37°2 le matin

Is there one movie you've watched every night for a week? This was mine and I remember that strange feeling you get that every movie to follow will be disappointing in comparison. This movie was extraordinary in sight, sound, emotion, character. In overview it becomes a bit disjointed at a point, and the ending while powerful may not score high in originality. The rest is a masterpiece. This impact remains high because of some of the parallels to relationships I've had... I recall going to the company store on a business trip to Korea. One movie poster hung in the window, Beatrice Dalle in blue...

37.2 Le Matin(Betty Blue) is a brilliant piece of work. Jean-Huhues Anglades' natural performance as Zorg in this easy going - take life as it comes story line makes you want to see more of him. To see someone you love violently erode away is painful and Robins' beautiful camera work with the slow tracking makes the visual experience stimulating. The slow pace of this tale of love and friendship is no cause of concern. Very french, the nudity is handled beautifully. The subtle use of the color yellow is interesting. The film makes you want to be free to live a life of impulse and simplicity. A must watch for the film aficionado.

It's a strange movie. For sure the best acting ever by Béatrice Dalle, she's the engine of the story, and she's very convincing. It strikes you with impressive force, helped also by an awesome soundtrack and a photography that takes your breath away. I've never forgotten this movie, perhaps the best french film I've ever seen. A cult-movie !

The Betty of the title is like a shooting star; she runs hot and bright, but she's burning up. _Betty Blue_ chronicles a torrid affair between a waitress and a handyman, initially in a broken down seaside resort. Betty is both passionate and unstable, almost childlike, and initially it is outsiders who bear the brunt of her anger - the piggish owner of the seaside bungalows, for example, or the playboy publisher who rejects Zorg's novel.

However, as Betty becomes more unstable and begins her descent into insanity, this rage is increasingly turned inward into self-punishing and self-mutilating actions. The same intensity that drives her sexuality and her love for Zorg is, ultimately, her downfall.

Over the course of the movie, which is quite long (I saw the 178 minute director's cut), Zorg goes to increasingly frantic lengths both to please Betty and to protect her from herself. In this regard, certainly, Betty and Zorg are almost identical, both going to extremes, in their own ways, to defend their relationship from outside interference.

As well as providing a narrative that may be read and interpreted on several levels, _Betty Blue_ is an exceptionally beautiful film in terms of cinematography and mise en scene. Colour is used to breathtaking effect - the blue floors of the piano shop, the yellow car, the yellow lighting which makes it seem as though, regardless of time, it's always afternoon twilight. Landscapes, city scenes, interiors are all set up and filmed beautifully.

A tale of love, sex and obsession not to be missed.

A happy-go-lucky odd job man (Jean-Hugues Anglade as Zorg) falls in to a relationship with a slightly unhinged -- but very sexy/sexual -- French teenager named Betty (Béatrice Dalle in her debut role.)

There are very few films that are totally different from anything you have seen before. While sexually explicit -- it is far from objectionable because the two parties are in love and passionate about one another.

Betty Blue/37°2 le matin doesn't really fall in to any one category -- going from farce to tragedy, stopping off at oddball. The two leads are amazing in their chemistry -- they really do look and act like they are in love. Also what an amazing debut by the Dalle, although her later life has shown that she has plenty of the Betty Blue in her for real.

(Was this script written with her in mind? -- my search for the truth goes on.)

Starting the film with a sex scene sets the film off on the totally the wrong foot. While the film is about sex -- and at times sexual repression -- there are times when it looks like it was set in a nudist camp. Even Jean-Hugues Anglade strolls around with it all on show -- thankfully he looks like he has kept up his gym membership.

The scene in which Betty throws the whole of the fixtures and fittings of the beach apartment out of the window was stolen by a famous car advert (in the UK) and it really is a stretch of the imagination in that Zorg doesn't respond to it. He just paints on and lets her get on with it -- like he doesn't care.

(I think we all know how we would react in a similar situation and it wouldn't be like Zorg!)

This has great cinematography with every scene framed to perfection. The dour insides of the French household and the generally dirty oven and sink (usually with two weeks worth of dishes in them.) Very true if you know that part of the world!

The repeating, irregular, piano theme tune is what cinema is about -- when in the hands of people that know how to marry both mediums. Images and music fitting together to form a perfect marriage. Fantastic and moving.

The famous Roger Ebert of the Chicago Sun Times gives this low marks -- citing too much flesh being on display (among other faults) -- and this is sad given that he gave Kill Bill Part One top marks. A woman making love to a man she is in passionately in love with is tasteless -- a homicidal woman slicing the arms of a whole room of gangsters is OK?

Roger -- I respect you a great deal, but you are as wrong as Leslie Halliwell (author of the world's most famous film guide book) when he gave Close Encounters no stars at all.

You should come over here (Europe) a bit more. Walk about the beaches of France and Spain and look at the amount of flesh on display and the way people show affection for one another without glancing 'round to see who is looking. True it has one or two sex scenes too many -- as I hinted before -- but it is sex that means something and is about something.

Betty Blue is one of my top 200 films of all time and while it has its limits and its faults (it does sag a little in middle) it remains a powerful piece of work about living with crazy people and how easily good times can slip in to bad. I think if the sex was toned down and there was a bit more of the comedy/romance in the centre than this could easily be part of the IMDb top 200. Not that this really matters all that much.

A product that only the French could make and one gets under your skin and stays there.

This review is a reference to the original cinema cut.