Le Rapt

I saw this movie late one night on a movie channel here in Canada. It has received some medicore reviews here, but I think the movie is slightly above average, all things considered.

Yes, it was a low budget movie and that's quite obvious. The beautiful scenery of the Canadian wilderness is breathtaking. The characters played by Haggerty, and his son were quite well-developed and believable. Haggerty and Weiss also have some great dialog on their trip back to civilization. Roberta Weiss looks great too, and that doesn't hurt.

You won't be able to find this one DVD yet, your only hope is to catch on TV one night, or find a used copy of the VHS.

This movie has a lot going for it. The plot is simple: a psychotic mountain man kidnaps a young woman while she is out on her morning jog. The problem is the director came up short. Most of the time, the movie tries to focus in on the intensity and insane look in the kidnapper's eyes. There are also a lot of chase scenes in the Canadian rockies. Not much else.

There are some good points. Dan Haggerty plays the madman's father and does a good acting job, but I kept flashing back to his TV series "Grizzly Adams". I half-expected Ben the bear to come trotting out of the bushes at any time. Roberta Weiss at the start of the movie played the role of the damsel-in-distress rather lamely, however she did seem to improve once the madman's cabin had been reached.

The problem is that this movie was not what you'd come to expect from this genre. The danger of sexual assault was there every time Vern got close. However, for a guy that had been out in the woods for two years without a woman, you'd think he could have gotten past the bra. Give this same script to David Cronenberg and you'd have a successful NC-17 movie and a better ending where the hunted becomes the hunter. As is, it is barely PG and not worth renting.

When it comes on Showtime or TNT, take a look if you like Dan Haggerty, as long as nothing else is on.

This is a strange and unedifying twist on the damsel in distress theme. A teenage girl out for a run in the Canadian wilderness is abducted by a deranged mountain man who drags her off to his isolated log cabin telling her that she belongs to him now, and she had better do as he says, or else.

Rather than simply rape her he embarks on a rather bizarre courtship ritual, but before he can win her heart - fat chance - salvation appears in the form of his father. Apparently the old man has long realised his son is three sandwiches short of a picnic, and has chosen this austere existence as an alternative to dumping him in the local booby hatch. The old man convinces his son to see reason and take the captive back to civilisation. Unfortunately, he doesn't see reason for long, and after a helicopter appears out of nowhere - tourists poaching a rare mountain sheep - things take a really tragic twist. The end is fairly predictable, but unless you are into mindless thuggery or the great outdoors, this one is probably not for you.

My review was written in May 1986 after a Cannes Film Festival Market screening.

"Abducted" is a modest little picture, which achieves its goal of presenting a simple story of survival in the mountainous wilds of British Columbia. Tameness of treatment indicates its best market will be for tv audiences.

Shot on handsome, treacherous locations, the story ironically recalls the strictly claustrophobic tale "The Collector". Renee (Roberta Weiss) is a beautiful, young student out jogging in the woods who is kidnapped by primitive backwoodsman Vern (Lawrence King-Phillips). He forces her to climb steep rock faces and trek for several days with him to his remote mountain cabin where he plans to live with her.

Though Renee gradually comes to understand Vern and even pity him, she resists his frequent attempts to assault her and is finally saved from a fate worse than death by the appearance of Vern's dad, Joe (Dan Haggerty) on the scene. Joe warns his son not to hurt the lady and agrees to return her safely to civilization.

After an altercation with some hunters (out to kill the mountain sheep Joe loves and protects), Vern runs off. An Oedipal conflict occurs when he returns, savagely bashes his father with a rifle butt and leaves Joe for dead. Ever the rugged survivor, Joe manages to recover and track Vern down in a predictable conclusion that spells freedom for Renee.

Director Boon Collins smoothly handles this basic material, pulling his punches in the frequent scenes that promise some sex or nudity but never delivers. Robeta Weiss is easy on the eyes even under such a tasteful approach while Lawrence King-Phillips chews the woodsy scenery as a young villain reminiscent of John Drew Barrymore. Haggerty is perfectly cast as a kindly mountain man not too distantly related to his Grizzly Adams persona.

Tech credits are modest but effective, with an assist provided by nice wildlife photography by Tommy Tompkins.

Despite the best efforts of Collins to make this film bad, he accidentally made an interesting movie. Renee (Roberta Weiss) is out in the forest jogging and within the first minute of the movie finds herself captured by Vern (Lawrence King-Phillips). Vern appears insane at first, with his crazy sunglasses and aggressive nature. Events unfold and we come to realize that Vern has a dad (in a very convincing performance by Dan Haggerty) who is exactly the opposite of Vern, calm and level-headed. Above all this movie explores some interesting ideas, like what happens to the abductee after the initial shock of being abducted. Vern and his dad (Joe) are only in the forest because Joe loves his son and society wants to lock him up. Unfortunately, it seems that not much thought went into the last fifteen minutes, but the rest of the movie is definitely worth a watch. Rating: 25/40