Le Rapt

I will be damned if Dan Haggerty, TV's own "Grizzly Adams", does not actually take his role in this no-budget, cheap exploitation flick seriously and truly do his best to act in this film. You are in the middle of watching what has got to be one of the most amateurishly acted and atrociously bad crazy-mountain-man-abducts-sweet-young-thing movies, and all of a sudden, the big burly blonde Haggerty shows up and seems to actually think he is in something by Strindberg.

This movie apparently had something of a following, although I can't imagine why, so repugnantly does it violate the natural order, even of exploitation films, and it even generated a sequel, which I have thankfully been spared having to watch.

I am all for chicks-in-distress films, and I was hoping to see a lot of torn clothing, bared breasts, some good rolling around in the dirt and some real rope bondage in lush outdoor settings. This movie sadly disappoints on all counts, even in the bondage area, and I never saw a mountain guy with more rope than Vern, our psychotic kidnapper. Renee, the hapless victim, played by a young woman who seems to be somewhere between unconscious and dead, is so laughably inept at doing anything but standing still that part of me was hoping she would end up as Mrs. Vern, despite her whining that she was unhappy being kidnapped and wanted to go home. The character of Vern, played with twisted fiendish glee, still basically makes no sense and the actor's performance falls flat, despite his enthusiasm. Only Haggerty's genuine attempts at delivering a performance of some substance save this from being a complete catastrophe from start to finish.

In the genre of kidnapped-girl-in-the-hands-of-a-madman movies, this is about as lame as you can get. Nice Canadian landscape, though.

My review was written in May 1986 after a Cannes Film Festival Market screening.

"Abducted" is a modest little picture, which achieves its goal of presenting a simple story of survival in the mountainous wilds of British Columbia. Tameness of treatment indicates its best market will be for tv audiences.

Shot on handsome, treacherous locations, the story ironically recalls the strictly claustrophobic tale "The Collector". Renee (Roberta Weiss) is a beautiful, young student out jogging in the woods who is kidnapped by primitive backwoodsman Vern (Lawrence King-Phillips). He forces her to climb steep rock faces and trek for several days with him to his remote mountain cabin where he plans to live with her.

Though Renee gradually comes to understand Vern and even pity him, she resists his frequent attempts to assault her and is finally saved from a fate worse than death by the appearance of Vern's dad, Joe (Dan Haggerty) on the scene. Joe warns his son not to hurt the lady and agrees to return her safely to civilization.

After an altercation with some hunters (out to kill the mountain sheep Joe loves and protects), Vern runs off. An Oedipal conflict occurs when he returns, savagely bashes his father with a rifle butt and leaves Joe for dead. Ever the rugged survivor, Joe manages to recover and track Vern down in a predictable conclusion that spells freedom for Renee.

Director Boon Collins smoothly handles this basic material, pulling his punches in the frequent scenes that promise some sex or nudity but never delivers. Robeta Weiss is easy on the eyes even under such a tasteful approach while Lawrence King-Phillips chews the woodsy scenery as a young villain reminiscent of John Drew Barrymore. Haggerty is perfectly cast as a kindly mountain man not too distantly related to his Grizzly Adams persona.

Tech credits are modest but effective, with an assist provided by nice wildlife photography by Tommy Tompkins.

I was pleasantly surprised by this movie. It turned out to be better than I expected. It comes across like a Lifetime movie (which is why my wife liked it). Those who rent this movie hoping for your typical exploitation "crazy mountain-man kidnaps innocent girl" movie will be disappointed. There is no nudity, a little adult language, and some mild violence.

What I liked about this movie is that it was better than it had to be. The "villain" actually had some depth to his character, as did the character played by Dan Hagerty. The acting by the female lead could have been better, but isn't so awful that it makes the film unwatchable. The scenes between the female and Dan Hagerty are nice and sometimes rather touching.

I recommend this movie for rising above its genre. Its nice these days to be pleased and suprised by a movie, rather than disappointed.

Despite the best efforts of Collins to make this film bad, he accidentally made an interesting movie. Renee (Roberta Weiss) is out in the forest jogging and within the first minute of the movie finds herself captured by Vern (Lawrence King-Phillips). Vern appears insane at first, with his crazy sunglasses and aggressive nature. Events unfold and we come to realize that Vern has a dad (in a very convincing performance by Dan Haggerty) who is exactly the opposite of Vern, calm and level-headed. Above all this movie explores some interesting ideas, like what happens to the abductee after the initial shock of being abducted. Vern and his dad (Joe) are only in the forest because Joe loves his son and society wants to lock him up. Unfortunately, it seems that not much thought went into the last fifteen minutes, but the rest of the movie is definitely worth a watch. Rating: 25/40

This movie has a lot going for it. The plot is simple: a psychotic mountain man kidnaps a young woman while she is out on her morning jog. The problem is the director came up short. Most of the time, the movie tries to focus in on the intensity and insane look in the kidnapper's eyes. There are also a lot of chase scenes in the Canadian rockies. Not much else.

There are some good points. Dan Haggerty plays the madman's father and does a good acting job, but I kept flashing back to his TV series "Grizzly Adams". I half-expected Ben the bear to come trotting out of the bushes at any time. Roberta Weiss at the start of the movie played the role of the damsel-in-distress rather lamely, however she did seem to improve once the madman's cabin had been reached.

The problem is that this movie was not what you'd come to expect from this genre. The danger of sexual assault was there every time Vern got close. However, for a guy that had been out in the woods for two years without a woman, you'd think he could have gotten past the bra. Give this same script to David Cronenberg and you'd have a successful NC-17 movie and a better ending where the hunted becomes the hunter. As is, it is barely PG and not worth renting.

When it comes on Showtime or TNT, take a look if you like Dan Haggerty, as long as nothing else is on.