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5.2/10
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Insurance agent plots with client to kill her nutty husband.Insurance agent plots with client to kill her nutty husband.Insurance agent plots with client to kill her nutty husband.
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Total parody of "Double Indemnity", with some added twists. The awesome, hilarious team of A. Arkin and P. Falk are together again, seven years after the under-rated "In-Laws". Beverly D'Angelo is "Blanche", the Barbara Stanwyck wife, looking to knock off the husband. Arkin is "Leonard", the insurance salesman, trying to put his sons through Yale. Falk is "Steve", the husband. Robert Stack is Leonard's boss, who refuses to help with the college bills. If you're a big fan of Falk and/or Arkin, you'll LOVE this film; they spend the whole time trying to outdo each other in the over-acting department. Also keep an eye out for Richard Libertini, also from the In-Laws; others will know him as the guru in All of Me (Edwina, Back in Bowl ) and Charles Durning (Tootsie). Written (copied/parodied ?) by Andrew Bergman, who certainly knew comedy... he had written the original In-Laws, Blazing Saddles, Soapdish, and Fletch!
Directed by John Cassevetes, who had done a bunch of stuff with Peter Falk already. Seems like quite a departure for Cassevetes... he had always done serious, pretty rough dramas. Fun stuff. On DVD. Never see this one shown on TV for some reason.
Directed by John Cassevetes, who had done a bunch of stuff with Peter Falk already. Seems like quite a departure for Cassevetes... he had always done serious, pretty rough dramas. Fun stuff. On DVD. Never see this one shown on TV for some reason.
"Big Trouble" is a mediocre film. You will laugh occasionally but that's about all. And that's crushing considering the two leads, Alan Arkin and Peter Falk, and the writer, Andrew Bergman, previously teamed or "The In-Laws" an all-time great film comedy.
Here the two leads play basically the same parts. Falk is the one in control with his devious ideas while Arkin is the meek, unsuspecting one thrown in over his head. This time around the needlessly complicated plot follows an insurance scam.
The film was directed by John Cassavettes, one of our great directors. But comedy is not a genre he handled well. There were numerous reports of problems during shooting. It shows on the screen.
The one bright spot is Beverly D'Angelo looking as sexy as ever. Maybe they should have relegated Falk and Arkin to backup and made her the lead.
Here the two leads play basically the same parts. Falk is the one in control with his devious ideas while Arkin is the meek, unsuspecting one thrown in over his head. This time around the needlessly complicated plot follows an insurance scam.
The film was directed by John Cassavettes, one of our great directors. But comedy is not a genre he handled well. There were numerous reports of problems during shooting. It shows on the screen.
The one bright spot is Beverly D'Angelo looking as sexy as ever. Maybe they should have relegated Falk and Arkin to backup and made her the lead.
l rented this movie by accident, recommending my girlfriend rent the other film entitled "Big Trouble" (2002). Well, it turned out we were lucky as Alan Arkin and Peter Falk are some of my favorite actors. The chemistry between Arkin and Falk is magical. The plot parallels some old Hollywood movies such as "Double Indemnity" in an odd fashion. I would describe it as "quirky", a throwback to the 1980's and a "must see" for all fans of Arkin, Falk, and Beverly D'Angelo, who looks fabulous in a variety of sexy outfits and carries her part with typical aplomb. Some of the scenes had me laughing so hard I had to stop the tape to recover (see Sardine Liquor). Charles Durning plays his important supporting role to perfection as well. Look for the uncredited cameo by Samuel L. Jackson near the beginning. This is a winner!
I worked on this film in 1986, in a scene that was ultimately left on the cutting room floor. When I auditioned for the film, I met with the director, who was in fact, Andrew Bergman (credited solely as the writer). Several weeks went by before I actually worked, and by that time, Bergman had been replaced by John Cassevetes. What I was told at the time, was that Bergman had been fired, and that Falk, a friend of Cassevetes, recommended that Cassevetes come in to finish the job. I don't know how much of the film was already in the can at that point, but I know that Cassevetes changed the script a bit. In the scene I was involved in, Falk and Arkin go into a hardware store to buy dynamite to blow up a building (An insurance office, as I recall). I played the Hardware store clerk. I remember the script being pretty much thrown out the window, and improvising much of the dialog, which included Falk explaining that the dynamite was need for a luau. "My Wife," he said, "makes a suckling pig, that'll knock your eye out. First you baste it" "With clarified butter," Arkin chimes in. "Then blast the sh*t of it with dynamite." As the clerk, I apologize that the store doesn't carry dynamite, and end up selling them a hundred pounds of charcoal briquettes instead.
Funny.
And you will likely never see this scene.
Ah well.
Funny.
And you will likely never see this scene.
Ah well.
This comedy according to Cineaste magazine was not directed by John Cassevettes but was lent his name after a young inexperienced director colleague of his fell into big...well, you know. This article went on to say that he was pretty grumpy on his deathbed knowing that this would be his last "credit". Well, that's a shame, because for a man who only made one comedy, a loopy one at that, this movie might have rounded out a legacy of angst, disillusionment and good old-fashioned middle-class American self-torture.
If that last labyrinthian sentence did nothing to sway you then consider this: the supporting actresses Beverly D'Angelo and Valerie Curtin are quite funny, too, enough to make this silly and completely unimportant take on one American's attempt to "send the boys to Yale" worth a watch. There is an unusual amount of improv in certain scenes that actually give the movie a satirical bite, hey folks,I heard on the radio yesterday that 60% of all Americans have $4500 of debt or more! Anyone who's lost sleep wondering "where will I get that kind of money?" will relate to Big Trouble.
If that last labyrinthian sentence did nothing to sway you then consider this: the supporting actresses Beverly D'Angelo and Valerie Curtin are quite funny, too, enough to make this silly and completely unimportant take on one American's attempt to "send the boys to Yale" worth a watch. There is an unusual amount of improv in certain scenes that actually give the movie a satirical bite, hey folks,I heard on the radio yesterday that 60% of all Americans have $4500 of debt or more! Anyone who's lost sleep wondering "where will I get that kind of money?" will relate to Big Trouble.
Did you know
- TriviaMaking this film cost Columbia Pictures the opportunity to make one of the most successful films of the 1980s. Just as the film was set to go into production, Columbia executives learned that the film could not be made unless they got the authorization of Universal. The legal department determined that "Big Trouble" was a remake of Assurance sur la mort (1944), which the latter studio owned. Universal's then-current head was Frank Price, who formerly ran Columbia. He was willing to give Columbia the remake rights to "Double Indemnity" under one condition - they would give Universal the rights to a sci-fi script that had caught his fancy at Columbia that the current management was sitting on. The trade was successful. Columbia was able to make "Big Trouble," which bombed, while the sci-fi film they passed on to Universal, Retour vers le futur (1985), was a great success.
- Quotes
Leonard Hoffman: Fourteen thousand dollars a year, multiply that by three, that's forty-two thousand dollars a year tuition. They want two hundred thousand dollars to send three kids to Yale for four years.
- Crazy creditsThe 1976 Columbia "Sunburst" logo, complete with its audio, is used on this film instead of the studio's then-current 1981 logo.
- ConnectionsReferenced in Papa est un fantôme (1990)
- SoundtracksHappy Brithday to You
Written by Mildred J. Hill and Patty S. Hill
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- Also known as
- Sterben... und leben lassen
- Filming locations
- 4000 West Alameda Avenue, Burbank, California, USA(insurance company office building - exterior)
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