something realistic because of the amount of film cliche in the modern world. Still, the film is very watchable and fun. 7/10

Sappy? Yeah, I guess at times… but this also mostly earns its big heart, and treats early teens with more far dignity and insight than most films.

Lucy Deakins is terrific as an intelligent, thoughtful 14 year old, who slowly grows to care for the autistic boy next door. He doesn't speak, but dreams only of flying away, a condition brought on by the deaths of his parents in a plane crash years before. Now he's in the care of an alcoholic uncle (the always wonderful Fred Gwynne), and the powers that be think he might be better off being institutionalized.

Almost all the acting is top notch, which is crucial in this character based story. Jay Underwood walks various fine lines as the titular boy, named Eric. By turns mysterious, locked in, charming he seems believable as an emotionally isolated adolescent as well as a possible source of magic. Colleen Dewhurst doesn't have a lot of screen time, but makes something rich and real out of a concerned teacher who doesn't want to see Eric locked away, knowing it will kill his spirit. And Bonnie Bedelia makes a touching warm and understanding widowed mom.

There are some scenes where the comic relief is more than a little forced, and a sub-plot about a little brother taking on neighborhood bullies seems grafted on from a far more Disney-ish film. But this Capra-esque gentle, bittersweet fantasy is a great 1980s film for tweens even today, and not a bad one for adults as well.