Anastasia

This is a richly produced, atmospheric telling of the Anastasia legend set against the time of the Russian revolution. It has the look of an authentic, handsome movie of the kind made during the golden age of Hollywood. In the title role, Amy Irving gives what is probably one of the finest performances of her career. Others around her are equally impressive: Rex Harrison, Olivia de Havilland, Claire Bloom, Omar Shariff, Jan Niklas and Susan Lucci.

The epic story begins with the start of the revolution and the exile of the family of Nicolas and Alexandra. After fleeing execution, the story follows Anastasia's years of struggle to regain her royal heritage--and the opposition of forces around her who call her an imposter.

Winner of two Emmy Awards, two Golden Globe Awards and much acclaim from critics and public upon its video showing in 1986. Well worth viewing.

I wouldn't be so sure to accept the DNA tests as irrefutable evidence against Anna Anderson. First, read Peter Kurth's book on which this film is based. Anna Anderson knew things that only the real Grand Duchess Anastasia could possibly have known (forensic evidence in Anna's favor aside). Second, compare the pictures of Anastasia and Anna Anderson. Anyone can see that they are one-and-the-same person. Third, visit Peter Kurth's website (url below) where you can read detailed information about the DNA tests, as well as why Franziska Schanzkowska and Anna Anderson are not the same person (scroll down to the link, "ANNA-ANASTASIA NOTES ON FRANZISKA SCHANZKOWSKA"). Even Schanzkowska's relatives believed that their sister and Anna Anderson were not the same person.

I for one will always believe that HIH Anastasia Nicolevna Romanova and Anna Anderson were indeed the same person; I will never be swayed to the contrary .

www.peterkurth.com

It's a shame, because although this film is entertaining (in an American soap-opera sort of way), the fact that it's so loosely based on the story of Anastasia and the book by Peter Kurth, means it doesn't really live up to it's potential.

The real characters of the Romanovs, the uprisal of the Bolsheviks, imprisonment and execution, royal conspiracies, and in general, an accurate portrait of Anna Anderson's life, all take secondary place to beautiful setting, pretty costumes, an attractive cast (most of the acting is quite good) and an unfortunate 80's tinge (too many perms).

The film goes off on a tangent, eventually delving into the realms of fantasy and sickly Mills&Boon-style romance. Don't get me wrong, it's a fun film to watch, but had it been more intelligent, more ACCURATE and more sinister & mysterious, it would have been so much more captivating and entertaining. I gave it 6/10.

The subject was treated by Anatole Litvak in 1956 .more than its value,it marked Ingrid Bergman's reconciliation with Hollywood and she won an Oscar.

"Anastasia: the mystery of Anna" is more interesting,more historically accurate because serious studies have appeared since 1956.But by now,it has become irrelevant cause the truth is known thanks to science.

It is a good MTV work,even if there's no longer suspense.Older people will salute one of Olivia de Havilland's last appearances as the dowager .Amy Irving does a good job with Anna who deserves to be called " a brilliant impostor".

long time, I was very critic about this film. for its status of one of many films in Hallmark style. for a predictable story who could be presented in better manner. and long time I perceived as only good thing the performance of Olivia de Havilland. but the new technology is the best enemy of prejudices. it is not great. but it is beautiful. Amy Irving does an admirable job and Omar Shariff gives one of the most interesting Nicholas II portraits. and, sure, it is almost a crime to ignore Christian Bale in the role of Alexei , if you really are his fan. but, more important, it is a coherent story. and useful adaptation of a case who impress not for its last verdict but for the circle of illusions. story of a myth, it is one of films who gives more than a historical sketch but who reminds the wounds of a period.