La cité de la vengeance

Original title: Blue City

1986
R
1h 23m

IMDb RATING

4.4/10

1.5K

YOUR RATING

Judd Nelson and Ally Sheedy in La cité de la vengeance (1986)

A drifter returns to his Florida hometown only to discover that his father, the local mayor, was mysteriously murdered during his absence. Vowing to find the killer and avenge his father's death, he starts his own investigation.

Play trailer1:21

1 Video

27 Photos

Action Crime Drama

A drifter returns to his Florida hometown only to discover that his father, the local mayor, was mysteriously murdered during his absence. Vowing to find the killer and avenge his father's d... Read allA drifter returns to his Florida hometown only to discover that his father, the local mayor, was mysteriously murdered during his absence. Vowing to find the killer and avenge his father's death, he starts his own investigation.A drifter returns to his Florida hometown only to discover that his father, the local mayor, was mysteriously murdered during his absence. Vowing to find the killer and avenge his father's death, he starts his own investigation.

See production info at IMDbPro

IMDb RATING

4.4/10

1.5K

YOUR RATING

See production info at IMDbPro

Awards
- 5 nominations total

Videos1

Trailer 1:21

Trailer

Photos27

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Storyline

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Did you know

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Trivia
Jenny Wright originally was cast in the lead female role of Annie Rayford. Ally Sheedy replaced Wright after re-writes.

Quotes
Chief Luther Reynolds: I like you. And I liked your daddy too. So I'm not gonna get in your way.

Connections
Featured in At the Movies: Blue City/Home of the Brave (1986)

Soundtracks
Blue City Down
Written by Ry Cooder and Jim Dickinson
Performed by Ry Cooder, Bobby A. King (as Bobby King) and Terry Evans

User reviews22

Featured review

5/10

Like a dead fish on the Florida beach .........

Totally lifeless would be a good way to describe "Blue City". Despite the presence of several interesting character actors, the leads Judd Nelson and Ally Sheedy drag everything down with their lifeless performances. The only reason to waste 83 minutes on this unfocused lightweight material is to watch Scott Wilson in the role of an opportunistic bad guy, and the late Anita Morris at her sexiest. Beyond that, the script is severely underdeveloped, especially in regards to motivation for all the mayhem. In the end, the viewer is left with many dangling unanswered questions, and a real sense of W.T.F. Think made for cable or direct to video quality. ................................................................................................................................................ MERK