Angoisse

I have just watched "Angustia" for the fourth or fifth time, now on DVD, and I do not get tired of this original, bizarre and surrealistic cult-movie, very underrated in IMDb. I am a fan of Bigas Lune, and in my opinion "Angustia" is his masterpiece. The story is simple, but tense, with a soundtrack that recalls Dario Argento's movies. Michael Lerner, in the role of the mad ophthalmologist; Talia Paul, in the role of a scared viewer that becomes impressed with the film she is watching on the screen; and Ángel Jovè, in the role of a lunatic killer, are perfect. Zelda Rubinstein, with her weird tune of voice, completes the lead cast of this gem with a great performance. My vote is nine.

Title (Brazil): "Os Olhos da Cidade São Meus" ("The Eyes of the City Are Mine")

Note: On 28 November 2022, I saw this film again.

This movie reminded me of many others at some points but at the same time seemed original. It was fun to watch and even though there was a lot of gore, I could stand it since I was so puzzled by the exact plot and motives. The movie inside of a movie plot worked wonders here and the appearances of Zelda Rubinstein made me want to give this an 8, since they made the characters seem as though twirling their hair would take too much intelligence.

This creepy motion picture ingeniously realized exploring the hypnotic effects of cinema talks about a timid eye clinic intern (Michael Lerner, Omen 4) under the sway of his psychic and authoritarian mother (Zelda Rubinstein, Poltergeister). Hypnotized by swirling spirals and screechy bursts of gleaming wails, the ominous son packs up his surgical tool set and goes out a rampage . Our hapless soon-to-be victims arrive for a view a horror flick only to watch the gore unfold in the audience as well as on screen in which are showing the silent film titled ¨The lost world¨ and ¨ The mummy¨ . As a group of viewers are killed in the form of a screening of a horror movie that brings naturalism to life. As the terror picture shown to the audience gets more and more violent. The spectators (Talia Paul, Clara Pastor) see Lerner carving eyes on screen while a psycho-killer (Angel Jove) obsessed with the movie unleashes his own criminal spree on the unsuspecting spectators and he attacks anyone who crosses her way and soon the place is filled with people killed. The survivors trapped in the theater must fend off attacks of the murderers. At the ending the remaining public start the desperate battle for their lives and eventually, the theatre turns a walled-in trap. Soon it becomes clear that the parallel arguments gather together in deadly synchronization.

The picture is full of suspense,thrills, mystery, and lots of blood and gore .This slick gore-feast is a triumph of style over movie logic. It's packed with overwhelming body count, excessive gore, grotesque killing, and rivers of red blood. This is one of the most original utilization of the movie-within-a-movie with terror argument, such as formerly made Lambert Bava in ¨Demons¨(1985). The picture is smartly designed ,stylishly photographed filming in Barcelona by Civit and with a suspenseful musical score by Pagan . Bigas Luna delivers the terror movie goods with sense of style. He's an expert on murky atmosphere such as proved in ¨Caniche¨, ¨Bilbao¨ and ¨Reborn¨. The picture will appeal to horror buffs and Bigas Luna fans.

Undoubtably one of the scariest and under-raved horror films of all time. Zelda Rubinstein is unforgettable, and if u liked her in the Poltergeist films she is even more stellar here. Known to horror buffs as the all-time movie within a movie... but its psychological mind-warp scene is as tense as it gets. The under-tones of the snails and doves contribute highly to the paranoia. A re-release definitely should be in order; this film deserves a second look by all. Anyone who has extreme phobia of "anything" to do with harm to the eyes- beware! Unfortunate that most mark this off as a "gore-fest" when its anything but. It is a brilliant study of the mind, and will blow you away with its oddity.

I was surprised to see some of the reviews of Anguish (Angustia). I had the opportunity of playing an L.A. cop in the film - it must have been 100 years and 25 pounds ago! As the film seems to have elicited some interest, I'll volunteer some background information.

The film was mostly shot in.... Barcelona, on an obviously shoestring budget. I was initially "signed on" as an ambulance attendant, but either my "delivery" or size turned me into a cop with a couple of lines, learned the same day as the shoot.

The exteriors for the "new movie" sequences were shot on a street created in a large parking lot in the "Zona Franca" of Barcelona. Apparently a stock background depicting Culver City Ca. was shipped to Spain, and a good portion of Barcelona's American cars were used to create the traffic background.

Did I mention the shoestring budget? Most of the scenes I participated in were shot at least twice - from different angles - because only one camera was used.

I don't say this as a criticism - if anything it is a tribute to Bigas Luna, who was able to create a piece of America on the Mediterranean, and to make a number of non-actors seem credible even with speaking roles (including yours truly).